Prigioniero del grattacielo

Just an easy watch that entertains. Hildegard Knef, well you can guess she was quite the star in West Germany in those days.

Army officer Van Johnson spends most of the movie hiding out in Hildegarde Neff's apartment as he tries to prove his innocence of drug theft and murder. Cec Linder steals the show as the MP on his trail in this fairly ordinary thriller.

This movie is based on a stage play and it shows--despite some opening out of the action much of the picture takes place on a single set. Van Johnson-here simply going through the motions-plays Major Baxter Grant,an American army doctor in post war Germany who is falsely accused of drug dealing and murder .He flees to Berlin where his wife Anna(a wooden Katherine Kath)is still living She has rented their apartment to a cabaret singer played with some style by Hildegarde Neff who believes in his innocence and shields him from both the German police and the American army investigator played well by Cec Linder who makes the most of his role as a vulpine and unpleasant albeit competent investigator

Will Baxter be cleared?Who is the real villain?Will you remain awake long enough to satisfy yourself on these points?

It is very talky with poor dialogue and ineptly handled action scenes.Box does not direct the film -she merely points the camera in the general direction of the cast and lets them sink or swim

Exactly the kind of tepid dross that gave much of mainstream British cinema in the era such a reputation for listless,supine bourgeois ineptitude.

A cold-blooded murder takes place on an American military base in the western German region of Palatinate. At the same time, nightclub singer Lilli Hoffmann (Hildegard KNEF) moves into a furnished penthouse in West Berlin, which she rents for a few months from the hastily departing Anna Grant (Katherine KATH). The two events actually have nothing to do with each other. Or so it seems, until the beautiful Lilli discovers the US Major Baxter Grant (Van JOHNSON) on her roof terrace one night.

Directed by British director Muriel BOX, this is a crime story that could only take place in post-war Germany occupied by the Allies. It becomes clear that the story is based on a play. Almost everything takes place in the penthouse apartment. KNEF appears here under her international star name Hildegarde NEFF. And of course NEFF also gets to sing a song, "Love Is Not Love".

Other roles include Albert LIEVEN as Lilli's lawyer and the young Vivian MATALON as the major's stepson.

The British crime drama was filmed in London's Shepperton Studios. All you can see of West Germany are the signs along the motorway. It is a pure studio production that seems almost forgotten in German-speaking countries despite the participation of Hildegard KNEF. That's a shame. SUBWAY IN THE SKY is not a masterpiece, but it does offer a solid crime story. Hildegard KNEF is a little under-challenged in this black-and-white production, but she wears charming costumes and also surprises with a turbulent action sequence.

SUBWAY IN THE SKY is a very dull British thriller based around illegal drug smuggling in the army. Lame duck actor Van Johnson plays an American major who is falsely accused of being a drug dealer so he decides to go A.W.O.L. in an attempt to clear his name. He hides out in his wife's apartment, little realising that it has already been leased to a German singer who chooses to help him in his quest for justice.

I don't know much about Van Johnson outside of this movie but I can report that his performance here is perfunctory at best. He's hardly the type of hero you can root for or indeed even care about as he feels wooden throughout. Hildegard Knef is much better as the warm-hearted singer who befriends him although the best performance goes to Cec Linder whose character has a Terminator-style unstoppable quality about him in his relentless and incessant hunt for the missing man.

SUBWAY IN THE SKY is one of those movies based on a stage play and it does feel very stage bound and constrained by the single location. It's also incredibly boring, with never a moment of suspense or tension in all those long minutes of running time. I don't wish to knock the talents of director Muriel Box but she doesn't really feel cut out for film on the strength of her work here. The film has a single decent scene, a shockingly explicit moment on a balcony, and that's exactly it.