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L'ultima spiaggia

Titolo originale: On the Beach
  • 1959
  • T
  • 2h 14min
VALUTAZIONE IMDb
7,1/10
15.240
LA TUA VALUTAZIONE
L'ultima spiaggia (1959)
After a global nuclear war, the residents of Australia must come to terms with the fact that all life will be destroyed in a matter of months.
Riproduci trailer4: 47
1 video
99 foto
DrammaDramma psicologicoFantascienzaFantascienza distopicaRomanticismo

Dopo una guerra nucleare globale, i residenti in Australia devono fare i conti con il fatto che tutta la vita verrà distrutta nel giro di pochi mesi.Dopo una guerra nucleare globale, i residenti in Australia devono fare i conti con il fatto che tutta la vita verrà distrutta nel giro di pochi mesi.Dopo una guerra nucleare globale, i residenti in Australia devono fare i conti con il fatto che tutta la vita verrà distrutta nel giro di pochi mesi.

  • Regia
    • Stanley Kramer
  • Sceneggiatura
    • John Paxton
    • Nevil Shute
  • Star
    • Gregory Peck
    • Ava Gardner
    • Fred Astaire
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    7,1/10
    15.240
    LA TUA VALUTAZIONE
    • Regia
      • Stanley Kramer
    • Sceneggiatura
      • John Paxton
      • Nevil Shute
    • Star
      • Gregory Peck
      • Ava Gardner
      • Fred Astaire
    • 216Recensioni degli utenti
    • 61Recensioni della critica
    • 55Metascore
  • Vedi le informazioni sulla produzione su IMDbPro
    • Candidato a 2 Oscar
      • 4 vittorie e 9 candidature totali

    Video1

    Official Trailer
    Trailer 4:47
    Official Trailer

    Foto99

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    Interpreti principali60

    Modifica
    Gregory Peck
    Gregory Peck
    • Cmdr. Dwight Lionel Towers
    Ava Gardner
    Ava Gardner
    • Moira Davidson
    Fred Astaire
    Fred Astaire
    • Julian Osborn
    Anthony Perkins
    Anthony Perkins
    • Lt. Peter Holmes
    Donna Anderson
    Donna Anderson
    • Mary Holmes
    John Tate
    John Tate
    • Adm. Bridie
    Harp McGuire
    Harp McGuire
    • Lt. Sunderstrom
    Lola Brooks
    • Lt. Hosgood
    Ken Wayne
    Ken Wayne
    • Lt. Benson
    Guy Doleman
    Guy Doleman
    • Lt. Cmdr. Farrel
    Richard Meikle
    • Davis
    John Meillon
    John Meillon
    • Ralph Swain
    Joe McCormick
    • Ackerman
    Lou Vernon
    • Bill Davidson
    Kevin Brennan
    Kevin Brennan
    • Dr. King
    Basil Buller-Murphy
    • Sir Douglas Froude
    John Casson
    • Salvation Army captain
    Paddy Moran
    Paddy Moran
    • Stevens
    • Regia
      • Stanley Kramer
    • Sceneggiatura
      • John Paxton
      • Nevil Shute
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti216

    7,115.2K
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    Recensioni in evidenza

    hander27

    simply, one of the finest examples of the genre ever made.

    In an age where sci-fi films seem to rely more on big budget special effects,and spectacular explosions,to hold an audience(usually at the expense of a decent script and plot line),On the beach is here to remind us of how it should be done.Although the plot is simple and uncomplicated, it works well on different levels,almost feeding of the paranoia that abounded at the time, concerning atomic weapons.

    It tells the story of a group of individuals,and their last few months of life.An atomic war has wiped out most of the earth,only Australia and parts of the southern hemisphere are left,but it is only a temporary reprieve,the cloud of dust which has destroyed mankind is heading their way.It is against this backdrop that the film opens,and we get to meet the main characters.Dwight Towers,the american submarine captain,played superbly by Gregory Peck,good time girl Moira Davidson (Ava Gardner),desperately looking for one last chance of love,young naval officer and new dad Peter Holmes played by a young Anthony Perkins,and Fred Astaire as the towns drunken scientist,proving he could act as well as dance.

    As these characters develop,and we start to care about them,(they are all believable and for the most part,likeable),the film starts to ask questions of the viewer.what would i do? what about my family?how would i cope?.Director Stanley Kramer plays on the very real fears of the viewer,much the same way as Byron Haskin did in War of the worlds and Robert Wise in The day the earth stood still,albeit in a more subtle fashion.

    It is in the second half of the film,when the grim reality sets in,that Kramer cranks up the tension,almost scene by scene,we witness the growing despair and anguish of these poor souls,and there are some pretty unsettling scenes,non more so than when we watch people queueing up for "suicide"pills and then again when Anthony Perkins tries to explain to his young wife how to administer them to their young daughter in his absence"when the time comes". But of course,even amidst the doom and gloom,love blossoms,and the most poignant scene in the film for me,is when Gregory Peck and Ava Gardner kiss for the first time.

    A first rate cast and script,together with a haunting soundtrack,(you'll be whistling waltzing matilda for days after watching this)makes this one of my favourite films.Don't just rent this classic,buy it and give it pride of place in your collection.
    Esteban Estraño

    Interesting movie. Strong in places. Mostly falls short of the books plot.

    I watched this movie because I had just recently read the Nevil Shute book and wanted to see how much I liked it. I loved the book and expected the movie to be good too. How could you go wrong with all the good actors and a BW Sci-Fi/Drama theme to boot? I saw this movie when I was in grade school or something and also wanted to know my reaction to it now. In short, I was disappointed. It was overly melodramatic, the characters had been all changed and the plot mixed up. Nevil Shute had written a wonderful, subtle story about the end of human life on this earth and how people might cope. This movie was harsh and jangling to watch, punctuated with loud blasts of music at dramatic points when it was obvious what we were seeing. Standing alone, with no comparison to the novel, its not a bad movie. It is 2hrs 15min in length and I was not bored durring any of it. I love Gregory Peck. He did a great job of portraying an American family man trying to cope with what happened. Its almost worth it just to see what an interesting actor Tony Perkins could have been. Fred Astaire may have been the most believable. He also is worth seeing. I love his dancing, but he can be a great dramatic actor as well. To sum up: If you like this theme and these actors, then definatly watch this movie. Its not a waste of time. I just felt there was a lot of depth that could have been there and wasn't. Esteban
    9lottatitles

    Gives new meaning to the word 'shudder'

    I made the mistake of watching this film at 11 pm, in a theater with only 4 other people. We were scattered about...and alone. I have seldom wanted to be in a group as much as I did that night. I almost got up and went to sit in a row with one of the 4. Directing? Brilliant. Cinematography? Brilliant. The cast? Exceptional. Ava Gardner (still beautiful), Gregory Peck, Fred Astair and Anthony Perkins are inspired. I have always wanted to go to Australia. Many years later I got the chance. As the coast of Sydney came into view I started to cry...and didn't know why? Then I realized, I was 'hearing' Waltzing Matilda and remembering.
    Eric-62-2

    Powerful Without Being Pretentious

    "On The Beach", despite it's heavy subject of a nuclear holocaust wiping out all human life, succeeds because Stanley Kramer is mercifully more restrained and less pretentious than he would later be in "Inherit The Wind" and "Judgment At Nuremberg", which are memorable more for their polemics than their characters, in my opinion. Except for one minor speech by Fred Astaire at one point (which as the previous reviewer noted is somewhat ironic in light of the fact that the very thing Astaire rails against, the idea that large nuclear stockpiles could keep the peace, turned out to be absolutely true) the film is for the most part about people and how they react to the knowledge that their world and their lives will soon come to an end. This is what makes the film so compelling as far as I'm concerned. The cast is excellent, with fine performances by Astaire (his first non-musical part), Anthony Perkins and Gregory Peck. But the real strength of the movie is Ava Gardner's touching performance as the lonely, alcoholic Moira Davidson who manages for one brief moment before the end to find true love with Peck. Having read much about her life, there is something almost hauntingly autobiographic in Gardner's portrayal, and that only adds to the movie's overall poignance.
    Sanders-4

    I played a bit part in Melbourne. Great fun.

    I was/am not an actor, but I was a Fulbright at the University of Melbourne 1958-1960. When the U.S. Navy and Stanley Kramer fell out, he needed bit players with an American accent. As a result, I was recruited to play the (nameless) part of the planesman ("Depth 45 feet, Sir" and other immortal lines).

    It was great fun. I worked 12 hours a day, 7 days a week (really -- though most of the time was spent playing poker -- made more money playing poker than I did for acting) for two weeks at the Melbourne Fair Grounds. Met and chatted with all the participants other than Ava Gardner, who had no truck with anyone other than her Spanish cameraman.

    I was very impressed by Kramer and his writer. As to the others, it was clear that good brains do not make good actors (though all were nice people, particularly Fred Astaire who could have made millions as a salesman if he had not made them as a dancer/actor).

    I have seen lots of times and think the best movie ever made (even better than "No Time for Sergeants", which I have seen even more times).

    Would like to hear from Jack Boyer (the submarine medical corpsman) if he happens to read this.

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    Trama

    Modifica

    Lo sapevi?

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    • Quiz
      Fred Astaire launched his non-musical, dramatic acting career with this film. Stanley Kramer couldn't decide who to cast in this role until his wife suggested Astaire while watching one of his films on TV.
    • Blooper
      Before the submarine's deployment on its proposed 13,000 mile round trip, Dwight is asked if he has enough power on-board his nuclear sub. A nuclear sub's range is only limited by the amount of food it can carry and the endurance of the crew. The time between refueling a nuclear sub is measured in years if not decades. Plus, the sub could easily cover the 13,000 miles in three weeks or less.
    • Citazioni

      Julian Osborne: The war started when people accepted the idiotic principle that peace could be maintained by arranging to defend themselves with weapons they couldn't possibly use without committing suicide.

    • Curiosità sui crediti
      The following acknowledgment appears in the opening credits: "We acknowledge with appreciation the assistance given by the Royal Australian Navy and, in particular, by the officers and men of H.M.A.S. Melbourne and H.M.S. Andrew."
    • Connessioni
      Edited into 365 days, also known as a Year (2019)
    • Colonne sonore
      Waltzing Matilda
      Original music by Christina McPherson, revised music by Marie Cowan and lyrics by A.B. 'Banjo' Paterson (as A.B. Paterson)

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    Dettagli

    Modifica
    • Data di uscita
      • 17 dicembre 1959 (Stati Uniti)
    • Paese di origine
      • Stati Uniti
    • Lingua
      • Inglese
    • Celebre anche come
      • La hora final
    • Luoghi delle riprese
      • Frankston, Victoria, Australia
    • Aziende produttrici
      • Stanley Kramer Productions
      • Lomitas Productions
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

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    • Budget
      • 2.900.000 USD (previsto)
    • Lordo in tutto il mondo
      • 11.271 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

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    • Tempo di esecuzione
      2 ore 14 minuti
    • Colore
      • Black and White
    • Proporzioni
      • 1.66 : 1

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