She Demons

Shipwrecked on an island during a hurricane, four survivors - spoilt heiress Jerrie (Irish McCalla), explorer Fred Maklin (Tod Griffin), and crew members Sammy Ching (Victor Sen Yung) and Kris Kumana (Charles Opunui) - discover a tribe of sexy native women who are being used in experiments by evil Nazi concentration camp doctor Karl 'The Butcher' Osler (Rudolph Anders).

In his attempts to restore the beauty of his disfigured wife Mona (Leni Tana), Osler has transformed numerous native women into vicious 'she demons', retaining their hot bods but wiping their minds and giving them hideous fizzogs in the process. When Jerrie, captured by the Nazis, spurns Osler's amorous advances, she too is scheduled to become a she demon...

This hokey '50s drive-in flick boasts all sorts of exploitation goodness: Nazis are always a winner, as are voluptuous native girls (played here by The Diane Nellis Dancers, who perform a hilariously bad dance routine). The 'she demons' themselves are memorably daft, with manky skin, oversized teeth, and claws. Also adding to the trashy vibe are a couple of scenes of torture, with a native babe flogged to death, and Fred and Sammy shackled and forced to walk in circles until exhausted.

Unfortunately, even with a short running time of 77 minutes, the lack of any real plot development means that the film does start to drag after a while, although the finalé, as our heroes escape from the Nazi lair while lava floods the island, is quite fun.

4.5 out of 10, rounded up to 5 for the terrible stunt doubles who look nothing like the actors they are standing in for, and for McCalla's giraffe-like neck.

If you get a kick out of Plan 9 and other 50's B classics you are looking in the right spot.

How can you lose when you combine a mad scientist, scantily clad dancing girls, a volcano, Nazis with monster animal girls(stil scantily clad)? Did I mention the planes doing bombing runs, cheesy dialogue, stock characters and goofy storyline?

Yup some campy gold here. Go into it with appropriate expectations if you enjoy this genre(?) and I expect you will enjoy it.

A boat is lost in a hurricane and 4 people scramble onto the beach of an unchartered island. The leader of the group is a young man named "Fred Maklin" (Tod Griffin) who not only has to figure out how to keep the group alive but also has his hands full with a beautiful but spoiled blonde by the name of "Jerrie Turner" (Irish McCalla). Not only that, but he has two even worse problems he has to deal with. First, he overhears a radio broadcast saying that the island they are on will be bombed out of existence within a couple of days. The second problem is that the island is controlled by an evil Nazi doctor "Colonel Karl Oster" (Rudolph Anders) who is performing cruel experiments on native women he is holding hostage. Anyway, rather than spoil the movie for those who haven't seen it, I will just say that this was pretty much a typical low-budget B-movie produced in the 50's which has one saving grace-the beautiful Irish McCalla. Unfortunately, her presence wasn't enough for me to rate this film higher than I have. Slightly below average.

I first saw 'She Demons' on TV as a youngster, and was frightened by it; as I grew up, I saw it a few more times as an adolescent and a teenager, and then, it sort of disappeared from TV.

I found a VHS copy in a video store 3 years ago, and had a movie night with some friends. We howled at the bad acting, the bad makeup of the 'She Demons', and especially at their weird dancing.

The climax, still effective, is the end when Mona reveals her face. A must see if you're in the mood for campy horror and a lot of laughs.

Fans of badfilm will want to check this one out. This schlock horror-comedy-burlesque hybrid doesn't take itself too seriously, although hero Tod Griffin appears to be taking himself too seriously. It is fascinating to hear his deep and earnest voice, resonating as it does from his skinny chest, as his skinny arms gesticulate.

For counter-point to our under-whelming and over-acting hero, we are treated to the spectacular physical endowments of Irish McCalla, whose performance does not resemble thespian-ism in even the most theoretical sense.

The most likable of our 3 heroes is comic-relief Sammy, played ably by Victor Sen Young, a veteran of many B-films and a former screen son of Charlie Chan. Shortly after this film, Young took the role of Hop Sing in Bonanza, playing a very distasteful stereotype...Young fares better in this film, as there is only one obligatory Chinese joke...the rest being non-denominational wise-cracks and general goofiness. He is a an early version of the Hipster Doofus...alongside Maynard G Krebs and Jughead Jones, paving the way for Cosmo Kramer.

The Mad Nazi Scientist Commandant is fun to watch...very evil, very nuts, very lecherous...and the actor appears to have been drunk during most of the filming...good stuff all around.

There's some fun cheap monster make-up, and for good measure it's worn by a bunch of burlesque dancers wearing grass skirts and bikini tops. Got to love that. The burlesque dancers are billed in the credits as the Diane Nellis dancers, and most of them thankfully are not wearing the monster make-up, so we see their lovely faces as well as their lovely bodies.

Now here's a couple questions for the scholars: Who were the Diane Nellis Dancers and what became of them? Who was Diane Nellis and what became of her? They probably had interesting lives, all of them.

The dancers play some kind of strange pale-skinned primitive women, and they perform a sleazy nightclub type 'jungle dance.' This dance lasts for several minutes and is the highlight of the film...this type of cheesecake stuff is incredibly tame compared to what our 12-year-old children can watch on MTV. The dance is a good thing because pretty girls in bikini tops and grass skirts will always be needed by our world.

I have seen plenty of schlock-horror films from this era, and this is the only one I know of that contains an actual cheese-cake burlesque club type dance. It is this innovation to the genre, plus Irish McCalla's endowments and her very brief semi-striptease (a tease striptease, if you will) that she performs early in the pic, that distinguish this film. For surely the infusion of burlesque elements into this epic foreshadows the nudie-horror films that came in the 1960's.