VALUTAZIONE IMDb
7,1/10
15.203
LA TUA VALUTAZIONE
Dopo una guerra nucleare globale, i residenti in Australia devono fare i conti con il fatto che tutta la vita verrà distrutta nel giro di pochi mesi.Dopo una guerra nucleare globale, i residenti in Australia devono fare i conti con il fatto che tutta la vita verrà distrutta nel giro di pochi mesi.Dopo una guerra nucleare globale, i residenti in Australia devono fare i conti con il fatto che tutta la vita verrà distrutta nel giro di pochi mesi.
- Candidato a 2 Oscar
- 4 vittorie e 9 candidature totali
Recensioni in evidenza
I watched this movie because I had just recently read the Nevil Shute book and wanted to see how much I liked it. I loved the book and expected the movie to be good too. How could you go wrong with all the good actors and a BW Sci-Fi/Drama theme to boot? I saw this movie when I was in grade school or something and also wanted to know my reaction to it now. In short, I was disappointed. It was overly melodramatic, the characters had been all changed and the plot mixed up. Nevil Shute had written a wonderful, subtle story about the end of human life on this earth and how people might cope. This movie was harsh and jangling to watch, punctuated with loud blasts of music at dramatic points when it was obvious what we were seeing. Standing alone, with no comparison to the novel, its not a bad movie. It is 2hrs 15min in length and I was not bored durring any of it. I love Gregory Peck. He did a great job of portraying an American family man trying to cope with what happened. Its almost worth it just to see what an interesting actor Tony Perkins could have been. Fred Astaire may have been the most believable. He also is worth seeing. I love his dancing, but he can be a great dramatic actor as well. To sum up: If you like this theme and these actors, then definatly watch this movie. Its not a waste of time. I just felt there was a lot of depth that could have been there and wasn't. Esteban
In 1974, my 6th grade teacher would go on and on about this movie. It only took 48 years to see it-- but I bet I've thought about his description at least once a month over the decades. Coincidentally, it was about the same time that I gained an interest in Australia, which has stuck with me to this day. Was not much of a movie buff until the pandemic hit almost 3 years ago, which has since gave me time to appreciate classic vintage film (thank you TCM). Stanley Kramer, Gregory Peck, Ava Gardner... all these names mean something to me now, and I have perspective. The timing couldn't have been better to see the film December 2022, and I can fully appreciate it for everything that it's about. Great story, and the patience has paid off.
I made the mistake of watching this film at 11 pm, in a theater with only 4 other people. We were scattered about...and alone. I have seldom wanted to be in a group as much as I did that night. I almost got up and went to sit in a row with one of the 4. Directing? Brilliant. Cinematography? Brilliant. The cast? Exceptional. Ava Gardner (still beautiful), Gregory Peck, Fred Astair and Anthony Perkins are inspired. I have always wanted to go to Australia. Many years later I got the chance. As the coast of Sydney came into view I started to cry...and didn't know why? Then I realized, I was 'hearing' Waltzing Matilda and remembering.
I was/am not an actor, but I was a Fulbright at the University of Melbourne 1958-1960. When the U.S. Navy and Stanley Kramer fell out, he needed bit players with an American accent. As a result, I was recruited to play the (nameless) part of the planesman ("Depth 45 feet, Sir" and other immortal lines).
It was great fun. I worked 12 hours a day, 7 days a week (really -- though most of the time was spent playing poker -- made more money playing poker than I did for acting) for two weeks at the Melbourne Fair Grounds. Met and chatted with all the participants other than Ava Gardner, who had no truck with anyone other than her Spanish cameraman.
I was very impressed by Kramer and his writer. As to the others, it was clear that good brains do not make good actors (though all were nice people, particularly Fred Astaire who could have made millions as a salesman if he had not made them as a dancer/actor).
I have seen lots of times and think the best movie ever made (even better than "No Time for Sergeants", which I have seen even more times).
Would like to hear from Jack Boyer (the submarine medical corpsman) if he happens to read this.
It was great fun. I worked 12 hours a day, 7 days a week (really -- though most of the time was spent playing poker -- made more money playing poker than I did for acting) for two weeks at the Melbourne Fair Grounds. Met and chatted with all the participants other than Ava Gardner, who had no truck with anyone other than her Spanish cameraman.
I was very impressed by Kramer and his writer. As to the others, it was clear that good brains do not make good actors (though all were nice people, particularly Fred Astaire who could have made millions as a salesman if he had not made them as a dancer/actor).
I have seen lots of times and think the best movie ever made (even better than "No Time for Sergeants", which I have seen even more times).
Would like to hear from Jack Boyer (the submarine medical corpsman) if he happens to read this.
"On The Beach", despite it's heavy subject of a nuclear holocaust wiping out all human life, succeeds because Stanley Kramer is mercifully more restrained and less pretentious than he would later be in "Inherit The Wind" and "Judgment At Nuremberg", which are memorable more for their polemics than their characters, in my opinion. Except for one minor speech by Fred Astaire at one point (which as the previous reviewer noted is somewhat ironic in light of the fact that the very thing Astaire rails against, the idea that large nuclear stockpiles could keep the peace, turned out to be absolutely true) the film is for the most part about people and how they react to the knowledge that their world and their lives will soon come to an end. This is what makes the film so compelling as far as I'm concerned. The cast is excellent, with fine performances by Astaire (his first non-musical part), Anthony Perkins and Gregory Peck. But the real strength of the movie is Ava Gardner's touching performance as the lonely, alcoholic Moira Davidson who manages for one brief moment before the end to find true love with Peck. Having read much about her life, there is something almost hauntingly autobiographic in Gardner's portrayal, and that only adds to the movie's overall poignance.
Lo sapevi?
- QuizFred Astaire launched his non-musical, dramatic acting career with this film. Stanley Kramer couldn't decide who to cast in this role until his wife suggested Astaire while watching one of his films on TV.
- BlooperBefore the submarine's deployment on its proposed 13,000 mile round trip, Dwight is asked if he has enough power on-board his nuclear sub. A nuclear sub's range is only limited by the amount of food it can carry and the endurance of the crew. The time between refueling a nuclear sub is measured in years if not decades. Plus, the sub could easily cover the 13,000 miles in three weeks or less.
- Citazioni
Julian Osborne: The war started when people accepted the idiotic principle that peace could be maintained by arranging to defend themselves with weapons they couldn't possibly use without committing suicide.
- Curiosità sui creditiThe following acknowledgment appears in the opening credits: "We acknowledge with appreciation the assistance given by the Royal Australian Navy and, in particular, by the officers and men of H.M.A.S. Melbourne and H.M.S. Andrew."
- ConnessioniEdited into 365 days, also known as a Year (2019)
- Colonne sonoreWaltzing Matilda
Original music by Christina McPherson, revised music by Marie Cowan and lyrics by A.B. 'Banjo' Paterson (as A.B. Paterson)
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Dettagli
Botteghino
- Budget
- 2.900.000 USD (previsto)
- Lordo in tutto il mondo
- 11.271 USD
- Tempo di esecuzione2 ore 14 minuti
- Colore
- Proporzioni
- 1.66 : 1
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What is the Canadian French language plot outline for L'ultima spiaggia (1959)?
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