Cominciò con un bacio

I missed this one when it was released, being warned away by mostly negative reviews and the objections of the Catholic censorship body of the time. (I believe some facsimile had replaced the dreaded Legion of Decency by 1959, the year of its release.) The prudes objected to the generally "suggestive" tone of the proceedings and, after watching it on a Turner Classic Movies broadcast recently, I can see why their knickers got into a twist. Even by today's much more relaxed standards, its situations and its treatment of marriage are pretty sleazy.

It's a rather lame "bedroom farce" that makes poor use of the talents of nearly everyone involved and its main redeeming assets are the location shots of several Spanish cities and its countryside and the gorgeous Lincoln Futura concept car (which lost its eye-popping fire engine red paint job when it was transformed into the Batmobile for the campy Batman TV series).

For some reason M-G-M brass at the time thought that the chemistry between Glenn Ford (dull as dishwater, as usual, and sporting one of the worst and greasiest-looking haircuts on a leading man ever) and a very pert and pretty Debbie Reynolds was worth exploiting. Their second co-starring vehicle, "The Gazebo," was rushed into production and released just four months after this one. Debbie was soon free of her M-G-M contract and went on to appear in somewhat worthier enterprises at virtually all the other major Hollywood studios, with an occasional return to her launching pad at Metro.

The main attraction going for this film is the futuristic car shown in it, which for 1959 looked way ahead of its times. The comedy, as directed by George Marshall tries to be a movie exploiting the sexual tensions between the two stars. The same premise was achieved with better results in other films of the era, notably, "Pillow Talk".

The mere idea of a young married couple putting such a barrier between their sexual life is risible, at best. The two stars, Debbie Reynolds and Glenn Ford try their best, but are bogged down because of the screen play.

As someone has already noted, the film shows in minor roles actors that went to better careers in television. Eva Gabor, Harry Morgan, Edgar Buchanan, Frances Bavier, among them.

The basic excuse for watching the film is the car and some views of Spain, as it looked in the late fifties. In fact, a woman in slacks, as we see Ms. Reynolds at the beginning of the film, as she arrived in Madrid, was a big no-no in the Spanish society of the time. Things have changed since then!

It Started With A Kiss is the first of two successive films that George Marshall directed Glenn Ford and Debbie Reynolds in. The second was The Gazebo which I like much better. Not that this service comedy is without merit.

Ford plays an Air Force Sergeant on leave who both buys a raffle ticket from Debbie and then winds up marrying her. The prize is this $40,000.00 car which would now be worth about $200,000.00 in today's money value. When Ford goes back to Spain where he's stationed, Debbie follows him and the car follows Debbie.

Debbie's having a few second thoughts about her hasty marriage and has put the brakes on the sex part of her relationship with Ford, trying now to get to know the guy she's married to. Each of them gets some temptation thrown their way, him with Eva Gabor, her with bullfighter Gustavo Rojo.

But the biggest problem is that car. They can't drive it around as they are warned against ostentatious displays of American prosperity. Glenn finds he can't sell the thing and on top of that as the prize in a lottery, it's subject to taxation like quiz show earnings. What to do?

In Peter Ford's recent biography of his father, he says that this film with Debbie Reynolds and The Gazebo that came after was at a critical time for both. He was ending his marriage to Eleanor Powell and Debbie was the odd girl out in the Elizabeth Taylor-Eddie Fisher-Debbie Reynolds triangle that was front page for months. The two did a lot of commiserating on both sets.

Peter Ford also mentions that his father loved working with director George Marshall. I've done some reviews myself of their joint collaboration and have said they are an unfortunately unheralded actor/ director collaboration.

Fred Clark has a nice part as a most harried Air Force general who has to deal with Ford and Reynolds marital and motor problems as well as a visiting Congressional delegation. Long time Ford friend Edgar Buchanan does well as an acerbic Representative.

It Started With A Kiss is not as good some of the other Ford/Marshall collaborations, but it has a few good laughs and should satisfy fans of Glenn and Debbie.

Besides being a slightly better-than-average romantic comedy, this movie features several very familiar television supporting stars -- if you're an old coot like me anyway! -- including Eva Gabor ("Green Acres"), Edgar Buchanan ("Petticoat Junction"), Harry Morgan ("Dragnet" and "M*A*S*H"), Frances Bavier ("The Andy Griffith Show"), Richard Deacon ("The Dick Van Dyke Show"), Marion Ross ("Happy Days"), and last, but not least, the Batmobile!

I saw this film with my parents at a drive-in in 1959, and I was mesmerized by the fabulous Lincoln Futura, the best of the 1950s "dream cars".

As a devoted sci-fi fan, this car was the very essence of the "future". The Futura implied predictions of a future similar to those presented in movies like "Forbidden Planet". It was an example of the kind of superior technological design which I eagerly anticipated in the decades to come.

Predictions like this were why I loved to watch Disney shows like "Mars and Beyond", "Tomorrow the Moon", and "Magic Highway USA".