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Terrific M-G-M oater with both a comedic and a romantic slant has Glenn Ford playing the new sheep farmer in a cattle community; he deliberately stirs up trouble for himself with the locals, particularly villainous old acquaintance Leslie Nielsen, when reminding them that the grazing land is his to use as well--and if they wanna run him out of town, he'll fight them to the bitter finish. Shirley MacLaine is at the peak of her charms as a sarcastic gal who initially plays both sides of the fence. Very entertaining western with colorful production makes no overtures to deep meanings or powerful statements. On the frivolous side though it may be, it is one of the most satisfying westerns of the 1950s. Screenwriters William Bowers and James Edward Grant (Oscar-nominated) have fashioned a surefire character for Glenn Ford, who is irresistible. Good show! *** from ****

This is one of the 1950's best westerns in the Destry Rides Again mode of tongue-in-cheek westerns and foreshadows Support Your Local Sheriff by a decade. It's ideally cast and is certainly one of Glenn Ford's finest roles. He and Shirley MacLaine have marvelous chemistry. Familiar faces Edgar Buchanan, Mickey Shaughnessy,Willis Bouchey,Percy Helton,and Slim Pickins are around to give it the proper old western flavor and Leslie Nielsen is slickly handsome as Ford's rival for Shirley's affections. Pernell Roberts is an effectively slimy villain. Director George Marshall was an old hand at combining comedy with action and The Sheepman is one of his best efforts. The screenplay by James Edward Grant and William Bowers was nominated for an Academy Award.

The Sheepman still holds up well today and will appeal to anyone who is a fan of western's,comedies,or just plain entertaining movies. It's good, clean, old fashioned fun and a prime example of one of those kind of films"that they just don't make anymore!" More's the pity

This a enjoyable comic B Western that l saw for first time in late 1976 in my hometown when l was a boy, Glenn Ford is amazing as outsider and how he wants that the people know him before to bring all sheep to a Cattle's valley, but for me the movie resume in two different and amusing persons Milt (Edgar Buchanan) and Jumbo (Mickey Shaughnessy) Milt is clever, peaceful and funny, Jumbo is thug, stupid and funny, they are the true stars of this comic western, the remains of the movie is usual as always, Milt and Jumbo are remarkable guys!!

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First Watch: 1976 / How Many: 5 / Source: TV-Cable TV-DVD / Rating: 7.5

The Sheepman is directed by George Marshall and written by William Bowers, James Edward Grant and William Roberts. It stars Glenn Ford, Shirley MacLaine, Leslie Nielsen, Mickey Shaughnessy, Edgar Buchanan, Willis Bouchey, Pernell Roberts, and Slim Pickens. Music is by Jeff Alexander and cinematography by Robert J. Bronner.

Utterly delightful semi-comic Oater, The Sheepman pitches Ford as sheep farmer Jason Sweet, who arrives in Powder Valley - a place ruled by cattle ranchers only - and upturns the applecart by announcing he intends to let his sheep graze on the lands there. Trouble, motives and back stories will out!

With the exception of some poor rear projection work, this is a pic that's constructed with style and humour. The opening is a doozy as Sweet quickly puts down a marker in the town, with a glint in his eye and a punch of some force. It's an irresistible characterisation by Ford, deftly blending humour with machismo, setting up the rest of the film by firmly pulling us viewers onto his side. Supporting cast are bang on the money, doing justice to well written characters (the screenplay was Oscar nominated), with the writing also having some nous via twists and a commitment to never let the story be boring or twee.

An absolute must see film for fans of the irrepressible Glenn Ford. 8/10

It's hard not to like Glen Ford. He made some terrific westerns. Some call this one a comedy. Light hearted yes, perhaps in the same vane as McClintock. But not a comedy. The real charm is the script I reckon. It's natural, clever and kind of real. Sweet is a cool character who can be ruthless instantly. The pacing is good thanks to the script and the actors are engaging. I have to say, there's not a great deal of chemistry between McClaine and Ford and her personality is too "modern" for me; if that makes sense. Anyhow, it's not a film that requires too much analysis. It's just a really enjoyable flick.