Thriller

There's no doubt about it, that this show had some of the eeriest and most unsettling stories to ever be aired on network TV. However, it would (I feel), be naive to think this show was the best of its kind. Like other anthology shows of its genre (NIGHT GALLERY, THE TWILIGHT ZONE, etc.) it suffers from a hodgepodge of dull scripts, mixed in with some genuinely effective ones. While the good on this series could be really good, the weaker shows could be insufferably boring. As a horror/fantasy enthusiast, it's those shows which I enjoy the most from this series, but the non-horror, the crime "thriller"s, those are generally a disappointment.

That aside, the horror segments on this show are some of the best ever done for television. Very moody, atmospheric pieces, suitably filmed in black and white. I suppose one could say that this series is what THE TWILIGHT ZONE would have been like, had it been a horror show, or what NIGHT GALLERY would have been like, had it been in black and white. Boris Karloff introduces each segment, in his usual drawl, but although he does fairly well at that, he doesn't have quite the same eerie restraint that Serling had on his series'.

Among some of the better segments on this show, that I enjoy:

"The Weird Tailor": Extremely clever story, with perhaps the most chilling final moments of any of the THRILLER episodes.

"A Wig for Miss Devore": One of Patricia Barry's best roles, and one of THRILLER's best shows.

"The Remarkable Mrs. Hawk": Jo Van Fleet is great in this one, as is John Carradine. This plays like a dark comedy...twisted and fun.

"The Cheaters": Most remember the final moments from this episode, but the whole show is very well done.

Definitely a series worth checking out for horror fans, and those who appreciate quality television. It's a shame this series doesn't get enough of the credence it deserves. It's not perfect, but it's certainly not without its laurels.

Never saw this series before I watched the DVD set, I was mostly impressed by it, though it took a awhile to find its way. It started out with crime "thrillers", which ranged from moderately interesting to instantly forgettable, though when it showcased horror, it really hummed, with presentations like 'The Hungry Glass', 'The Grim Reaper', & 'Pigeons From Hell' being the standouts.

Boris Karloff presented all 67 episodes, and was as effective a host for this, as Rod Serling was for "The Twilight Zone". Karloff was in my view the greatest horror film actor who ever lived, and appeared in several episodes, the best of which was 'The Incredible Doktor Markensen'.

Not as moralizing as "The Twilight Zone", this series was noticeably grimmer in tone, though wonderfully filmed in Black & White.

If you can get past the crime episodes, this is well worth viewing.

I was 11 years old when I had the fortunate (though for the sleepless week that followed I didn't think I was so lucky) when I saw the episode 'The Hungry Glass'...of course, being a kid generated its own fright quotient. Certainly 43 years later I could see the same show and laugh at it---maybe. I'll just say this, the sight of the spectres in that damnable mirror has never quite left me...much like the Banshee outside Darby O'Gill's door which I saw at about the same period in my life, causing me to wonder if mere acting can ever work up such emotional involvement again. Or as we age does life's humdrum banish true horrors to some remote chamber we've lost the key to?

Amazing how many of you remember the "Hungry Glass" episode. I was only about 9 years old at the time, and still vividly remember it as the scariest TV show I ever saw. What astounds me is that, with all the cable channels and all the JUNK programmed on them, they don't seem to find a slot to rerun these Thriller classics. It's a shame.

There are many "Thriller" episodes that raise the goosebumps, but the one I will never forget, "La Strega" (Italian for "The Witch") remains to haunt me to this day. Starring the great Jeanette Nolan, Ursula Andress and Alejandro Rey ("The Flying Nun"), it told the story of an artist (Rey) who falls in love with the granddaughter (Andress) of a witch (Nolan). When I saw this, back in the late sixties, it was on late night TV. Just the truly evil appearance of Nolan gave me nightmares for a week. Every few years it would be broadcast again (always late at night) and I would always watch. And the nightmares would return (no other film, TV show or book ever scared me as much} stronger than ever. A few years ago, thirty years since the last time I saw it, it was shown on the Sci-Fi channel. No nightmares this time, but I made a point of making sure every door and window was locked before I went to bed because this time, like all the previous ones, I happened to be alone.