Susanna agenzia squillo

Fans of Dean Martino and Judy Holliday (né Tuvim) will enjoy this musical. I am a fan of both of them so I could overlook the awkward staging of the Susanswerphone set, the believeability of Maritn as a writer and the dead weight of the subplot involving the racketeers. Still there are some well-sung songs and good, if not great chemistry, between the stars. For non-fans: 6/10. For fans: 7/10.

Arthur Freed's final musical production for MGM was this very bright musical comedy from Jule Styne-Betty Comden-Adolph Green, Bells Are Ringing. Sadly this was also the farewell film performance of Judy Holliday who was playing the role of Ella Peterson which she had created on Broadway.

Bells Are Ringing ran for 924 performances on Broadway from 1956 to 1959 and won a few Tony Awards including one for Judy Holliday as Best Actress. I'm sure the Tony went well with the Oscar she won for Born Yesterday up on her mantel.

According to a book about Arthur Freed and the films he produced at MGM, Bells Are Ringing was not an easy shoot. Judy Holliday was suffering a lot of health problems with bladder and kidney. In that sequence where she goes on a blind date and her dress catches on fire, Holliday was actually burned. And she had a constant battle with her weight.

Her leading man on Broadway was Charlie Chaplin's son, Sydney who also won a Tony Award and with whom she was involved with. MGM wanted a name with a bit more box office to it, so Dean Martin was cast as playwright Jeffrey Moss. Holliday got along with Dean, but she felt him to lackadaisical in his attitude. That might have been a problem later on, but certainly not here. I'm sure she'd have preferred Sydney Chaplin to work with again.

With the advances in telecommunications, Bells Are Ringing at this point has an almost quaint nostalgic look to it. I'm sure young viewers now who use cellphones and text messaging and have automatic answering systems built in to phones wouldn't even understand what an answering service was all about.

They certainly all weren't like Susanswerphone which is run by Jean Stapleton and employs two other people including Judy Holliday. Despite warnings by Jean to just take messages and a visit by police inspector Dort Clark who misreads what's going on at the Susanswerphone switchboard, Judy is a compulsive do-gooder who insists on meddling in the lives of her customers.

But she does it in such a sweet and winning way, Holliday creates one of the great screen characters and like Billie Dawn from Born Yesterday, one that originated on the stage. In one way Bells Are Ringing is a modern story, it's almost like an internet chatroom with Holliday running the board.

Besides Judy, Jean Stapleton, Dort Clark, and Bernie West who plays the frustrated songwriting dentist all repeat their roles from the original Broadway cast. Freed and director Vincent Minnelli pulled off some real casting gems for some of the other parts. Fred Clark as the producer who's trying to get a play out of Dino, Eddie Foy, Jr. as the dapper conman/bookie who is romancing Stapleton and whose activities arouse the police suspicions in the first place, and Frank Gorshin who I love best playing a second rate Marlon Brando imitator of a method actor.

Most of the musical score remained intact here. Arthur Freed would have been lynched had he attempted to bring Bells Are Ringing to the screen without Just In Time and The Party's Over. The last has become an automatic item the way Goodnight Sweetheart used to be signaling the end of an evening's festivities. And I do so like the Drop That Name number, try to see how many celebrities get their named dropped in that song.

Despite the problems it had with shooting, Bells Are Ringing is certainly a fitting climax for Arthur Freed's career as a producer. Judy Holliday made no more films, but did have another Broadway show, Hot Spot which did not have a long run. What a terrible tragedy, one so talented left us at age 44.

Still her fans can treasure her memory and her art in watching among other of her films, Bells Are Ringing.

In contrast to the guy who wrote the comment on the main page in this board, I saw this movie and I really enjoyed it. I had never seen a Judy Holliday movie before and I was totally taken in by her charm and good acting. Dean Martin (a favorite of mine) showed his usual suave personality and I thought he was perfect for the role. The songs and the choreography are excellent. I just love the mood of this movie and its message of healthy humanism, whether or not it's something I really believe in. I like the scene where Judy and Dean say hello and introduce themselves to the man on the street. Also of note is Minnelli's smart direction. One of the best musicals of the 60s, sadly one of the last.

If I really loved musicals, I would have probably scored the movie a 9. In fact, that I scored it as high as an 8 is an indication that, for the genre, it was a heck of a film. That's because the story apart from the songs is very sweet and romantic. Plus, the actors are so appealing and good that this certainly improved the film a lot. Judy Holliday was at her best and Dean Martin certainly was able to keep up with her and I really liked him more in this musical than as a comedian. Despite films like MATT HELM, he was a good actor and singer. Now, concerning the songs, it's rare that I have seen a musical with so many songs I have never heard before! But, after hearing them, I liked them a lot more than many of the more famous Rogers and Hammerstein musical scores from other pictures. This is because in addition to having nice music, the words were so often funny and charming. I particularly liked the song all the bookies sang as well as the name-dropping song! They were terrific.

The only thing is that watching the film I felt pretty depressed, as I knew that this was Ms. Holliday's last film--cancer limited her ability to act until she eventually succumbed six years later. It's a shame, as I loved her in so many wonderful films.

I found Bells Are Ringing accidentally when I was researching another film project and it has become a favorite. While Holliday is sparkling in her role, it is Martin's low-key reactions (which are, of course, what made him such a great straight man) that send me back to watch the film again and again. It's a "don't-miss" for fans of Holliday, Martin and the musical comedy - heavy on the comedy - genre.