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Though Deborah Kerr and David Niven are often singled out for their performances, it's really the sensitive, restrained, and vulnerable performance by Rita Hayworth and her relationship with the intense Burt Lancaster that will make you want to come back to this film again and again.

Kerr is worlds away from her elegant performance in "An Affair to Remember." Her Sybil is dominated by her mother (excellently played by Gladys Cooper), repressed, plain, and rather odd. David Niven plays Major Pollock, a war-story windbag with some disturbing secrets. Niven won the best actor Oscar for his performance. However, on the second viewing of this film, his and Kerr's acting seemed showy and became a little irritating. I'm not so sure they stand the test of time.

The less shrill moments with Wendy Hiller (also excellent), Lancaster, and the lovely, involving Hayworth were a welcome respite. Hayworth, more than anyone else, will break your heart in this film. She makes you care about what happens with her character, Ann. Perhaps their roles weren't as tied to an era as Niven's and Kerr's, but Hiller's, Lancaster's, and Hayworth's acting styles certainly seem more natural and real.

Cathleen Nesbitt also turns in a warm and lovely performance as Lady Matheson.

I definitely recommend this movie!

David Niven, who was never given the credit he deserved for his enormous talent, gives the performance of his career in "Separate Tables." Instead of playing the perpetual nice guy, he is a definite shady character. He deceives everyone into believing that he's a reputable person, especially shy Deborah Kerr. But soon, it is revealed that he's not the person he appears to be, with possible disastrous outcomes...

Featuring a fantastic all-star cast, including Burt Lancaster, Rita Hayworth, and Rod Taylor, "Separate Tables" seems to be a forgotten masterpiece. It was nominated for 7 Academy Awards, including Best Picture and Best Actress, and won two...including one for the magnificent David Niven. I highly recommend this movie!

I don't know why, sometimes I think it may have to do with previous lives, otherwise why do I feel so comfortable within the discomforts of this English seaside hotel. But the fact is that, often, I want to put it on and sit at one of the tables myself. I believe that Terence Rattigan is the main reason. What a wonderful writer. Then, Gladys Cooper of course, how can such a perfidious mother be such a pleasure to watch? Maybe is that explosive combination of Rattigan/Cooper. Wendy Hiller in one of her few meaty roles in movies, she won an Oscar for it and every nuance, every look is worth pages and pages of exposition. Exquisite. Cathleen Nesbitt is a joy to behold. Deborah Kerr, David Niven who also won the Oscar for his sad impostor, Burt Lancaster and Rita Hayworth bring a dash of Hollywood to the grayness of Bournemouth. Okay, now, dinner is served. Don't let it get cold.

This is without doubt one of the best films I have ever seen. The fact that it all takes place in one small Bournemouth (England) hotel, no violence, no special effects, no thousands of extras, or vast expenditure says it all. Excellent performances from a star studded cast, especially David Niven. It is gripping from start to finish, but by modern standards in a gentle way. A movie possibly mainly for women, but as a man I can only say that I found it very moving. A film I will always watch whenever it comes around as it always will. A classic.

This film came highly recommended to me by my parents, so I was anxious to watch it. Again, I realized that my impression of Burt Lancaster is completely different from what he actually is as an actor. His portrayal of an alcoholic man who gets a visit from his ex-wife (Hayworth) at the hotel he resides is again different from the boisterous, oafish guy that I always believed him to be when I was younger. Also at the hotel are a varied group of characters – including an oppressive woman who lords over her timid spinster daughter (Kerr) and a retired Army officer with some secrets, (Niven) who are all taken care of by the distant, yet sincere proprietress, Pat Cooper (the amazing Wendy Hiller). The film encompasses all of their separate plot lines, and interweaves them gradually until the climatic ending. There was no action in this film, just wonderful, straight melodrama and some great writing and acting. A year later, Lancaster and Hecht, the producers behind this film, went on to produce `Sweet Smell of Success', which is infinitely more searing and dark, but it was interesting to see the precursor to that film. I recommend this film for anyone who appreciates solid classic melodramas.

--Shelly