Delitto in 4ª dimensione

Watched this movie recently and overall it was better than I expected. The general storyline and acting was quite good and the special effects - e.g., walking through solids - were actually pretty decent. Robert Lansing and Lee Meriwether were pretty good especially considering this was their first film. The other actors were OK.

However there were a number of shortcomings and unintentional funny moments: 1) The soundtrack was totally over the top. Very 'hip' beatnik jazz orchestration with bongos etc. This cartoonish music often played during some of the tenser moments of the film, effectively ruining the suspense. 2) The sibling rivalry subplot at the beginning of the movie was really unnecessary. It was probably added to heighten the drama and give the characters more depth, but in the end it was all rather pointless. 3) The funniest moment of the film occurred when 'Tony' was working on his fourth dimension theory at the restaurant table. When the camera showed his notebook, instead of mathematical calculations or a scientific diagram, it was simply a sketch of a block of metal with a pencil going through it. It was like something straight out of a Leslie Nielsen movie.

Overall, it is an OK movie and worth watching if you enjoy old sci-fi movies. It won't change your life, but you won't regret watching it either.

I saw this movie when it first appeared in theaters. I was 12 years old and a fan of the ilk. However, the methods used for special effects in that era always seemed so obvious. This movie was a novel experience: I could not imagine how the effects were done. My only reservation was that they talked of slipping through the fourth dimension AND speeding up the natural process by which an object might slowly penetrate another. These are two different ideas. The second scenario accounts for the "horror" of the movie as people are rapidly aged. It was an unforgettable film. I would like to see it now and determine whether it holds up as well as my memory of it.

4D Man is a very entertaining Sci Fi thriller that utilizes the talents of actor Robert Lansing to their fullest extent. He strikes the right cord as Dr Scott Nelson. Using the research gathered by his brother Dr Tony Nelson, and the data he has gathered through his own work Nelson discovers a method of projecting himself into a fourth dimensional state which allows him to pass through solid objects. The downside is that each projection he attempts causes his body to age very rapidly. He then discovers that with his touch he can absorb the life energy of other living creatures which will renew his own life force and restore his youth. This has the added effect of killing those whose energy he has drained.

The old adage that "absolute power corrupts absolutely" comes through as Nelson allows his pent up frustrations to surface and he uses his powers to rob, and take revenge on those who feels have wronged him.He eventually is able to project himself through shear force of will. When he finds that his fiancé and his brother have fallen in love with each other and have gone to the authorities about him, he targets them both for death.

4D Man has an interesting and unusual premise for a science fiction film. Irvin S Yeaworth Jr directed and did a first rate job of making an absorbing and tightly wound story. Lansing was a low key actor who generally underplayed his scenes. While it didn't not always work, it's the right method for Dr Scott Nelson in this story.Good special effects also help. Sci Fi fans and fantasy buffs will enjoy and appreciate 4D Man.

I'm always amazed to see a classic movie having the same ideas as modern day movies I thought to be original. This movie reminded me of '' Hollow Man '' by Paul Verhoeven ( but without the fancy special effects of our modern day ). It's the story of two brothers - one of them playful and charismatic, the other one strict and serious - finding themselves in a struggle over a woman. At a certain point one of them gets the ability to alter molecular substances, making him able to speed the aging process inside human beings and to walk through concrete walls. Yep, pretty handy to become a thug if you can do these things.

I liked it. It's another nice story about someone gaining a superpower and using it for his own benefit. Like so many other movies, this is about how we human beings are able to do horrible things in a situation in which we gain power. It's like Spiderman once said: with great power comes great responsibility.

It's a SF-movie from the fifties, so the special effects are nothing compared to what we're used to. If you're able to look past that, you can enjoy a pretty decent movie. Not a masterpiece, but enjoyable on its own accord.

The second Jack H. Harris-Irwin S. Yeaworth collaboration is a more cerebral effort (being an outright sci-fi piece) than its more famous predecessor THE BLOB (1958). Typically for the genre, it deals with a scientist becoming accidentally endowed with some form of superhuman ability (in this case, passing through solids) – the downside to this is that he ages every time this feat is accomplished…but, then, coming to contact with other people, he is able to sap their energy and bring about his own rejuvenation! Robert Lansing – whom I fondly recall from the TV series AUTOMAN (1983-84) that I used to watch during childhood – is adequate in the title role but his brash younger brother (who is actually the catalyst for the transformation) is less likable; as a result, while Lee Meriwether makes for a lovely conflicted heroine (being engaged to Lansing but falling for his younger sibling), their budding relationship sorely feels like a plot contrivance. Besides, Robert Strauss is cast against type as a scientist who is not above appropriating a colleague's work for his own advancement. Even though boasting variable effects (particularly the aging make-up) and ending somewhat inconclusively, the film remains an eminently watchable and thought-provoking piece that should please fans of the genre and the era which spawned it.