Orfeo negro

There are so many reasons Black Orpheus is important to cinema. First, how many people know that prior to Marcel Camus making this film the late Orson Welles attempted to capture Rio Carnival but with no story, plot, or script? In 1942, Welles discovered voodoo was at the root of the carnival samba, and started filming in the favelas, the slum shanty towns on the hills of Rio...it was considered by Hollywood to be anti-establishment and dangerous by Brazilian authorities. Thus, Welles was not able to complete his film.

Samba is a Portuguese form of music, the word was derived from the West African bantu word "semba", meaning "invoke the spirit of the ancestors". Long outlawed as a dangerous expression of black slave culture, samba music eventually gained legitimacy and became a big part of carnival.

Nearly 20 years later Black Orpheus achieves what Welles was trying for and goes beyond it. To start Marcel Camus had a script to work from whereas Welles was trying to wing it on the spot. Camus successfully recreated the Orpheus-Eurydice myth using the Rio Carnival as the back drop. The main characters retain the mythological names, including the symbolic Death. This works because it is Afro-Latin culture where pagan-Christian names were more evident and because the Carnival itself was such an important part of the story. History manifests as a deja vu, a cyclical progression of event and re-incarnation, understood only by the occultic transformation of samba, trance and possession, for which the Carnival is the engine.

To those who misunderstand or are ignorant of samba, voodoo, or the Rio Carnival Black Orpheus may seem overwhelming, especially because of all the singing and dancing but samba (and Carnival) is ritual, in its most elementary form it is a raw cacophony of primitive drumming, clapping, chanting... and the droning cries of the dancers who stagger on the edge of the "stage", seeking possession and reincarnation.

Black Orpheus won the Palm d'Or in 1959 at Cannes. It was seen as progressive because it featured black actors and the pluralist culture of modern Brazil. It also gives outsiders a view inside of a ritualistic, non-Western culture and that is why it was and is so important to cinema.

"Black Orpheus" sets the classic myth of Orpheus and Eurydice against the cacophony of color and music that is a carnival in Rio de Janeiro. The film is as much a celebration of culture as it is a rendering of the Greek story. A love of life comes bursting off the screen as the people in it literally never stop breaking into impromptu singing and dancing, which makes the specter of impending death and doom that haunts the carnival all the more striking in comparison. For the first half of the movie, I thought how wonderful it would be to immerse myself in such a culture, where people are uninhibited and feel so free to express themselves. It's so different from the uptight white American culture to which I belong. But by the end of the movie, the introvert in me was like, "Ok, it would actually be really exhausting to be around that much energy for any prolonged period of time."

I thought the ending of this film was terrific, capturing the cyclical nature of life and death and suggesting that the primary motivations that drive humanity will be carried on forever by those who succeed us.

"Black Orpheus" won the 1959 Academy Award for Best Foreign Language Film.

Grade: A

Black Orpheus is one of the truly great movies, and may be considered as part of the heritage of every true movie lover. The setting of the Orpheus story in the hillsides and streets of Rio, with the brilliant actors, is nothing short of a miracle. Everything in the movie is beautiful to look at, and the music becomes as much a part of the atmosphere as the very air these beautiful actors breathe. The final scene, with the children, being magically prepared to fall into the roles the adults have just left, must remain with the viewer as one of the most affecting things in this magnificent movie. Do yourself a great favor, and see it.

Rarely have we encountered movies like this one: a timeless mythical story from Greece brought to screen in Brazilian context, the couple come from the very heart of Brazilian society, from Rio. Yet, what links them is the same sweet feeling that have linked the people for thousands of years no matter what nationality, beliefs or family background. Yes, that is what BLACK ORFEUS offers undeniably. The great romance that bursts out in the magnificence and lavishness of Rio's carnival when, truly, body in dance combines with heart in love. Yet, is that the only reason for calling this movie classic? As a matter of fact, there have been lots of love stories on screen that were quickly forgotten. What is, in fact, the very uniqueness of BLACK ORFEUS that differs it from other movies and that makes it an interesting cinema production after all these years?

We could say, though ridiculous this may seem, that it is everything about this movie that makes it a timeless work on screen. Yet, such a generalized view may, of course, result in simplification and confusion. There are specifically two factors that make BLACK ORFEUS significant or still worth attention: the first one aforementioned timeless love story uniquely and accurately put in the context of Brazil, which, in itself, must have been a challenge due to its innovative nature but the task was beautifully crafted by the director; the second being the cinematography of the movie which still, after almost 50 years, appears to be astounding. Those two aspects, for many viewers, constitute this "everything." This enthusiasm may be compared to a beautiful painting you admire thanks to its exquisiteness. In the same way, any film which has an interesting story and is visually stunning occurs to be an unforgettable work of art. And indeed, BLACK ORFEUS is a lovely visual work, the colors are stunning and the imagery is brilliant. The gorgeous views of Rio, the beautiful moments of sunrise and the charming views of little houses overwhelm even the most cynical viewers. But what about the rest?

Such aspects like performances or action cannot be analyzed in terms of modern cinema, according to what we find in the majority of Hollywood productions. Acting is superb yet their evaluation is exposed to certain opinions that not necessarily occur consistent. These are all Brazilian actors, many of whom are unexperienced when concerning "grand cinema" but this very fact appears to be beneficial for the film since their performances result in authenticity and freshness. You really have a feeling that you watch real people in the very circumstances of the carnival in Rio and their love is genuine. There is a perfect chemistry between Breno Mello as Orfeus and Marpessa Dawn as Eurydice. They beautifully fit to their roles and even their life stories proved that mysterious link. Consider that they both died the same year... Lourdes Oliveira gives rather a funny performance as Mira but is also memorable.

IL ORFEU NEGRO is a very valuable film, a sweet and authentic love story that will for long maintain in your memory as body in dance during the carnival and heart in love during romance. I highly recommend it hoping that like the song of Orfeus was capable of bringing sunrise to the world, this movie will bring in many people the rise of quest for beauty and a profound admiration of tenderness. Only then we can find simple things unusual just like the little boy who perceived his kite as the beautiful sun.

"Orfeu Negro" places the Orpheus legend in Rio de Janeiro at the time of its Carnival. Marcel Camus' film is fast paced, shot it beautiful color, has lovely and vibrant music (by Luis Bonfa and Antonio Carlos Jobim) and a most attractive cast, particularly the two leads. There is a vital, throbbing tempo established which seems to propel the story forward in an almost choreographic manner. The film remains a quite unique piece of work, with many haunting images.