VALUTAZIONE IMDb
6,0/10
925
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaSalome, pregnant by Chad, runs away from her rural Texas home and marries wealthy Yale student Tony. Years later she runs into Chad, who is now a successful musician in New York.Salome, pregnant by Chad, runs away from her rural Texas home and marries wealthy Yale student Tony. Years later she runs into Chad, who is now a successful musician in New York.Salome, pregnant by Chad, runs away from her rural Texas home and marries wealthy Yale student Tony. Years later she runs into Chad, who is now a successful musician in New York.
- Regia
- Sceneggiatura
- Star
Jay Adler
- Sammy Trist
- (non citato nei titoli originali)
Ricky Allen
- Saul
- (non citato nei titoli originali)
Harry Caesar
- Blues House Party Spectator
- (non citato nei titoli originali)
Charles Calvert
- Deacon
- (non citato nei titoli originali)
Carl Christian
- Minister
- (non citato nei titoli originali)
Ken Christy
- Conductor
- (non citato nei titoli originali)
George Cisar
- Cop
- (non citato nei titoli originali)
Recensioni in evidenza
This film suffers from most of the shortcomings mentioned in many of the comments above. Nevertheless, it's worth watching for two principal reasons: The breath-taking, youthful beauty of Natalie Woods, the most beautiful young woman I've ever seen, and the performance of Pearl Bailey, a fascinating personality and a marvelous actress and singer. Sadly, Pearl doesn't get to sing nearly enough (2 blues songs), but her part alone was decently written, and she acquits herself quite well in the meaty role. Wagner does a creditable job despite having to recite the idiotic and banal lines of his character, and the others are passable at best. Hamilton is borderline OK and Kohner munches the scenery something awful in most of her scenes. Were it not for Woods' stunning beauty and Bailey's excellent work, this one would truly stink.
The opening twenty, or so, minutes of this film are ludicrous, and I had to force myself to stay away from the delete button on my DVR. Pretty couple Wagner & Wood unconvincingly play two white-trash Texas teenagers, utilizing some of the worst faux Texas/Southern accents to ever grace (or in this case, disgrace) the screen. Granted, once the film has Pearl Bailey to work with, there are some nice moments, but they are few and far between.
Hamilton has little to do, and Susan Kohner plays spoiled rich girl Catherine so broadly, you expect the character to grow horns and carry around a pitchfork.
Sets and costumes are the usual MGM glam.
Hamilton has little to do, and Susan Kohner plays spoiled rich girl Catherine so broadly, you expect the character to grow horns and carry around a pitchfork.
Sets and costumes are the usual MGM glam.
I happened to see this film years ago in a sleepless night, zapping through some of the less commercial public canals we still had at the time in Europe. It really opened my soul because of the music included. I will not comment on the quality of the script or the acting of the young couple Natalie Wood and Robert Wagner; others can do better than I. But I like the slow pace, the melodramatic story, the dialogue lines that stay in your head, and - above all - I was thrilled by the singing and acting of Pearl Bailey as Ruby Jones. If ever you have to explain the feelings that gave rise to the blues, ahead of the ubiquitous slavery hardships and working in the cotton fields, then this movie is a 'must-see'. When Chad is in the lowest of spirits and ends up in a morning-after hang-out, he runs into this Ruby Jones, an alcoholic, but warm-hearted black singer. And she treats him with a song, unaccompanied, raw voice, that expresses his feelings so well, and gives him the idea he is not the only unhappy, lost man on this globe. I don't know if Mrs Bailey sung the track herself or was dubbed, but she succeeds in getting the blues feeling across as I've never heard thereafter. Same when later on in the movie she sings to Chad, playing the trumpet: "What am I heading for? Blues is knocking at my door". Alas! this song is spoiled by a dubbed in band and even background vocals if I remember well - anyhow, it takes away from the simplicity of just a singer and a "horn player" (as she puts it throughout the picture). The sad story of the twists and impossibilities of human relationships is to me more real-life than most of the soapy Hollywood plots that come to us by shiploads these days. Endearing, that's probably the word that says it all.
the movie was one of my favorites because it shadowed my own life to a certain degree. it seemed so real to me it was scary. i love natalie wood and robert wagner and i felt for both of them in this film as though it was really happening. susan kohner was a very beautiful girl and i fell for her hook line and sinker
If you're looking for happy moments, then this isn't your film. The problems grow and grow and you never see a solution for them. Under my point of view, it's not a bad film, but the story hasn't got a message and it's so sad that the only way to enjoy the film is by appreciating the acting, the directing, etc...
My rating is 7 out of 10
My rating is 7 out of 10
Lo sapevi?
- QuizThis film's title was the inspiration for the name of the 1980s British pop-rock band Fine Young Cannibals.
- Citazioni
Chad Bixby: Do you think I'm a fool?
Ruby Jones: I think most men are fools, white boy. And most women.
- ConnessioniFeatured in Perdiamoci (1988)
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- All the Fine Young Cannibals
- Luoghi delle riprese
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 1.638.000 USD (previsto)
- Tempo di esecuzione
- 1h 52min(112 min)
- Proporzioni
- 2.35 : 1
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