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IMDbPro

Sexy girl

Titolo originale: Voulez-vous danser avec moi?
  • 1959
  • 1h 31min
VALUTAZIONE IMDb
6,3/10
815
LA TUA VALUTAZIONE
Brigitte Bardot in Sexy girl (1959)
CommediaCrimineDrammaMistero

Aggiungi una trama nella tua linguaHandsome dentist Herve Dandieu, temporarily separated from his new, delectable wife Virginie by a lovers' tiff, is picked up by sexy dance teacher Anita Flores...object blackmail. Sensing tr... Leggi tuttoHandsome dentist Herve Dandieu, temporarily separated from his new, delectable wife Virginie by a lovers' tiff, is picked up by sexy dance teacher Anita Flores...object blackmail. Sensing trouble, Virginie follows him to the dance school, only to find him circumstantially incrimi... Leggi tuttoHandsome dentist Herve Dandieu, temporarily separated from his new, delectable wife Virginie by a lovers' tiff, is picked up by sexy dance teacher Anita Flores...object blackmail. Sensing trouble, Virginie follows him to the dance school, only to find him circumstantially incriminated in murder. Soon, the school has a gorgeous new instructress, whose slightly scatterb... Leggi tutto

  • Regia
    • Michel Boisrond
  • Sceneggiatura
    • Gérard Oury
    • Jean-Charles Tacchella
    • Louis C. Thomas
  • Star
    • Brigitte Bardot
    • Henri Vidal
    • Dawn Addams
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    6,3/10
    815
    LA TUA VALUTAZIONE
    • Regia
      • Michel Boisrond
    • Sceneggiatura
      • Gérard Oury
      • Jean-Charles Tacchella
      • Louis C. Thomas
    • Star
      • Brigitte Bardot
      • Henri Vidal
      • Dawn Addams
    • 20Recensioni degli utenti
    • 5Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
  • Vedi le informazioni sulla produzione su IMDbPro
  • Foto100

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    Interpreti principali23

    Modifica
    Brigitte Bardot
    Brigitte Bardot
    • Virginie Dandieu
    Henri Vidal
    Henri Vidal
    • Hervé Dandieu
    Dawn Addams
    Dawn Addams
    • Anita Florès
    Darío Moreno
    Darío Moreno
    • Florès
    Georges Descrières
    Georges Descrières
    • Gérard Lalemand
    • (as Georges Descrières de la Comédie Française)
    Serge Gainsbourg
    Serge Gainsbourg
    • Léon
    Joyce Johnson
    • Daisy
    Maria Pacôme
    Maria Pacôme
    • Madame Decauville-Lachenée
    • (as Maria Pacome)
    François Chaumette
    François Chaumette
    • Joseph - l'inspecteur
    Pascal Mazzotti
    Pascal Mazzotti
    • Le barman
    • (as Pascal Mazotti)
    Magdeleine Bérubet
    • Clémence
    • (as Magdeleine Berubet)
    Marie-Thérèse Orain
    • Mathilde
    • (as M.T. Orain)
    Paul Frankeur
    Paul Frankeur
    • Le commissaire Marchal
    Noël Roquevert
    Noël Roquevert
    • Albert Decauville-Lachenée
    Philippe Nicaud
    • Daniel
    Lucien Callamand
    • Un patient chez le dentiste
    • (non citato nei titoli originali)
    Georges Demas
    • Un homme dans la salle d'attente
    • (non citato nei titoli originali)
    Andrée Florence
      • Regia
        • Michel Boisrond
      • Sceneggiatura
        • Gérard Oury
        • Jean-Charles Tacchella
        • Louis C. Thomas
      • Tutti gli interpreti e le troupe
      • Produzione, botteghino e altro su IMDbPro

      Recensioni degli utenti20

      6,3815
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      Recensioni in evidenza

      6Bunuel1976

      COME DANCE WITH ME (Michel Boisrond, 1959) **1/2

      This and another early Brigitte Bardot vehicle, UNE PARISIENNE (1957), had been available for rental at a local DVD store for a long time but I kept postponing getting to either, believing them to be minor frothy affairs; however, having just acquired and being on the point of watching a similar effort of hers – Marc Allegret's MADEMOISELLE STRIPTEASE aka PLUCKING THE DAISY (1956) – I thought I might as well check them out too while I am at it. Anyway, I opted to start with this one being ostensibly a thriller and, while I was expecting it to involve some nudity from the star (which technically there is none), I was surprised – especially when considering the film's essentially light touch – at the amount of sleaze on display (from explicit situations and dialogue to a subplot involving gay bars and drag queens!). The premise, in fact, revolves around the Police investigation into the murder of blackmailing dance teacher Dawn Addams; incidentally, the Inspector on the trail of the assassin is Luis Bunuel regular Paul Frankeur and Serge Gainsbourg, popular yet controversial singer/songwriter and later film-maker, makes an early appearance as the victim's accomplice (photographing her in compromising positions with wealthy patrons). Their latest victim is dentist Henri Vidal (whose last film this proved to be, expiring from a heart attack at the young age of 40 – he was married to star Michele Morgan, having met on the set of his best-remembered movie i.e. the Italian spectacle FABIOLA [1948]); Bardot is his wife, whose father (Noel Roquevert, from a number of H.G. Clouzot titles) is an industrialist. Vidal had run into Addams at a nightclub after a row with his bride: she even goes to his clinic, where Bardot works as his assistant, and supplies him with incriminating photos of their dalliance. On his part, not intending to pay, he visits Addams at her studio and causes a scene – but then relents and makes an appointment for the next day at the same place; when he arrives, Vidal finds the woman dead and is then surprised in the room by Bardot who had followed him there! Of course, he has to confess everything and though Roquevert does not readily believe him, Bardot does and determines to establish his innocence (since his description was given to the Police by Addams' dance colleagues) by finding the real killer. To this end, she takes a job as a dance teacher there and even ingratiates herself with Frankeur; incidentally, it appears that the killer could not have exited the room before Vidal's entrance as there is no other way out: this actually reminds Bardot of the Gaston Leroux novel "The Mystery Of The Yellow Room" (whose 1930 film adaptation by Marcel L'Herbier, along with its sequel THE PERFUME OF THE LADY IN BLACK – nothing whatsoever to do with the atypical Italian giallo from 1974 – I have also just gotten my hands on!) and from here on in, as the saying goes, the plot thickens. Despite the generic and downright misleading title, this is a fairly enjoyable picture (especially easy to take in pleasant color); mind you, the suspense reaches no great heights (given that the murder method is given away all too soon and the motive emerges to be characteristically weak) – and, yet, the viewer's attention is engaged throughout and one is genuinely curious to discover the guilty party's identity (what with the variety of suspects being fingered along the way).
      8bonfirexx

      Bardot at 24 was a stunner!

      Brigitte Bardot was so completely feminine, playful, beautiful, and witty, she couldn't miss connecting with the male sector of any movie-going audience. And the women must have hated her, or at least envied her to tears.

      Bardot's face is so luminous, focusing upon it is more stimulating than seeing close-up, revealing body shots of her contemporaries such as Eckberg and Lollobrigida. She could take a mediocre, or in this case, convoluted plot, and save a film which would have been a dud with just about any other female star.

      The film is fast-paced, and suspenseful, in so far as the futility of trying to guess the culprit's identity, prior to the odds and ends being tied up neatly, in the end. And it far surpasses Bardot's collaboration with director Michel Boisrond, in "Mme. Pigalle," produced three years earlier. That one is filled with artifice and "mannerisms." such as fake auto rides, background landscape fakery, lip-synch singing, fake piano playing, and the stereotypical bumbling, "moronic cops" syndrome, so prevalent in films of the time. This film contains no artifice, or editing "tricks," whatsoever, and while it lacks for substance, it is entertaining, and the Bardot charisma at this most appealing stage of her life, stays with one, long after the curtain rings down.

      Henri Vidal, in his final role before his untimely death at age 40, is well-cast, as Bardot's husband who is being blackmailed by femme fatale Dawn Addams, herself a red-headed stunner who exits the film much too soon to suit the male voyeur contingent.

      ********
      6Neal

      There are far worse ways to spend 90 minutes

      The murder mystery plot is pretty limp, but Bardot is at her ripest and performs a joyous mambo. The gay subplot would have been unthinkable in a Hollywood film of the time; here the treatment is relatively casual and benign. The title song is a finger-snapping delight; how could it have escaped Bobby Darin's attention?
      8lotus611

      Gainsbourg Master Mind

      I just want to take note of the great Serge's Gainsbourg stunning appearance, short but classic! "L'homme a la-Tete-De-choux" enters with class, sets his line, and the rest is history...Check out Gainsbourg the artist: jazzman, musician, singer, poet, provocateur, precursor of rap, pop idol, eighties cult, through his musical career. Not to mention Brigitte Bardot in all of her splendor, a must see for any BB fan (check out the song "Bonnie and Clyde" for another Bardot/Gainsbourg collaboration). Good stay-at-home and somewhat suspenseful movie. Worth watching. I found this movie very enjoyable, definitely not a classic, but reminiscent of the pre-60's French thrillers.
      7wrvisser-leusden-nl

      good, but not a BB-vehicle

      This well-made movie just has one flaw: Brigitte Bardot is not suited for playing a crime plot. As her talents are with light comedy, she is not able to carry out the necessary mystery, horror and suspense here.

      For this reason I think 'Voulez-vous danser avec moi?' not entirely convincing. But apart from that, it's quite entertaining. It is shot well, its acting is good, and its story catches the viewer's interest from beginning to end. Of course your special attention for the scenes in the dance-school, fully displaying Brigitte's excellent dancing skills.

      This movie also seriously deals with homosexuality, back in 1959 a groundbreaking issue. For this reason I guess Paris must have been the only location possible.

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      Trama

      Modifica

      Lo sapevi?

      Modifica
      • Quiz
        Sylvia Lopez was originally cast as Anita, but after a few days of shooting became too ill with terminal leukemia to continue. Co-star Henri Vidal died soon after completing this film.
      • Blooper
        When Viriginie is dancing the Mambo with Flores, her handbag disappears between when they dance away from the camera and when they dance toward the camera.
      • Citazioni

        Hervé Dandieu: Because you absolutely want this gentleman to see your breasts?

        Virginie Dandieu: In circumstances like this one, it couldn't hurt.

        Hervé Dandieu: Maybe you could go out naked while you're at it!

        Virginie Dandieu: Oh, I'd love to. When I'm naked it takes away all my complexes.

      • Connessioni
        Featured in Rock & Chips (2010)
      • Colonne sonore
        Voulez-vous Danser avec Moi ?
        Music by Henri Crolla

        Lyrics by Jacques Prévert

        Performed by Bob Martin

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      Domande frequenti12

      • How long is Come Dance with Me!?Powered by Alexa

      Dettagli

      Modifica
      • Data di uscita
        • 18 dicembre 1959 (Francia)
      • Paesi di origine
        • Francia
        • Italia
      • Lingue
        • Francese
        • Inglese
      • Celebre anche come
        • Come Dance with Me!
      • Luoghi delle riprese
        • Studios de la Victorine - 16 avenue Edoard Grinda, Nizza, Alpes-Maritimes, Francia(Studio)
      • Aziende produttrici
        • Francos Films
        • Vides Cinematografica
      • Vedi altri crediti dell’azienda su IMDbPro

      Botteghino

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      • Budget
        • 1.000.000 USD (previsto)
      Vedi le informazioni dettagliate del botteghino su IMDbPro

      Specifiche tecniche

      Modifica
      • Tempo di esecuzione
        • 1h 31min(91 min)
      • Proporzioni
        • 1.66 : 1

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