Il paradiso dei barbari

In this peculiar movie there various and motley characters , such as : Burl Ives as Cottonmouth, more terrrifying than the dreadly marshland he ruled , Chistopher Plummer , the one who dared go in after him, Gypsy Rose Lee who imported the Girls , Tony Galento the heavy wright fighter as Beef , he escaped with Sammy Renick , the famous jockey , a renegade from the track, Emmett Kelly , the great circus clown , as Bigamy Bob , the multi-married outlaw McKinlay Kantor and introducing a new European star from Poland , lovely Chana Eden . The people passions and plunder that swept the 1000 terror-miles of everglades ¡ Storming the heights of motion picture greatness ¡. Hollywood bulletion : Nothing like it since " Grapes of Wrath" . Best-selling novel now on the screen, now the screen is adult enough !. Please see it from the beginning . No motion picture ever stabbed so deep ¡

This is an offbeat movie plenty of barroque scenes , ecologism, rare roles , disjointed set pieces and gorgeous outdoors from Florida . Financed by Warner Bros and produced by Stuart Schulberg and script by his brother Budd Schulberg , the prestigious man who gave you "On the Waterfront" . Schulberg attempted to take the filmmaking against an alcoholic Nicholas Ray, and finally Budd made the final scenes. Main and support cast are pretty good . The incombustible Christopher Plummer in his second screen appearance is pretty nice as the ornithologist who fights a bunch of bird poachers and Burl Ives is top-notch as the boss who imposes his own law in the Florida Everglades . And fine support cast , such as: Gypsy Rose Lee , Pat Henning , introducing Chana Eden and Peter Falk in his feature debut , among others .

Here stands out the stunning cinematography shot on location in Florida marshland , showing the lush exteriors and a lot of wildlife and birds that are the peculiar and real protagonists of this nice movie. The motion picture was uneven but professionally directed by Nicholas Ray in his usual style . He was a great director who made masterpieces , successes and failures . Ray directed all kinds of genres as Epic , Noir Film , Drama , Western , Religious , Wartime, such as : "The live by Night" , "Knock in any Door" , "In a lonely place" , "Born to be bad" , "On Dangerous Ground", "Flying Leathernecks", "The Lusty Man" , "Johnny Guitar", "Party Girl", "The King of Kings" , "55 days in Pekin" and several others. Rating : Notable 7/10. Better than average . The film will appeal to Christopher Plummer fans that he is still playing with certain success , as well as followers of this great and rebel filmmaker called Nicholas Ray . Essential and indispensable watching .

For it's time, I considered it original, thought-provoking, and typical of Schulberg's quirky, off-beat style. I would rate "Wind Across the Everglades", as a movie ahead of it's time, given it's now much-debated theme. I still remember--after almost 40 years---Burl Ives speaking lines which included the phrase "A man's an eel", or did I hear it right? Finally, it was the first film in which I ever saw ChristopherPlummer. I would dearly love to see it again, but it's seldom on television, and in my home town of Sligo, in the Irish Republic, it is not available on video or DVD. Well,that's about wraps my comment. Goodbye, and thank you Paddy Coen.

And so the environmentalist shall lie down with the swamp rat under the shelter of Protest. Such, at least, is my takeaway from the best scene in this flawed but interesting 1958 Nicholas Ray film where the Man From The Audubon Society and the King Of The Crackers are drunkenly united in their dislike of modern, urban civilization and, in so doing, anticipate the 1960s counter culture by at least eight years.

It's fashionable in film circles to disparage this Ray work and cast as the villain producer/writer Budd Schulberg who fired his Genius Director toward the end of shooting and took his place behind the camera. I somewhat subscribe to this view although with the fairly large caveat that The Genius was injesting heroin at the time, a rather significant detail the auteurists tend to omit. Whoever is to blame, there is no getting around the fact that large swaths of the film involving the early settlement of Miami and the love affair between Christopher Plummer and Chana Eden are as dull as a Marlins double header and that Burl Ives' performance is over the top pretty much throughout rather than in just certain parts of the film that Schulberg may have helmed. So let's give it a generous B minus for the Great Protest as well as other good red neck stuff like the elemental fight for sleeping quarters and the Everglades floozies who Ives so admires.

PS...I notice that Paul Sawtell and Bert Shefter, who did the music, did not get a credit. Anti Schulberg Protest?

PSS...An early Peter Falk performance does not make a strong impression. Gypsy Rose Lee, however, does, especially from the neck down.

I remember seeing this film in 1961 at a local drive in theater.As a native Floridian I enjoyed it very much,especially since it was filmed nearby in Naples, Florida.To me it was an accurate depiction of how life was back then. Poaching was common,wildlife officers and environmentalists were fighting a losing battle against it. It showed Florida as it was at the turn of the century,when it was young and wild. This movie is truly a treasure of history in this area. I have been hoping it would be re-released for many years but to no avail. It is a shame that it cannot be viewed by our children.I would greatly appreciate owning a copy of this great film. Skip Kent,Bonita Springs, Fl.

And in Nicholas Ray's canon,it's not the only one.Few directors (if there were any) displayed ecological concern fifty years ago.Maybe John Huston did when he filmed the plight of the elephants in "roots of Heaven" at the time.But it was not as successful as "wind across the everglades.

They say Ray did not finish the film (once again it was not the only one;see also "55 days at Peking" )but ,apart from his plea for the everglades wildlife,we find one of his permanent features:the Walt/Cottonmouth relationship is very complex and verges on a father and son one (for that matter ,see also " knock on any door" "the lusty men" " run for cover" ..) The picture with these birds flying away is sublime.