Un dollaro di onore

"Every man should have a little taste of power before he's through."

Rio Bravo boasts a stellar cast in John Wayne, Dean Martin, Ricky Nelson, and Angie Dickinson. It's a classic Western film that strays from themes related to the genre. Instead of the stereotypical outlaw vs. sheriff theme, Rio Bravo forces the audience to analyze each character and how their unique backstories explain their actions.

One of Rio Bravo's defining features is that, unlike other Westerns, there isn't an overwhelming protagonist. Instead, each of the characters are seen grappling with their own issues and finding their place in the story.

All four of our main characters are deputies in the town. John Wayne plays the sheriff and acts as the calm and steady voice of reason in the story. Dean Martin plays Dude, a has-been who delved into alcoholism after he was left by a woman. There's Stumpy, the crippled grandpa and a young, talented new guy. The interactions between all the other characters is quite interesting, especially the chemistry between Chance and Dude.

Methodically speaking, this is a really good movie whether you like Westerns or not. The writing is really good, and the direction especially is remarkable. Each scene is intricately set up. I want to bring special attention to the opening scene. There's no dialogue, and we don't fully find out what transpired until later. The opening scene really pulled me in, and set this up to be a really solid film.

Unfortunately, the run-time is a bit long. As the movie progresses, Feathers and Stumpy started really annoying me. There's a shootout scene that's really good, but the closing scene is anticlimactic and I wish the movie had ended better for the sake of the story.

Despite all the praise I can offer Rio Bravo, I just don't think it warrants over a 7 rating. The scenes with Feathers are too drawn out, and I think we'd have a better story if her character was removed completely. Nonetheless, this is definitely a good Western to see if you appreciate character development, dramas, and John Wayne.

John Wayne- Dean Martin - Ricky Nelson -- with production by Warner Bros. , bring them together in Howard Hawks' "Rio Bravo" . John Chance (John Wayne) is the marshal of a Texas border little town who imprisons gunslinger Joe (Claude Atkins) into jail for being brought to justice . But Joe's brother is a corrupt baron land named Nathan (John Russell) . Then Chance takes on a blockade of gunfighters . He along with a cripple old (Walter Brennan ) are besieged and only helped by a drunk (Dean Martin) and a cocky youngster (Ricky Nelson) as hired hand . Meanwhile the tough Wayne falls in love with an enigmatic young (Angie Dickinson)...and the girl they all call 'Feathers' . Wheeler...a chunk of solid granite now crumbling with age...Burdette...he was the knife poised at the throat of Rio Bravo...Old Stumpy...no teeth...one leg...but all the rest was guts...and Dean and Ricky sing, too!. "My Rifle, My Pony and Me" "Rio Bravo" "Cindy" . The fought back to back...No quarter given...No quarter asked...No way in...No way out...of Rio Bravo. Feathers...the one girl who could give the big guy a hard time...

Action western, an agreeable love story , shoot-outs at regular intervals , and humor abound in this magnificent film whose characters are splendidly portrayed . It packs larger-than-life roles , uproarious events and lively happenings . The Duke carries strong acting on his brawny shoulders and perfectly does . The picture is mainly lifted out by veteran Brennan's wonderfully acting as a half-crazed likable old man , whose finger itches demoniacally on the trigger every time he gets a nasty guy in his sights . And of course , top-drawer Dean Martin with an unexpected excellent performance as alcoholic sheriff . Colorful Technicolor cinematography by cameraman Russell Harlan who adds much to the setting of this unique Western. Marvelous musical score by Dimitri Tiomkin including the Mexican ¨Degueyo¨, music also played during ¨John Wayne's Alamo¨ siege. This overlong , too much-acclaimed and very gripping Western will appeal to John Wayne fans. Rating : Above average, essential and indispensable Western , a masterpiece horse opera whose reputation has improved over the years.

Subsequently , Howard Hawks shot ¨El Dorado¨ in similar style with a hot-headed James Caan as Mississipi who is a virtual retreat of the previous young sidekick named Colorado-Ricky Nelson . Howard Hawks also displays a number of similarities to the posterior ¨Rio Lobo¨ starring Wayne, Victor French, Jorge Rivero and again with an old short-tempered person played by Jack Elam . Furthermore, a semi-remake on modern times by John Carpenter was called ¨Assault on Precinct 13¨.

I had to comment on this as the only other comment said it was too long and too dull. I recorded it for my father, who is a western fan, and watched it with him and my wife.

The movie has charismatic performances from Wayne and especially Walter Brennan as the old deputy. He made us laugh out loud several times. True it isn't all action, but more about characters. Ricky Nelson did okay, no Oscars here but a competent enough piece of acting as a young, brash cowboy.

Angie Dickinson plays the love interest and boy was she gorgeous in those days! OK so the Duke was cracking on a bit for the young and lovely Angie to fall in love with him, but there wasn't much else in the town to fancy and some women like older men!

Very enjoyable Western. I gave it 8/10.

Sheriff John T. Chance (John Wayne) is holding Joe Burdette (Claude Akins) for killing an unarmed man. Only Joe's brother Nathan (John Russell) wants Joe freed, and he'll use everything in his powers. The only hope Chance has is a drunk (Dean Martin), a kid (Ricky Nelson), and ol' Stumpy (Walter Brennan).

This is classic John Wayne at his finest. He is the great gunslinger facing insurmountable odds who takes on the bad guys with his brains, his determination, and his skills. Directed by Howard Hawks, this is just a great old fashion western. They even have Dean Martin and Ricky Nelson sing-along. Angie Dickinson plays the romantic lead. Sure, it is cliché. The good guys always win in the end. But there's nothing wrong with that.

Disregarded at the time of its release, and still underrated by many critics, Rio Bavo is finally coming into its own as a masterpiece. One reason that it has been underrated is that,it does not seem a typical western for the fifties. Most of the great westerns of the period were darker and moodier. Witness for example, the great films of Boetticher and Anthony Mann, or-the supreme example-The Searchers.Others were 'revisionist' and often sought to convey a socially conscious "teaching'- High Noon is the paradigm here. In contrast, Rio Bravo is unashamedly reactionary. Hawks actually claimed to have made the film as a reply to High Noon..In addition, there are very few pyschological or moral ambiguities here. Instead, we get a classic Hawksian scenario, also found in Only Angels Have Wings and To Have and Have Not. . in which a groups of misfits and outsiders bands together to defeat evil. Here we have John Wayne- offering a performance of considerable subtlety and self knowledge- as the valiant, yet limited, patriarchal hero, John T. Chance. To save the day, he calls on a cast of standard Western characters:The old-timer( Brennan), the reformed drunk( Martin), The "kid'( Nelson), and the "hooker with a heart of gold( Dickinson).Thanks to Hawks' assured, efficient, direction,All of these actors transcend the stereotypes usually associated with such characters to deliver fine performances which are simultaneously "realistic' and archtypal. Particularly worthy of notice is Dean Martin. John Carpenter once claimed that the scene of Martin's "redemption" was the greatest moment in all of cinema. That may be an exaggeration, but Carpenter has a point. It is both moving and unforgettable.In short, Rio Bravo is a triumph for Howard Hawks and his seemingly artless art.