L'oro della California

Westbound does not form part of the "Ranown "cycle of Westerns on which star Scott and director Boetticher collaborated in the 1950's and which included such stone classics as Comanche Station,The Tall T and Ride Lonesome .These were the work of the excellent screenwriter ,later director, Budd Kennedy while this has a workmanlike script from a pair of studio hacks The storyline is a little thin and this is the only major weak spot in a tense and crisp Western which takes the Civil War as its backdrop .Scott plays a Union cavalry officer assigned to re-establish a stage line that he once managed before the war ,the purpose being to ship gold from California to the Federal banks .He must overcome a Confederate agent ,in the form of Andrew Duggan and still he finds time to romance the feisty and gallant heroine played by Karen Steele Boetticher directs with style and aplomb ;there is a lively musical score and some limpid colour cinematography by J Peverell Mackay that adds real lustre to the look of the picture . Add some strong performances and you get an above average minor Western with a crisp running time and lots of lively action by way of diversion .It is a very neat little movie indeed and recommended to Western fans in particular

As a fan of Virginia Mayo,I was disappointed :she has three or four scenes and that's it ;the real female lead is Karen Steele ,an OK actress but without her colleague's appeal.

"Westbound" is a very short western ,without a dull moment;some characters -not Mayo's ,too predictable- are interesting particularly the one-armed ex-soldier who keeps on repeating he is only the half of the man he used to be .Randolph Scott is good as usual as the loyal hero on a mission to send gold to the Yankees ,who takes under his wing the young couple exposed to a sinister-looking guy's violence.

Budd Boetticher made the best of an average screenplay,much to his credit.

Greeting.

I cannot recall exactly how many times I have watched the film, "Westbound." I saw it in the theaters with my dad in 1959, and on TV many, many times since then. I have always enjoyed Randolph Scott, and Virginia Mayo (from St. Louis)! I liked the story of gold shipments from Julesburg, Colorado to the Federal Treasury. Confederates are waylaying the gold, and Randolph Scott returns to Julesburg to fix the problem.

Great story. Great story within a story of the one armed Federal veteran running a relay station. The color was good too. HOWEVER, what grabbed my attention, and still does, is the musical score! The music, especially the theme for traveling stagecoaches, is perfect, and very melodic!

Music is for me one of the major elements in a film. It must all be taken in together. I want desperately to purchase a VHS or DVD of Westbound so I can view it sans commercials, with great enjoyability!!! One of my very favorite Westerns!!!!!!!!!!!!!!!!!!!!

Terry Klasek

I've been considered Budd Boetticher one of great western director on cinema industry, but Westbound is a point outside the curve, quite sure, an ordinary plot, predicable and senseless, having in the beauty Virginia Mayo as the first waste, she was flouted, just few laconic scenes, Randolph plays Captain Hayes who was a former manager of Overland stage line in the pastime, his main assignment enforced by the Union Army is restore the safety of stage line steadily undermined by southern on Colorado territory, he arrives in town accompanied by a cripple soldier Rod Miller (Michael Dante) who had cut your lefty arm infected by gangrene and waived of the war, often blaming himself as a half man, supported by his young wife Jeannie Miller (Barbara Steele), on the Julesburgh's town the rich man Clay Puttman (Andrew Duggan) no longer wants make part of the Overland line, he resigned due has strong southern roots, although has in mind finds an easy way to stopping the shipment gold thru the stagecoach line from California, nonetheless he has a dangerous gang behind leading by an unsavory assassin Mace (Michael Paté) who have his own rules, uncumbering his blind boss, a minor movie from Boetticher, for your notable relevance 7 out 10!!

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First watch: 2020 / How many: 1 / Source: DVD / Rating: 7

This is a decent western—how could it not be since it stars Randolph Scott, always a cowboy who could make you believe it. Here he's a cavalry officer charged with getting gold shipments back east for the Union war effort. Trouble is there are Southern sympathizers in town, including his romantic rival (Duggan) and the hired gunsel (Pate); on the other hand, Scott's only help is a one-armed ex-Union soldier and his eye-catching wife (Dante & Steele).

Most of the action occurs in town or at the stagecoach way station, but we do get some well-chosen scenic shots in Warner Color. Also, Dante makes a likable ally for Scott, as he shows us how to fire a rifle with only one hand; at the same time, he and Scott play off one another really well. However, Mayo's role looks like an inessential add-on, maybe for marquee value.

Unfortunately, that final shootout is not up to Boetticher's usual standards— for example, Mace (Pate) looks like he wants to get shot, standing in the middle of the street as bullets fly. Speaking of the versatile Michael Pate, he seems to have been in about every sage opera of the period. But then he's got such a different look, so well suited to playing baddies.

Anyway, the overall result is not on par with Boetticher's classic Ranown series of westerns, made at about the same time, (The Tall T {1957}, et al.). It's a comparison that may indicate the importance of producer Harry Joe Brown to that exceptional series. Nonetheless, Westbound is still worth a look-see as Scott turns in another fine performance.