Le Dee della scogliera del pescecane

When Durant kills a guard during a failed arms theft, he convinces his friend (Cord) to sail to a remote island where friends will shelter him to avoid capture by authorities. Alas, the boat on which they sail capsizes in a storm and the two survivors are saved by the inhabitants of an island of women, governed by maternal den mother Gerson. The women work for an unidentified corporation, harvesting pearls, hula dancing and fishing. Sounds idyllic, except that Gerson has summoned the police to recover the fugitives, spurring them to engineer an escape - along with local girl Montell with whom Cord has become romantically involved.

It's cheap, uninspired Roger Corman nonsense; picturesque with amiable performances by Montell, Cord and Durant in particular, but little excitement or suspense. The shark reef itself doesn't appear especially threatening, the largest specimen six feet at best and looking more like a lemon shark than a fearsome tiger. Durant and Cord have obviously spent time preparing for their roles in the gymnasium, while Montell has ensured no evident tan lines blur the imagination. Gerson is a matron-like mother superior, disapproving of the boys and their ambitions for her young, impressionable charges.

The climax surpassed the meagre expectations, and generally the narrative is pretty coherent albeit very compact. If you worship the Corman factory, then "She Gods" will take pride of place on your shelf. If however you're only a casual viewer, even at barely a tick over the hour mark, this might be a bit too fast and loose to keep you entertained.

One way of looking at this movie is that it's one of the worst to come from its time and place. In this context, we see two young, good-looking hunks, both outlaws, who end up stranded on a tropical island inhabited by primitive hot white women who all speak broken English and cling to weird taboos and traditions, such as believing the sharks are gods, or some such nonsense.

Another way of looking at this movie is that clever editing could have turned it into a touching story about two men who, while vacationing in Hawaii near the Hospital for Brain Damaged Women, discover just how attracted they are to each other soon after one of them tries to stop being gay by dating one of the native women. In this sense, one could consider this movie a well done piece of cinema history, especially since it was ahead of its time on the topic of civil rights.

It is by imagining the latter scenario that this movie can be made entertaining enough to sit though. If you watch this by taking everything at face value, this flick is way too boring to finish. I'd say the only major motivation anyone would have to watch this movie is if they'd purchased some sort of boxed set that includes this, which is, incidentally, the only reason I watched it.

The full synopsis goes like this: Two young, well-built dudes end up stranded on a Hawaiian beach and decide to never wear shirts again. They encounter a civilization of aforementioned broken English-speaking women led by a psychotic mother matron character who is obsessed with local tradition, which involves human sacrifice to appease the shark god. This means feeding a few of the young hotties to a mid-sized shark that may or may not be alive.

One of the guys, Chris (Bill Cord) eventually falls in love with one of the native babes, Mahia (Lisa Montell), much to the irritation of Chris's ambiguously gay partner, Jim (Don Durant). Since the mother matron (Jeanne Gerson) is a nasty old woman who hates men, she decides to have Mahia sacrificed to the shark god to make herself feel better about neither Chris nor Jim finding her attractive.

SHE GODS OF SHARK REEF: it's not the worst thing I've ever seen, but it's far from the best. The good news is that this sucker is, I do believe, public domain. Those who might search for it could possibly locate it online for free.

I personally found this movie to be quite watchable compared to many others, especially useful as a late night movie, and I really do not see it as a bad movie at all with regard to either the acting or the way it was filmed, even regardless of some of the ludicrous concepts.

You probably are familiar with the plot; two men, one "good", one "bad", end up on an island with exotic women and try to both kill each other and save one another at least once each.

I don't understand the title, though, as there are NO "she gods" (whatever happened to "goddess", anyway?), only unseen "shark gods" (represented by an ugly idol) and an island full of women who collect (and protect) pearls for "The Company" (which we never learn much about or actually see, even though it is implied we will see them).

One important thing that I learned from this movie is that it is okay to throw young girls into the ocean for the sharks to eat, as long as you report any suspicious strangers to the local police on the next island over! Weird! We are also supposed to believe that this "queen" (who oversees the sacrifices made to the shark gods) somehow is able to tell if anyone is correctly reading her maritime signal flag messages just by glancing into the horizon when you can't even see any other island!

I'm also wondering how both Lee and Pua easily swam all the way back to the island with no trouble at all in those shark-infested waters!

Anyway, the parts just prior to the ending were somewhat confusing and there ARE a couple of other incredibly dumb scenes. For example, the part where Queen Pua brags about having saved and taken care of Mahia, when she was the one who had thrown her to the sharks! She even cries about her sailing off away from her! Weird!

The color on my DVD copy was fairly bad; the ocean kept changing between purples, greens, pinks, and blues, but the overall style and filming is somewhat attractive.

5/10. Not bad, not great. Again, it's fine for a late night watch before finally falling asleep.

A simple, one-lined description of this movie would sound a little like: two guys wash ashore a tropical island exclusively inhabited by women that dive for pearls all day and worship ocean Gods… Terrific! Sounds like a movie many (male) exploitation fans would want to see. Or better yet, where can we go to book our very own holiday to this island? In reality, however, "She Gods of Shark Reef" is nothing but a good-looking package with absolutely no content. Roger Corman is one of the greatest and most important directors in (B-) movie history, but many of his obscure mini-budget productions of the late 50's really aren't worth bothering for. Movies like "Creature from the Haunted Sea", "Attack of the Crab Monsters" or this "She Gods of Shark Reef" were shot in a period of only a few days and without a real script, merely because Corman had a handful of extra dollars to spend and/or wanted to make more out of a certain filming location. The events take place in Hawaii and the beautiful images of this wonderful place are the ONLY reason to give this movie a glimpse. It's one of Corman's first movies shot in color and the place does look enchanting even though nothing really is happening there. The two male leads are supposed to be running from the law and the female leader of the island doesn't want them there, especially not since one of them is after her slave girls. The other guy is more interested in the shiny pearls, so needless to say he's not going to make it out alive. Or is he? You better not be expecting any vicious shark-attacks or virgin sacrifices, because you WILL feel cheated. The closest we come to an action sequence is when a native girl encourages the handsome blond guy to dance with her. Despite the gorgeous setting and promising (but misleading) title, this is one of the most boring films I ever watched. 63 minutes never lasted this long. Sorry, Roger

Since the early 1950s, Roger Corman has been directing and releasing films at a break-neck pace. Typically, he tosses four or five into the arena per year. This explosive productivity, of course, limits the range of quality (and budgets) for his productions. However, Corman has only occasionally released really truly bad films. This is an example.

Corman used the lovely islands of the Hawaiian Archipelago as a setting for this early color flatliner. If you have seen a few of his films, you know how important setting is to Corman. First - he never seems to have an adequate budget for his most ambitious projects, so he makes sure he films in visually interesting settings. Second - Corman often uses over-long and somewhat tedious pans ("Corman pans"). With nice scenery in the background, or a well designed set, the tedium factor for these shots is reduced. Corman's films are loaded with people moving from place to place, and "She Gods" is no exception.

The film is about a pair of vaguely likable brothers. Chris (Bill Cord) is a fairly normal, if not particularly bright, young man. Lee (Don Durant) is his evil, and only slightly less intelligent, brother. Lee is a fugitive from the law. They find themselves shipwrecked on an island inhabited by a tribe of Polynesian Amazons lead by the not-very-creepy but still rather annoying Queen Pua (Jeanne Gerson). Lisa Montell plays Mahia (Lisa Montell), who fairly quickly becomes romantically entangled with Chris, but the gods of the shark reef have apparently made it clear that both men are taboo. Chris and Lee plot to escape, and decide to take Mahia along with them, but the shark gods have other plans.

The acting is OK (with mediocre camera-work occasionally making the actors appear to be over-acting), the pace is as good as some of Corman's better works, the script is thankfully spartan, and the plot is as thin as a fish scale. The Hawaiian dancing and singing, underwater swimming scenes, shark-fight action and lovely costumes don't really succeed in making up for the virtually nonexistent story-line, middling cinematography and weakly developed main characters. Plus, some of the shark scenes (I believe one is repeated twice in the film) are laughable.

Can't really recommend this.