Aggiungi una trama nella tua linguaA large ship sailing in international waters allowed patrons to gamble the night away. Mr. Lucky was the owner, and with his assistant Andamo, handled problem patrons, crooks, and cops to st... Leggi tuttoA large ship sailing in international waters allowed patrons to gamble the night away. Mr. Lucky was the owner, and with his assistant Andamo, handled problem patrons, crooks, and cops to stay afloat.A large ship sailing in international waters allowed patrons to gamble the night away. Mr. Lucky was the owner, and with his assistant Andamo, handled problem patrons, crooks, and cops to stay afloat.
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I was nine-years old (and living in New York) when this show premiered, and it quickly became my favorite series. Friday nights meant "77-Sunset-Strip" and then staying up to watch "Mr. Lucky" with a big bottle of Coke and a bag of Fritos. I can still remember the car he drove -- a black 1959 Chrysler Imperial. To me, Mr. Lucky was the epitome of "class."
I recently got the DVD set of this classic TV show which I haven't seen in 60 years. Back then I had a genuine fascination with Mr. Lucky and his adventures. It may have been the dark edgy atmosphere, the mystery surrounding star John Vivyan's character, or the strong chemistry between the cast members themselves. Above all, it was Henry Mancini's magnificent music that really made the show a hit.
One point that needs to be mentioned is the reason why the show went off the air. Those of us who were alive back in 1959 recall that America was a very different place when it came to public mores, and for its time, Mr. Lucky was quite daring for a television show. Its protagonist was a complex character with a shady past, a professional gambler running a barely legal casino outside the three-mile limit. Along with all the gambling, there was lots of excessive drinking, smoking, partying, and overt sexual innuendos in the dialogue. Not to mention that Lucky and his lady friend Maggie had an "open relationship" when it came to commitment.
Soon CBS and sponsor Lever Brothers received flak from viewers in the South and Midwest concerning the show's alleged "immorality". This is partly why the show's format was changed mid-season from a casino to a swank supper club. However, this was not enough to placate viewers in the Bible belt. Thus, in spite of the shows' strong viewership and high ratings, Lever Brothers refused to renew its contract. Because the show was so hot, CBS was unable to find another sponsor. And so, to the great regret of its audience, Mr. Lucky was subsequently canceled, its last episode airing in September of 1960.
Back then Mr. Lucky was considered to be way too much over the top and paid the penalty for being ahead of its time. Today a show such as this would be a hit on TV but also probably be rated PG because of all the smoking and drinking.
For myself however, seeing this classic TV show once again and hearing the beautiful Henry Mancini score brings back warm memories of a simpler time, when television was indeed real entertainment.
And now, as Andamo ( Ross Martin) would say- "That's it and that's all!"
One point that needs to be mentioned is the reason why the show went off the air. Those of us who were alive back in 1959 recall that America was a very different place when it came to public mores, and for its time, Mr. Lucky was quite daring for a television show. Its protagonist was a complex character with a shady past, a professional gambler running a barely legal casino outside the three-mile limit. Along with all the gambling, there was lots of excessive drinking, smoking, partying, and overt sexual innuendos in the dialogue. Not to mention that Lucky and his lady friend Maggie had an "open relationship" when it came to commitment.
Soon CBS and sponsor Lever Brothers received flak from viewers in the South and Midwest concerning the show's alleged "immorality". This is partly why the show's format was changed mid-season from a casino to a swank supper club. However, this was not enough to placate viewers in the Bible belt. Thus, in spite of the shows' strong viewership and high ratings, Lever Brothers refused to renew its contract. Because the show was so hot, CBS was unable to find another sponsor. And so, to the great regret of its audience, Mr. Lucky was subsequently canceled, its last episode airing in September of 1960.
Back then Mr. Lucky was considered to be way too much over the top and paid the penalty for being ahead of its time. Today a show such as this would be a hit on TV but also probably be rated PG because of all the smoking and drinking.
For myself however, seeing this classic TV show once again and hearing the beautiful Henry Mancini score brings back warm memories of a simpler time, when television was indeed real entertainment.
And now, as Andamo ( Ross Martin) would say- "That's it and that's all!"
During the summer of 2004 we happened upon the derelict, rusting hulk of the Fortuna moored to a dock in Eureka, California. The harbor master pointed it out to us as what was left of the yacht used on the TV series.
Lord only knows what the poor thing had gone through after being decommissioned by Hollywood. The harbor master intimated it might have been used as a drug running boat to and from Mexico.
In any event, a peek through its windows from dockside revealed it is now being used as a storage facility for various boat machinery and parts.
Lord only knows what the poor thing had gone through after being decommissioned by Hollywood. The harbor master intimated it might have been used as a drug running boat to and from Mexico.
In any event, a peek through its windows from dockside revealed it is now being used as a storage facility for various boat machinery and parts.
TV actors, at least in the old days when they were placed in a separate class from movie actors, often seemed to be clones of their movie brethren. Some were singular in their associations. Nehemiah Persoff seemed to be the Edward G. Robinson of television, getting similar roles and acting them in a very similar manner. Carolyn Jones was the Bette Davis of TV, even to the point of playing a set of sisters one of whom is a murderer on Burke's Law. Other's had company in their pursuits. The western stars were all either John Wayne or Gary Cooper, with an occasional Jimmy Stewart or Henry Fonda thrown in, (including the real thing on "The Deputy"). There were a whole selection of Clark Gables, including John Russell, Rory Calhoun, Richard Egan , Robert Lowery and others. There were plenty of Brandos, including Burt Reynolds, George Maharis and John Saxon. There were enough Rock Hudsons to fill a theater, with John Gavin, Tom Tryon and Gardner McKay coming immediately to mind. The blonde versions I call the "Redfords", a group of thoughtful , well educated types of which Robert Redford was one along with James Franciscus, Richard Chamberlain and William Shatner. They had varying degrees of success with Redford emerging as the head of the class.
Perhaps the most successful strain, however were the Cary Grants. Grant made an ideal model for the suave detective hero, able to be charming or tough as the occasion demanded. Craig Stevens was hired to play Peter Gunn specifically because of a strong resemblance to Grant. His tightlipped performance was not really very charming but it's surely how Cary would have played that character. Latern-jawed John Vivyan played a role that Grant had actually essayed in the movies, Mr. Lucky. He was competent at best. The heroes of the Warner Brother's detective shows were largely based on Cary Grant. Ephram Zimbelist Jr.'s Stu Bailey was a grant-style role with a lot more charm than Peter Gunn. Richard Long's Rex Randolph on Bourbon Street Beat was much the same. Anthony Eisley's Tracy Steele was a less convincing version of the same character on Hawaiian Eye.
But the best of the Grant clones was Gene Barry. He was male-model handsome, had good breeding and seductive whiskey voice. He was also TV's greatest reactors. He had a series of comic takes that was perfect for Amos Burke, who had to confront an unending series of eccentric subjects. Yet he could turn around and romance the ladies or get tough with the tough guys. And he was a good enough actor to hold up his end when the heavy dramatics intervened.
One wonders what the originals of these clones must have thought as they watched the boob tube in it's infancy.
Perhaps the most successful strain, however were the Cary Grants. Grant made an ideal model for the suave detective hero, able to be charming or tough as the occasion demanded. Craig Stevens was hired to play Peter Gunn specifically because of a strong resemblance to Grant. His tightlipped performance was not really very charming but it's surely how Cary would have played that character. Latern-jawed John Vivyan played a role that Grant had actually essayed in the movies, Mr. Lucky. He was competent at best. The heroes of the Warner Brother's detective shows were largely based on Cary Grant. Ephram Zimbelist Jr.'s Stu Bailey was a grant-style role with a lot more charm than Peter Gunn. Richard Long's Rex Randolph on Bourbon Street Beat was much the same. Anthony Eisley's Tracy Steele was a less convincing version of the same character on Hawaiian Eye.
But the best of the Grant clones was Gene Barry. He was male-model handsome, had good breeding and seductive whiskey voice. He was also TV's greatest reactors. He had a series of comic takes that was perfect for Amos Burke, who had to confront an unending series of eccentric subjects. Yet he could turn around and romance the ladies or get tough with the tough guys. And he was a good enough actor to hold up his end when the heavy dramatics intervened.
One wonders what the originals of these clones must have thought as they watched the boob tube in it's infancy.
Some of us who enjoy this show in general and Ross Martin's work on it in particular, have been discussing it episode-by-episode at www.andamoinmrlucky.proboards.com.
Here's an example, from one of my own posts, which provoked argument from another member:
"Anyway, back to 'The Money Game': Notice the difference between how natural Rovacs sounds when he says, "The bird from Wilbur College?" and how unnatural Lucky sounds when he says, "The bird who said this country has no respect for mathematicians . . . ." I think the writer missed it with that line. Lucky just can't use slang terms like "bird." And the writer did it again, though not so blatantly, with Lucky's dialogue with Eddie about the "fish." Lucky has too much respect for his customers to refer to them with derogatory words like that. Poor John Vivyan-- what he must have thought when he saw this week's script. In addition to having to speak out of character, he sure got stuck with some lame lines this time."
In retrospect, I'm not sure I agree with myself there about the fish. We'd sure welcome other voices, other opinions, from people who'd like to watch and seriously discuss the show with us.
Here's an example, from one of my own posts, which provoked argument from another member:
"Anyway, back to 'The Money Game': Notice the difference between how natural Rovacs sounds when he says, "The bird from Wilbur College?" and how unnatural Lucky sounds when he says, "The bird who said this country has no respect for mathematicians . . . ." I think the writer missed it with that line. Lucky just can't use slang terms like "bird." And the writer did it again, though not so blatantly, with Lucky's dialogue with Eddie about the "fish." Lucky has too much respect for his customers to refer to them with derogatory words like that. Poor John Vivyan-- what he must have thought when he saw this week's script. In addition to having to speak out of character, he sure got stuck with some lame lines this time."
In retrospect, I'm not sure I agree with myself there about the fish. We'd sure welcome other voices, other opinions, from people who'd like to watch and seriously discuss the show with us.
Lo sapevi?
- QuizThe series was cancelled after the sponsors left. CBS was unable to find another sponsor despite the good ratings.
- ConnessioniFeatured in Music by John Williams (2024)
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- Celebre anche come
- Bonne chance M. Lucky
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- Tempo di esecuzione30 minuti
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- Proporzioni
- 1.33 : 1
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By what name was Mr. Lucky (1959) officially released in Canada in English?
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