Gazebo

A story that twists and turns it's way through some good laughs. An unconventional, black comedy of sorts, this little gem from 1960 is amusing mainly through Glenn Ford's high strung nervous performance of the desperate husband who's run out of ideas. Debbie Reynolds and Carl Reiner give adequate performances in their roles. The overall feeling is a bit stagy at times, giving heed to it's Broadway beginnings, but still effective as a movie. There's a little comical tribute to "Hitch" in there that works quite well too. This early 60's film is still worth watching. 7/10.

I can't say too many good things about this extremely well done black comedy. The casting is first-rate, with Glenn Ford, Debbie Reynolds, and Carl Reiner. Glenn Ford is an underrated actor with a real flair for comedy, as shown here. Also of note is the fine bit by the venerable character actor John McGiver as Thorpe, the contractor. The plot keeps you going and the comic action never slips. I like also the decision to film it in black and white; it just looks right. As it is a wide-screen production, catching it in letterbox helps. A not-well-known film that is a nice comic surprise!

I've maintained this before, one day someone is going to do a study of the director/actor team of George Marshall and Glenn Ford. They did some really great work together such as The Sheepman, Imitation General, Texas and Advance To The Rear to name a few. The Gazebo falls in that category as well.

The Gazebo was originally presented on Broadway as a play by Alec Coppel and ran for 218 performances in the 1958-59 season. The roles that Glenn Ford, Debbie Reynolds, and Carl Reiner play were done on Broadway by Walter Slezak, Jayne Meadows, and Edward Andrews. I'm still not fathoming a role originated by Walter Slezak done by Glenn Ford. I'm betting the role had to have been rewritten for the screen.

I'd like to describe it as a black comedy, but in the end it does turn out all sweetness and light. Ford is a television writer who lives with wife and musical comedy star Reynolds in the suburbs with Reiner as their neighbor. Oh, Reiner happens to be an Assistant District Attorney and Ford just loves picking his brain on how to avoid capture by the police when you commit a homicide.

Which is what Ford has in mind, not suggestions for a television script. Someone's attempting blackmail because they've got some nude photographs of Reynolds in her salad days. He lures the blackmailer to his home and what follows is hilarious.

A lot of the problem has to do with a gazebo that Ford and Reynolds have put in their yard. It might serve as a place to bury a body, but it doesn't quite work out that way.

Besides those already mentioned Marshall put together a good cast to support the leads with Doro Merande as their housekeeper whose normal conversational tone is a roar and John McGiver as the head of the work crew installing The Gazebo.

Special mention should go to a pigeon named Herman who Ford took in and nursed back to health. Some of The Gazebo's funniest moments are provided by Herman.

The Gazebo did get an Oscar nomination for Costume Design, but I think Herman should have been up for a CLIO award.

7 out of 10

Fun time filler involving Ford and his attempts at murdering a blackmailer and then burying the body underneath a newly constructed gazebo.

Nothing profoundly exceptional here, but it is genuinely and consistently offbeat. There are some good laughs and a couple of uniquely comical moments. Ford and his rather timid delivery really carries the picture. In many ways he was much better at comedy than drama and this film not only proves it, but takes full advantage of it. The very nervous way he proceeds with the murder is a real riot alone. The very high strung way he tries to direct a live on air broadcast, that is shown at the beginning of the film, is not only funny but completely on target.

Their are a lot of twists and turns here and they all become much quicker in pace near the end. None of it is predictable. The best sequence may actually be the one involving a pigeon named Herman. Also don't miss the comment by the police chief at the very end as he is leaving the house.

Reiner adds good energy in support playing a lawyer that never stops deliberating. Character actor McGiver is pretty good also playing against type. Usually he plays very stuffy type characters who enjoy pontificating. Here he plays a gruff laborer who speaks sparingly.

Poor Glenn Ford, talk about problems! His wife is being blackmailed, and his friend, the local district attorney, would like to bed her, and is not shy about showing it. Then there's the problem of disposing of the body of the blackmailer, who he's shot, after luring him to his home. Later he discovers he's killed the wrong man! All this very, very frustrating. I particularly enjoyed the scene where Ford's calling a list of acquaintances and asking various women if they'd seen their husbands ... that is, lately? Seeing the relieved look on his face as the replies came back, yes, was pretty funny. But, this is a comedy so all works out fine at the end. I gave it a *7* -- could have picked an *8*