VALUTAZIONE IMDb
6,8/10
2354
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaTV writer Elliott Nash buries something under the new gazebo in his suburban backyard. But the nervous man can't let it rest there.TV writer Elliott Nash buries something under the new gazebo in his suburban backyard. But the nervous man can't let it rest there.TV writer Elliott Nash buries something under the new gazebo in his suburban backyard. But the nervous man can't let it rest there.
- Regia
- Sceneggiatura
- Star
- Candidato a 1 Oscar
- 1 candidatura in totale
Dick Wessel
- Louis the Louse
- (as Richard Wessel)
Stanley Adams
- Dan Shelby
- (voce)
- (non citato nei titoli originali)
Don Anderson
- Television Technician in Booth
- (non citato nei titoli originali)
Gene Coogan
- Man
- (non citato nei titoli originali)
Michael Dugan
- First Engineer
- (non citato nei titoli originali)
Meurisse Duree
- Dancer
- (non citato nei titoli originali)
Franklyn Farnum
- Television Technician in Booth
- (non citato nei titoli originali)
Peter Ford
- TV Page Boy
- (non citato nei titoli originali)
Recensioni in evidenza
It's a good movie and I was surprised at several points but I wouldn't have been if I'd read the reviews so please be more considerate of others who still want the same experience you had when you first saw it.
I was impressed by the intelligence of this movie. What mystery writer doesn't think how he or she would handle things in real life? The physical comedy was excellent. I knew Reynolds was that good but Ford was a revelation. The costars were wonderful and always engaging when they were on screen. Because we later saw so many of them on TV shows this movie has a rather made-for-TV air about it, if those were this high in quality. And dragging in Hitchcock was terrific. What more could a mystery writer ask for in his own murder plot?
Not the best movie I've ever seen but a lot of fun. How would YOU get rid of a body? :)
I was impressed by the intelligence of this movie. What mystery writer doesn't think how he or she would handle things in real life? The physical comedy was excellent. I knew Reynolds was that good but Ford was a revelation. The costars were wonderful and always engaging when they were on screen. Because we later saw so many of them on TV shows this movie has a rather made-for-TV air about it, if those were this high in quality. And dragging in Hitchcock was terrific. What more could a mystery writer ask for in his own murder plot?
Not the best movie I've ever seen but a lot of fun. How would YOU get rid of a body? :)
Glenn Ford is the producer of a television mystery series who attempts to protect his Broadway star wife (Debbie Reynolds) from a blackmailer--and decides to eliminate the blackmailer via a murder plot suggested by his own series. The result is a comic chaos involving a couple of gangsters, a peculiar pigeon, and the gazebo his wife is having built on their country property.
Based on the play of the same name, THE GAZEBO strives for a mix of broad farce, screwball comedy, and sprightly sophistication--and by and large brings it off quite well. I have never been a great fan of Glenn Ford, but he manages both the broad physical comedy and the clever dialogue of this film with equal ease. Debbie Reynolds is also quite good in the role of the stage-star wife, and she and Ford have a surprisingly successful chemistry. Although the humor is more smile-and-chuckle than laugh-out-loud, THE GAZEBO is a well made, well acted, and quite enjoyable. Recommended.
Gary F. Taylor, aka GFT, Amazon Reviewer
Based on the play of the same name, THE GAZEBO strives for a mix of broad farce, screwball comedy, and sprightly sophistication--and by and large brings it off quite well. I have never been a great fan of Glenn Ford, but he manages both the broad physical comedy and the clever dialogue of this film with equal ease. Debbie Reynolds is also quite good in the role of the stage-star wife, and she and Ford have a surprisingly successful chemistry. Although the humor is more smile-and-chuckle than laugh-out-loud, THE GAZEBO is a well made, well acted, and quite enjoyable. Recommended.
Gary F. Taylor, aka GFT, Amazon Reviewer
I can't say too many good things about this extremely well done black comedy. The casting is first-rate, with Glenn Ford, Debbie Reynolds, and Carl Reiner. Glenn Ford is an underrated actor with a real flair for comedy, as shown here. Also of note is the fine bit by the venerable character actor John McGiver as Thorpe, the contractor. The plot keeps you going and the comic action never slips. I like also the decision to film it in black and white; it just looks right. As it is a wide-screen production, catching it in letterbox helps. A not-well-known film that is a nice comic surprise!
A story that twists and turns it's way through some good laughs. An unconventional, black comedy of sorts, this little gem from 1960 is amusing mainly through Glenn Ford's high strung nervous performance of the desperate husband who's run out of ideas. Debbie Reynolds and Carl Reiner give adequate performances in their roles. The overall feeling is a bit stagy at times, giving heed to it's Broadway beginnings, but still effective as a movie. There's a little comical tribute to "Hitch" in there that works quite well too. This early 60's film is still worth watching. 7/10.
I've maintained this before, one day someone is going to do a study of the director/actor team of George Marshall and Glenn Ford. They did some really great work together such as The Sheepman, Imitation General, Texas and Advance To The Rear to name a few. The Gazebo falls in that category as well.
The Gazebo was originally presented on Broadway as a play by Alec Coppel and ran for 218 performances in the 1958-59 season. The roles that Glenn Ford, Debbie Reynolds, and Carl Reiner play were done on Broadway by Walter Slezak, Jayne Meadows, and Edward Andrews. I'm still not fathoming a role originated by Walter Slezak done by Glenn Ford. I'm betting the role had to have been rewritten for the screen.
I'd like to describe it as a black comedy, but in the end it does turn out all sweetness and light. Ford is a television writer who lives with wife and musical comedy star Reynolds in the suburbs with Reiner as their neighbor. Oh, Reiner happens to be an Assistant District Attorney and Ford just loves picking his brain on how to avoid capture by the police when you commit a homicide.
Which is what Ford has in mind, not suggestions for a television script. Someone's attempting blackmail because they've got some nude photographs of Reynolds in her salad days. He lures the blackmailer to his home and what follows is hilarious.
A lot of the problem has to do with a gazebo that Ford and Reynolds have put in their yard. It might serve as a place to bury a body, but it doesn't quite work out that way.
Besides those already mentioned Marshall put together a good cast to support the leads with Doro Merande as their housekeeper whose normal conversational tone is a roar and John McGiver as the head of the work crew installing The Gazebo.
Special mention should go to a pigeon named Herman who Ford took in and nursed back to health. Some of The Gazebo's funniest moments are provided by Herman.
The Gazebo did get an Oscar nomination for Costume Design, but I think Herman should have been up for a CLIO award.
The Gazebo was originally presented on Broadway as a play by Alec Coppel and ran for 218 performances in the 1958-59 season. The roles that Glenn Ford, Debbie Reynolds, and Carl Reiner play were done on Broadway by Walter Slezak, Jayne Meadows, and Edward Andrews. I'm still not fathoming a role originated by Walter Slezak done by Glenn Ford. I'm betting the role had to have been rewritten for the screen.
I'd like to describe it as a black comedy, but in the end it does turn out all sweetness and light. Ford is a television writer who lives with wife and musical comedy star Reynolds in the suburbs with Reiner as their neighbor. Oh, Reiner happens to be an Assistant District Attorney and Ford just loves picking his brain on how to avoid capture by the police when you commit a homicide.
Which is what Ford has in mind, not suggestions for a television script. Someone's attempting blackmail because they've got some nude photographs of Reynolds in her salad days. He lures the blackmailer to his home and what follows is hilarious.
A lot of the problem has to do with a gazebo that Ford and Reynolds have put in their yard. It might serve as a place to bury a body, but it doesn't quite work out that way.
Besides those already mentioned Marshall put together a good cast to support the leads with Doro Merande as their housekeeper whose normal conversational tone is a roar and John McGiver as the head of the work crew installing The Gazebo.
Special mention should go to a pigeon named Herman who Ford took in and nursed back to health. Some of The Gazebo's funniest moments are provided by Herman.
The Gazebo did get an Oscar nomination for Costume Design, but I think Herman should have been up for a CLIO award.
Lo sapevi?
- QuizThis is the last black-and-white feature appearance by Debbie Reynolds, performing her final monochrome song and dance - "Something Called Love" (music by Walter Kent, lyrics by Walton Farrar).
- BlooperThe blackmailer is scheduled to arrive at the house at 10:00pm. After Elliot shoots him and is preparing to dispose of the body Miss Chandler arrives with clients to show the house late at night.
- Citazioni
Elliott Nash: Herman, drop that bullet!
Nell Nash: Herman, it's not a peanut!
- ConnessioniReferenced in Acque profonde (1996)
- Colonne sonoreSomething Called Love
Written by Walter Kent and Walton Farrar
Performed by Debbie Reynolds (uncredited)
[Nell performs the song in her show]
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- Sin talento para matar
- Luoghi delle riprese
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 1.218.000 USD (previsto)
- Tempo di esecuzione
- 1h 40min(100 min)
- Colore
- Proporzioni
- 2.35 : 1
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