The Hideous Sun Demon

The Hideous Sun Demon (1958)

** (out of 4)

Dr. Gilbert McKenna (Robert Clarke) is working on an experiment when something goes wrong and he's exposed to radiation. At first it appears that he's going to make it through okay but once he's put into the sunlight he turns into the title creature, a hideously deformed creature (looking like a lizard) and soon she's out on a killing spree.

THE HIDEOUS SUN DEMON marked the only time character actor Clarke stepped into the director's chair. The film has the reputation of being one of the worst horror movies of the decade but I think those who say that are being way too tough on the film. Just looking at the picture you can tell that they were working on very little money. Yes, the story too isn't all that original or inspiring. There's also some questionable performances scattered throughout the picture. Even with the countless flaws here, I've always found the film at least watchable thanks in large part to the terrific looking monster.

I really thought the look of the monster was excellent and this alone kept the film from reaches the levels of the worst of the decade. I guess it's best to say the creature looks like some sort of lizard but I liked the design of the make-up (or mask) and I especially liked the way the mouth was designed. Towards the end of the film the character has its shirt ripped off, which gives us even more views of the work and to me it's quite impressive. Another good thing is the music score and the recycled music that would turn up in other films including the same year's PLAN 9 FROM OUTER SPACE.

The film really isn't all that original with the screenplay pretty much being a copy of Universal's THE WOLF MAN with the exception here being it's the sun instead of the moon that turns the lead character. For the most part Clarke remains watchable in the film and his direction isn't too bad either. Of all the supporting players it's probably Nan Peterson that gets the most attention but not for her performance. No, her rack is pretty much on full display throughout the picture so I'm sure teenage boys seeing this at the drive-in back in the day were very happy.

Plan 9 from Outer Space. Howard the Duck. Return of the Kung Fu Dragon. There, three films that are much worse than this one and yet they all have higher scores. Granted I am not saying Sun Demon is some hidden masterpiece but it does have some merits. So the story goes that a scientist is exposed to a new radioactive isotope never encountered before. They find out that the scientist-who is named Gil-now has to live with the terrible side effect of transforming into a lizard creature in the sunlight. Kind of a random really but I have seen radiation do stranger things. Plus the explanation behind it is kind of clever. Kind of. So Gil has to stay inside all the time and also starts up a romance with a nightclub singer who has some mafia ties. Things quickly go downhill from there. Sun Demon was written and directed by Clarke and for being his first time in both departments, he does a pretty decent job. The story is pretty well structured and he knows how to frame a good shot. The monster costume-while not great-certainly isn't bad and I actually give it props for being unique. Clarke-who also plays Gil- brings a real conviction to the character and I can actually buy that this guy is going through some real turmoil. You get a sense of helplessness from Gil and I really sympathized with him. Someone said that Sun Demon was like a "reverse Wolf-Man" which perfectly summarizes the situation. However, that is where my praises end as the other stuff is pretty standard. It deals with elements of nuclear radiation and tampering with the universe, typical 50's sci-fi stuff. It's nothing really new or groundbreaking. Which I think stops it from being more than just typical convention. The other problem is that the dialogue and acting can be awkward and clunky in spots. At one point, Gil starts fighting with this mob guy and it looked so fake that it made me laugh. Not to mention one scene where the singer is supposed to scream in horror at something off screen, but it comes off as so forced. Little moments like that are sprinkled throughout and add up pretty quickly. Still, I think there are some pretty decent parts to this film that are at least worth a pat on the back. If you want a laugh out load bad movie, just go watch Plan 9. Sun Demon is more like a mixed bag that I would only suggest watching if you love classic sci-fi or really enjoy werewolf or werewolf like movies.

1958's "The Hideous Sun Demon" marked the directorial debut of actor and star Robert Clarke, who was astonished that a small percentage on "The Astounding She-Monster" resulted in a tidy profit. Certain he could better than Ronnie Ashcroft on a larger budget (under $50,000) Clarke secured the services of student filmmakers at USC to shoot on weekends, the resulting film obviously lacking but nowhere near as bad as Ashcroft's opus. The impressive monster outfit featured fangs and good eye movement, built over a wet suit so the director would be drenched after each take. Dangerous radiation emanating from the sun, 'more deadly than cosmic rays,' are the result of earth satellite launchings, while the accidental exposure to a radioactive isotope sends Dr. Gilbert McKenna (Clarke) to the hospital for observation. Incredibly, they find no symptoms of danger present, yet during his convalescence McKenna transforms into a scaly reptilian beast when exposed to sunlight. Determining that an imbalance has occurred, a reversion before a fetus takes on the characteristics of a mammal, the afflicted scientist takes refuge in his mansion alone; unfortunately, the urge to go out for a drink only brings disaster, a pretty chanteuse (Nan Peterson) ensuring that her shady boyfriend become the first victim at the Sun Demon's hands. Dog fanciers won't appreciate the (unnecessary) killing of a German Shepherd (even a rat isn't safe between those claws), but various cops also bite the dust before the climax takes place atop a Long Beach oil well. Much of the film drags its feet as the would be lothario boozes his way into a girl's heart, though admittedly the well endowed Nan Peterson proves delicious eye candy. Most of the mayhem is saved for the final reels, perhaps not enough however to satisfy impatient viewers. Pacific International Pictures went belly up not long after its distribution, sinking any chance of Clarke turning a profit, thereafter remaining in front of the camera instead of taking a bath behind it (if some of the library music cues sound familiar it's because they were later put to good use by George Romero for his "Night of the Living Dead").

Memorable independently produced 50s monster fare has Clarke (who sci-fi fans will remember from the equally memorable "The Man From Planet X") as a scientist whose exposure to radioactive isotopes causes him to become a monster whenever exposed to the sun. The film is extraordinary in that its focus is on the effect the transformation has on Clarke's character, emotionally and morally; his excessive drinking and his search for nightlife exemplify this. Having been forced by his vampire-like condition to avoid the sun and the "good girl" he knows in town, he has no option but to live the other way. By taking a floozy out for a moonlit walk (she seems really surprised when he says he actually wants to take a walk, perhaps expecting a mere pickup) he shows how he wants to make his night world into a respectable one, but can't (the sun again turns him into the demon).

Good makeup, nice performances in the B-mode all around. If you're a fan of these kind of movies, this is the movie you're looking for -- one of the best of its kind.

Robert Clarke wrote, directed, and starred in this film about a scientist that is exposed to a special radioactive isotope that makes him change into a lizard-like man everytime he is touched by the rays of the sun. Clarke is the scientist that has a drinking problem and an overactive libido as well. The film is VERY cheaply made, and most of the actors(okay, all of the actors) could have really benefited from a few acting lessons. The film nonetheless is very entertaining. There are some scenes which will make you laugh and cry( a higher level of laughter) because of their ineptitude and improbability. The scene where our evolution from fish and lizards being described is a gem, as are the two scenes where Clarke really goes overboard screaming "Why Me!" and the like. There are some well-shot scenes too. The ending is very nicely done, and the scenes with Clarke and a little girl have some poignant moments. The gal playing Trudy, a night club singer that Clarke dates in the middle of an evening trying to help him forget his plight no doubt, is Nan Peterson and a REAL knockout! Peterson shows more than ample cleavage to keep even the most hardened of critics entertained. All in all required film viewing for the aficionado of le bad cinema.