Aggiungi una trama nella tua linguaThis American Roman Catholic religious-themed anthology sheds light on the contemporary search for meaning, freedom, and love.This American Roman Catholic religious-themed anthology sheds light on the contemporary search for meaning, freedom, and love.This American Roman Catholic religious-themed anthology sheds light on the contemporary search for meaning, freedom, and love.
- Candidato a 3 Primetime Emmy
- 9 vittorie e 4 candidature totali
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This syndicated series was produced by the Paulist Fathers, an evangelistic Catholic order of priests. For years, it was a staple of local TV programming in the USA, usually being aired on Sunday mornings or at very odd times, such as just before the station signed off for the night. To the Fathers, it was a way to spread the Word. To the stations, it was a cheap way to plug holes in their schedules and meet the community service requirements of their licenses.
I've also heard that the series was sometimes shown in Sunday schools and church group meetings, usually as the basis for a discussion.
As for the show itself, I found it to be a very mixed bag. Some episodes were interesting, thought provoking, and a bit offbeat, such as the one in which a group of people held a trial to impeach God. Many were preachy, predictable, and even unintentionally funny, like the one that ended with Edward Andrews signing "My Way." And some were just pulpits for 1960's-style liberalism, with noble criminals, brutal cops, and GI baby killers.
I've also heard that the series was sometimes shown in Sunday schools and church group meetings, usually as the basis for a discussion.
As for the show itself, I found it to be a very mixed bag. Some episodes were interesting, thought provoking, and a bit offbeat, such as the one in which a group of people held a trial to impeach God. Many were preachy, predictable, and even unintentionally funny, like the one that ended with Edward Andrews signing "My Way." And some were just pulpits for 1960's-style liberalism, with noble criminals, brutal cops, and GI baby killers.
Back when I was younger & partied way too much, I knew it was time to call it a night after "Insight" aired in the wee hours of Sunday Morning. For a production by a non-secular order (The Paulists) it was surprisingly non-preachy, but probably the reason the long running anthology seems to have been overlooked & underrated.
The writing was always top-notch & was successful in prompting the viewer to think about the age-old problems confronting man, albeit in a modern setting. The writing also seemed to avoid conclusions, rather, it seemed to focus on making one think about important questions.
The actors were also some of the best of their day. I remember Martin Sheen as appearing in multiple episodes, as did Harold Gould. Jack Albertson was in at least one episode (along with Martin Sheen, entitled "And The Walls Came Down" in which Sheen plays God to Albertson's old man). I also seem to recall other actors such as Linda Lavin, CArroll O'Connor and Teri Garr, although I am less sure on these three.
The writing was always top-notch & was successful in prompting the viewer to think about the age-old problems confronting man, albeit in a modern setting. The writing also seemed to avoid conclusions, rather, it seemed to focus on making one think about important questions.
The actors were also some of the best of their day. I remember Martin Sheen as appearing in multiple episodes, as did Harold Gould. Jack Albertson was in at least one episode (along with Martin Sheen, entitled "And The Walls Came Down" in which Sheen plays God to Albertson's old man). I also seem to recall other actors such as Linda Lavin, CArroll O'Connor and Teri Garr, although I am less sure on these three.
Insight is one of television's lost classics, an anthology series that successfully explored religious and spiritual themes while (usually) avoiding a heavy-handed approach. Considering the quality of the writing, direction, and acting in this series, it is amazing that it has not achieved a greater degree of popularity; it's regular use of symbolism, surreal images, and rather inventive plot and narrative devices should have guaranteed it a place in television history alongside other excellent anthologies such as The Twilight Zone and The Outer Limits. The series dabbled in every format from comedy and satire to fantasy and speculative fiction to deliver it's modern-day morality plays. At times light-hearted and humorous, at other times downright chilling, it was always effective in it's delivery. And who can forget the Reverend Kieser's narrative intros that suggested a cross between Sermonette and Rod Serling's narrations?
I remember the series fondly as a kid. In my early years as a TV engineer in a little Public TV station in Newark, Ohio, I got to run the episodes on film (we didn't have standard videotape in that station).
Except for those video pirates who have copies of the shows, "Insight" will remain buried forever. The reason is that the show represented Catholic theology of its time. Those episodes don't represent current Church doctrine on a lot of things. I think the Church doesn't want some of them publicized today. Some episodes also had very insistent bits of Catholic doctrine that make many people wince these days - I recall an episode that drably covered adultery in marriage that ended in suicide, with the priest/narrator suggesting this was the expected end of such immorality.
Even if you agree with the opinion that this was "the Twilight Zone of religious television," it was at least heartfelt. This show, and "Davey and Goliath," were made by people who honestly believed in the morals they promoted. I don't believe that's true of the expensive, show-bizzy, money-begging religious shows of today.
Except for those video pirates who have copies of the shows, "Insight" will remain buried forever. The reason is that the show represented Catholic theology of its time. Those episodes don't represent current Church doctrine on a lot of things. I think the Church doesn't want some of them publicized today. Some episodes also had very insistent bits of Catholic doctrine that make many people wince these days - I recall an episode that drably covered adultery in marriage that ended in suicide, with the priest/narrator suggesting this was the expected end of such immorality.
Even if you agree with the opinion that this was "the Twilight Zone of religious television," it was at least heartfelt. This show, and "Davey and Goliath," were made by people who honestly believed in the morals they promoted. I don't believe that's true of the expensive, show-bizzy, money-begging religious shows of today.
Some "Insight" episodes are available on VHS from Paulist Press (http://www.paulistpress.com). They are grouped together in sets of 3; I have used "Christ Incognito: Classic insight Dramas: Jesus B.C., The Day Everything Went Wrong, The Man Who Mugged God" in my Sunday School class.
"Wrestling with God: Classic Insight Comedies: Packy, The Walls Came Tumblin' Down, This side of Eden" worked well, too; I remembered "Packy" about an actor's agent getting into heaven though I'd seen it once over 20 years ago.
They are working on DVDs but say that it is "a slow process".
"Wrestling with God: Classic Insight Comedies: Packy, The Walls Came Tumblin' Down, This side of Eden" worked well, too; I remembered "Packy" about an actor's agent getting into heaven though I'd seen it once over 20 years ago.
They are working on DVDs but say that it is "a slow process".
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- QuizThe religious nature of the program attracted a wide variety of actors and directors such as Jeff Hunter, Ed Asner, Jack Albertson, Beau Bridges, Carol Burnett, Ron Howard, Cindy Williams, Patty Duke, Ann Jillian, Wesley Eure, Bob Hastings, Cicely Tyson, Ricky Kelman, Jack Klugman, Robert Lansing, Randolph Mantooth, Walter Matthau, Deborah Winters, Bob Newhart, Bill Bixby, John Ritter, Michael Shea, Martin Sheen, Marc Daniels, Arthur Hiller, Norman Lloyd, Delbert Mann, Ted Post, Jay Sandrich, and Jack Shea, as well as writers Rod Serling, John T. Dugan, Lan O'Kun, and Michael Crichton.
- BlooperThe series was produced in the United States, and nearly all of its episodes were set there, but the animated opening credits show cars driving on the left-hand side of the road.
- ConnessioniFeatured in Stu's Show: Steve Beverly & Wesley Hyatt: Part 2 (2022)
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- Tempo di esecuzione30 minuti
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- 1.33 : 1
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