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IMDbPro

Tardo autunno

Titolo originale: Akibiyori
  • 1960
  • T
  • 2h 8min
VALUTAZIONE IMDb
7,9/10
6523
LA TUA VALUTAZIONE
Setsuko Hara, Mariko Okada, Keiji Sada, and Yôko Tsukasa in Tardo autunno (1960)
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CommediaDramma

Una vedova cerca di far sposare sua figlia con l'aiuto dei tre amici del suo defunto marito.Una vedova cerca di far sposare sua figlia con l'aiuto dei tre amici del suo defunto marito.Una vedova cerca di far sposare sua figlia con l'aiuto dei tre amici del suo defunto marito.

  • Regia
    • Yasujirô Ozu
  • Sceneggiatura
    • Ton Satomi
    • Kôgo Noda
    • Yasujirô Ozu
  • Star
    • Setsuko Hara
    • Yôko Tsukasa
    • Mariko Okada
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    7,9/10
    6523
    LA TUA VALUTAZIONE
    • Regia
      • Yasujirô Ozu
    • Sceneggiatura
      • Ton Satomi
      • Kôgo Noda
      • Yasujirô Ozu
    • Star
      • Setsuko Hara
      • Yôko Tsukasa
      • Mariko Okada
    • 28Recensioni degli utenti
    • 36Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
    • Premi
      • 3 vittorie totali

    Video1

    Trailer [OVS]
    Trailer 2:10
    Trailer [OVS]

    Foto106

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    + 99
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    Interpreti principali36

    Modifica
    Setsuko Hara
    Setsuko Hara
    • Akiko Miwa
    Yôko Tsukasa
    Yôko Tsukasa
    • Ayako Miwa
    Mariko Okada
    Mariko Okada
    • Yuriko Sasaki
    Keiji Sada
    Keiji Sada
    • Shôtarô Gotô
    Miyuki Kuwano
    Miyuki Kuwano
    • Michiko
    Shin'ichirô Mikami
    Shin'ichirô Mikami
    • Kôichi Hirayama
    Shin Saburi
    Shin Saburi
    • Sôichi Mamiya
    Chishû Ryû
    Chishû Ryû
    • Shûkichi Miwa
    Nobuo Nakamura
    Nobuo Nakamura
    • Shûzô Taguchi
    Kuniko Miyake
    Kuniko Miyake
    • Nobuko
    Sadako Sawamura
    Sadako Sawamura
    • Fumiko
    Ryûji Kita
    Ryûji Kita
    • Seiichirô Hirayama
    Fumio Watanabe
    Fumio Watanabe
    • Tsuneo Sugiyama
    Ayako Senno
    • Shigeko Takamatsu
    Yuriko Tashiro
    Yuriko Tashiro
    • Yôko
    Fujio Suga
    Fujio Suga
    Toyo Takahashi
    Toyo Takahashi
    • Wakamatsu's Owner
    Mutsuko Sakura
    • Regia
      • Yasujirô Ozu
    • Sceneggiatura
      • Ton Satomi
      • Kôgo Noda
      • Yasujirô Ozu
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti28

    7,96.5K
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    10

    Recensioni in evidenza

    8Jeremy_Urquhart

    Quite a wonderful movie

    Apparently this is a semi-remake of one of Ozu's own films, which I haven't seen (Late Spring). It's also a little familiar to the most recent Ozu film I watched, 1962's An Autumn Afternoon. Besides having titles that share a word, each involves parents looking for partners for their daughter to marry. In An Autumn Afternoon, it's a father looking for someone for his daughter to marry, and in Late Autumn, it's a mother looking for someone to marry her daughter (with the help of three very entertaining male side characters, who sort of kick off the main plot without being the film's lead characters).

    Yasujiro Ozu's films are slow and touching, but never dry or overly sentimental. Personally, I have to be in the right mood to get attached to them, but thankfully, tonight was the right mood. I found this very engaging throughout, and thought the characters were endearing, the visuals were very pleasant to look at, and the mix of drama and humour was pitch-perfect.

    There is still the slow pacing that I was aware of here and there, but not too often, all things considered. Part of me felt like 130 minutes was a little long, but another part of me enjoyed spending over two hours with these characters and their important (but not too high stakes) life decisions. I even had to remind myself they were fictional, after I thought to myself right after the movie ended that I hoped a character would be okay in their life going forward... before pinching myself and realising that they're fictional, and there technically is no more life for them to live once the screen fades to black. I think that's the sign of good writing and acting right there.
    9museumofdave

    Possess Your Soul In Patience

    If you have never seen a film by Yasujiro Ozu, you may have difficulty adjusting to his restrained and subtle handling of emotions; identifying Ozu as a director not known for action-packed narrative is massive understatement, as his films reflect a less hectic time and an ancient culture slowly coming to terms with change.

    On the surface, this film is simply about the separation occurring as a daughter marries and a parent is left behind. With Ozu, however, carefully and consistently arranging composition, with gentle humor and a quiet observation of the human condition, there is much to be gained from reflection, from watching people realistically and patiently coming to terms with change. No one screams and throws dishes, no one bleeds copiously or falls out of a window, no one even runs across the street. My grandmother used to say "possess your soul in patience," and that said, a viewer may need to do just that with Late Autumn; the willing viewer will be amply rewarded with this amazing examination of calm resignation in the face of a life change
    7jordondave-28085

    Rebooted colorized version of "Late Spring"

    (1960) Late Autumn (In Japanese with English subtitles) DRAMA

    Yasujirô Ozu's remaking of "Late Spring", which is based on a novel written by Kôgo Noda called "Chichi to musume" and Ton Satomi about pressures to a 27 year old daughter to marry despite her being objectionable. In this case, the time is 1960, and the environment is more current except that the roles are now reversed, which in the 1949 original theatrical version, it was the daughter feeling pressure by her father, but in this version it's the mother who's played by Setsuko Hara who was also in the original, playing as the daughter felt pressured to marry by her father's associates. Anyways, in this scenario, it's starts off with the aftermath of a funeral, 27 year old Ayako Miwa and her mother Akiko Miwa (Setsuko Hara) have only each other now that that Akiko's husband of the family has been buried. And while there, some of her father's closest working associates see that Akiko's daughter is old enough to get married since she's 27 years old. They then try to accomplish this task by using deception, manipulation and lies to see to it that she settles down even though her mother would be lonely without her, and that the three grown men setting this up already have spouses and servants living with them. As much as I love to see Japanese icon actress Setsuko Hara in color instead of in black and white, this film still felt long since the film excuses the actions of it's working associates about marrying off a 27 or 28 year old woman who's not even related to any of them since theirs an adage in Japan that single girls will become 'old maids' which is only a myth. And instead of handling their own their own problems, why does it concern them to have her get married as quickly as possible which the film doesn't address this question as actress Hara was allowed to put in some of her two cents in, but only for so many scenes. Not as good as "Tokyo Story" since the situations feels much more forced and imposed upon than 1949 "Late Spring".
    9crossbow0106

    An Update of "Late Spring", except the girls rule.

    This story is basically a retelling of the excellent "late Spring", except now the always engaging Setsuko Hara plays the mother in the film rather than the daughter. The daughter, the beautiful Ayako played by Yoko Tsukasa, is being told its time to marry. Three friends of her late father (essentially uncles) attempt to arrange a suitable partner for her. Ozu has updated his films before and he always manages to keep them fresh. This time, it is both humorous as well as poignant. A great addition to the story is Ayako's best friend Yuriko, a spitfire who isn't afraid to speak her mind. I especially like the relationship of Akiko (Hara) and Ayako as mother and daughter. They seem very comfortable with each other. In the previous "Late Spring", there was more tension. That is what gives "late Spring" the nod as the better film, it is a masterpiece. In this film the acting is uniformly good to great and there are some standout scenes, especially between the always beautiful, gifted actress Setsuko Hara and Yoko Tsukasa. There is also a great scene between Yuriko and the three men who are trying to find a suitor for Ayako. By all means, watch this film, but don't miss "late Spring". This film is available on the 5 disc "Late Ozu" set and both the film and box set are highly recommended.
    bobsgrock

    Ozu expands his view to include mothers.

    In many ways a retread of his earlier masterpiece Late Spring, which dealt with the relationship between a widowed father and his marry-able daughter, Ozu returned to familiar territory as he often did late in his career for a look at the flip-side. Here, the mother is widowed and desires to see her daughter married and happy. Three friends determine to intervene, leaving a trail of misunderstandings and hurt feelings in their attempt to appease all involved.

    While this is certainly a familiar story for Ozu to tell, he somehow manages to inject new life into it every time out. Through a beautiful color palette and his famous visual style, Ozu explores a world of postwar Japan that finally appears to be picking itself up fifteen years after World War II. Western dress and behavior continues to seep into Japanese culture and Ozu seems to be picking up on the rapid evolution of change within his country throughout these late career works. His lack of interest in plot and storytelling leaves the viewer more time to focus on the atmosphere, the context in which the story is set. The result is a very pensive and serene feeling as one realizes that no matter what time or place, humans will always desire certain things. Companionship, love and happiness will never go out of style, even for widowed women.

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    Trama

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    Lo sapevi?

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    • Quiz
      In 1961, Tardo autunno (1960) (Akibiyori) was selected as the Japanese entry for the Best Foreign Language Film at the 33rd Academy Awards®, but was not accepted as a nominee.
    • Citazioni

      Akiko Miwa: You have to marry eventually.

      Ayako Miwa: No, I don't. I'm happy just as I am. But Mother, if I did find someone, what would you do?

      Akiko Miwa: What do you mean?

      Ayako Miwa: Would you be lonely?

      Akiko Miwa: I'd miss you, but it can't be helped. I'd have to make do. It was the same with my mother. That's how it is with parents and children.

    • Connessioni
      Featured in Satoshi Kon, l'illusionniste (2021)
    • Colonne sonore
      1st Movement
      from "Piano Sonata No.11 A Major, K.331"

      Composed by Wolfgang Amadeus Mozart

      At the scene of a dressmaking school

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    Dettagli

    Modifica
    • Data di uscita
      • 13 novembre 1960 (Giappone)
    • Paese di origine
      • Giappone
    • Lingua
      • Giapponese
    • Celebre anche come
      • Late Autumn
    • Luoghi delle riprese
      • Tokyo Tower, Tokyo, Giappone
    • Azienda produttrice
      • Shochiku
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

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    • Lordo in tutto il mondo
      • 17.781 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

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    • Tempo di esecuzione
      2 ore 8 minuti
    • Mix di suoni
      • Mono
    • Proporzioni
      • 1.37 : 1

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