Gli intoccabili

Seeing an excerpt from 'Untouchables' on satellite TV recently brought back some memories of forty years ago, when I looked forward in eager anticipation to seeing the weekly appearance of Eliot Ness and his associates. To see them again was to see characters apparently frozen in time, operating in a mythical world where the differences between good and evil were clearly delineated and the 'bad guys' got their just deserts. Notwithstanding the fact that Capone and Ness never met, that Ness had little, if anything, to do with putting Capone behind bars, the programmes were quite well directed and acted, even though some of the supporting characters had little,if anything, to say - I can remember often waiting for some considerable time for 'Rico' (Georgiade)to say his only line ! Enjoyable,nevertheless, as cinematic curiosities, well crafted, but so far removed from historical reality as to be a rather threadbare tapestry of the events which the series purported to represent.

i became aware of the untouchables in the mid-late 1970's. when it was on, i stopped everything to watch it sometimes twice a day. didn't matter that i saw each episode a million times! the stories, the acting, the theme song was the best there is. Robert stack,Paul Picerni, Bruce Gordon, Neville Brand and especially Nick Georgiade (who is my very most favorite) all did great jobs. the show still holds up today. in fact, its better than most of whats on today! it would be great if a channel would pick it up and we could watch it again. just knowing these untouchable websites exist makes me feel really warm and good. thanks for being here for us. I've been trying to locate nick georgiade to write a fan/thank-you letter but have been unsuccessful. well, i can look at him here. i miss this show.

I must differ only slightly from the praise of one who precedes me, but yes, it was a cracking good show! When a local station ran the series in syndication at midnight in 1967, I turned into an insomniac.

Part of it was my youth; part was/is the b&w presentation giving it a brooding, "gritty" (pardon the cliche) flavour; part was the musical score. Frankly, I found it much superior to the colour and more mature (?) series recently under the same title. Possibly the early '60s series had the elements of a morality play that move some part of me that the more ambiguous -- and in places historically accurate -- new UNTOUCHABLES can not.

One thing bothers me, however, although I fully understand that in the television productions of forty years ago one had to be discrete. It concerns the depictions of violence. I do not object (within reason) to violence per se, but THE UNTOUCHABLES showed a lot of it without the horror. With a more jaundiced eye of the 1990s, when on very rare occasions I have been able to see an old time episode, I am struck by the trivialisation of violent scenes. Even the point-blank firearms shots are comically muted, and there is never a hint of flying blood.

That said, however, I consider the advent of THE UNTOUCHABLES and BONANZA in the 1959-60 season as the beginning of the REAL "golden age of television" in the United States.

Post scriptum: I am sure there were a couple of spin-off "made for TV" movies in the 1960s from the series. Of that I know nothing more save the title of one of them: THE GUN OF ZANGARA.

I had never heard of "The Untouchables" TV show until one morning

my 8th grade English teacher, Mr. Schmidt started ranting about the

graphic violence depicted in movies and on television shows such as

"The Untouchables" and what was he world coming to? From the next

broadcast, I was an avid fan. Much as in the style of the James Cagney

classic of 1933, "Public Enemy," "The Untouchables" wove a web of

mysterious gangland horror by NOT showing the graphic violence but by

instead keeping the killing in the shadows. The creators of the series

never forgot that there is nothing you can show in theater that can

measure up to the imagination of the audience. Another mysterious dimension to the series is, like "The Alfred

Hitchcock Show", "The Untouchables" had an uncanny knack of featuring

actors who would later become stars or at least very well known faces

in movies and on television. After 4 years in the air force including

a year in Vietnam, I watched the series as daily re-runs during the

summer of 1971 just before going to university in Tokyo. One episode

had Telly Savalas as an up and coming bookkeeper with The Mob run by

Frank Nitty while Al Capone was in prison. That evening other business

pulled me away from the television set and I figured I'd see the second

half of the show some other time. Because I have been in Japan ever

since, I never did find out whatever happened to the character played

by Telly Savalas. Less than two years later, however, Telly Savalas

finally made it big in television as Kojak.

This was a one hour crime drama show shot in spartan black and white that lasted four seasons and supposedly followed the exploits of Elliott Ness (Robert Stack) and his Untouchables (unbribable) during their time in Chicago, 1931- 1933, although the details are very fictionalized.

It managed to stay interesting and creative by centering loosely on the criminal exploits of Al Capone and mainly Frank Nitti, played by Bruce Gordon throughout the series, but branching out to other Prohibition era criminals, often without the involvement of the Capone gang, and sometimes even without much mention of the Untouchables themselves. In fact, the Untouchables are often shown dealing with issues such as local murders that would be outside the purview of federal law enforcement and more in line with what the local police would have dealt with.

The guest stars are like a who's who of 1960s TV and even film - Elizabeth Montgomery, Lee Marvin, Cliff Robertson, Victor Buono, Rip Torn, Werner Klemperer, Brian Keith, etc. - as well as some veteran film stars such as William Bendix, Barbara Stanwyck, and J. Carroll Naish.

The show is episodic, skipping around in time, and it is interesting that with all of the talk of bringing criminals to justice that Ness ends up shooting it out with and ultimately killing almost all of the criminals at the end of the show. Either that or rival criminals ended up killing each other. The Department of Justice couldn't have been happy about that.

Ness died shortly before this series began, and it is ironic that the best days of his career were during his time with the Untouchables. Afterwards his life went on a downwards trajectory and included a couple of divorces, a failed election campaign for mayor of Cleveland, and failed business ventures. His time with the Untouchables largely forgotten by his death, this TV show resurrected interest in that period of history and thus that period of Ness' life.