Il mondo di Apu

I found Apur Sansar, the final part of the Apu Trilogy, every bit as superb as its prequels. I liked the pacing even better than its predecessors, as there was not a single moment that didn't keep me interested. Although the ending wasn't as powerful as its prequels, I thought it was a more hopeful and fitting ending for the saga. However, it did give me the feeling that I didn't want the story to end at all.

Soumitra Chatterjee's debut performance as the adult Apu was truly Oscar-worthy (like Karuna Bannerjee who played his mother in the first two films) and a young Sharmila Tagore was also convincing in her debut performance as his wife. Overall, I'd say Apur Sansar is my second favourite in the Apu Trilogy, after Aparajito.

Now that I've finally finished watching the Apu Trilogy, I must say this is probably the greatest film trilogy I've ever seen. Although it's a simple story about a country boy's growth to adulthood, it felt like I was watching a truly epic saga. Satyajit Ray really is one of the greatest filmmakers of the 20th century in my opinion.

10/10

After watching 'Pather Panchali' & 'Aparajito'; the 1st and 2nd two epics of Apu Trilogy, I unable to control myself to wait for sometime to watch the third epic 'The World of Apu' directed by Academy Honorary Award winning(in 19992), the great director Satyajit Ray. Satyajit Ray paints how much covered a bitter pain that breaks someone's heart in his life. Someone means the main character Apu; which half of life is already reflected in his 1st & 2nd epic.

It is seen that Apu had lost his elder sister and father before he knows the value of life. His mother struggles for his life and making him into a educated person though he should turn into a priest as his their family profession. But director have no mercy upon him. His mother had passed away when he was studying at Kolkata after 10th passing. The story ends up here and so we don't know what happened in his life after everything lost.

At the 1st light of "The World of Apu" we have seen that Apu is grown up and become turn into a healthy young man, struggling to live without any distress of his past life. He learns to live into a new life. He lives as a tenant in a small room of Kolkata unable to give rent for several months. The story is running on and then suddenly changes the track. We are happy to see his delightful face after getting his life partner or wife suddenly after many years. Now he lives in a romantic world. But again the track changes. He losses everything. After 5 years he is ready to meet a boy named Kajal(5 years old) who always wait to see his father's face. Is Kajal Apu's son? If yes, does Kajal accept him as a father?...to know everything you should watch the movie which is easily available on torrent.

There have no error in direction. You can feel a different taste. Acting is everywhere perfect. Great work is done by Soumitra Chatterjee(as Apu), Sharmila Tagore(as Aparna, wife of Apu) and other actors. Alok Chakravarty who acts in a very sort periods as the 5 years old boy touches the heart. Director is successful to reflect the story in his three trilogy. So before watching Apur Sansar(3rd part,called it in Bengali) you should watch 1st Pather Panchali and then Aparajito. Though it is released in 1955-1959, still it is the best i ever seen.

The final episode of the Trilogy takes us to a young adult Apu. IMdb seems to have missed the British Film Award that this and Sathyajits' other two episodes (Song of the Road, Unvanquished) received.

This movie together with the other two movies are a monumental work in movie making. The way the story is portrayed, and the use of many details, enrich the emotional experience it provides. One can recall the way the screen of the movie theatre fades into the window of the horse carriage, or the way the hole on the window curtain reverberates with the spotted decorations on the actress face and etc.

This a "must see" movie for all, in the different ways emotions are expressed and the way it takes the audience in a roller coater ride of emotions. It is an enriching and a moving experience. It reinforces and reinvigorates the humanity within each of us.

To enjoy the movie most, viewers should see the first two episodes in sequence before viewing "Apur Sangsar."

The final episode of the Trilogy takes us to a young adult Apu. Received the British Film Award which Sathyajits' other two episodes (Song of the Road, Unvanquished) also received.

This movie together with the other two movies are a monumental work in movie making. The way the story is portrayed, and the use of many details, enrich the emotional experience it provides. One can recall the way the screen of the movie theatre fades into the window of the horse carriage, or the way the hole on the window curtain reverberates with the spotted decorations on the actress face and etc.

This a "must see" movie for all, in the different ways emotions are expressed and the way it takes the audience in a roller coater ride of emotions. It is an enriching and a moving experience. It reinforces and reinvigorates the humanity within each of us.

To enjoy the movie most, viewers should see the first two episodes in sequence before viewing "Apur Sangsar."

About midway through Apur Sansar there is an interjection of a film in the style of typical Indian cinema. The contrast in Ray's approach with his classic trilogy is astonishing, considering the mileau in which it emerged. Filmmaking in the 1950's in Hollywood as well as India was studio-driven with light-weight stories having little connection with reality. As another commentator pointed out, this film is closer to the Italian realism films such as "The Bicycle Thief". Every shot is a masterpiece of composition and lighting. It does not intrude on the story, but advances it. Likewise, the music composed by Ray, is natural and integral to the scene. This ranks with the all-time greatest watershed movies.