Il balio asciutto

A famous movie star has triplets, but doesn't want the public to find out.So she leaves the babies to Clayton Poole (Lewis) to babysit.Bad mistake?I think not.I think he does a pretty good job if you ask me.Rock-a-Bye Baby is a great Jerry Lewis movie from 1958.It has that Jerry's well known slapstick comedy and it's also a warm and touching movie at the same time. It is beautiful to watch Jerry and Salvatore Baccaloni singing Dormi-Dormi-Dormi.This is a movie that makes you laugh and a movie that may make you cry.I didn't cry.I rather laugh when I'm watching a movie.Especially a Jerry Lewis movie.I'm funny that way. But anyway, watch Rock-a-Bye Baby if you want to see a funny and tender Jerry Lewis comedy.

I used to love Jerry Lewis films as a kid, and although I prefer the Lewis/Martin combos to his solo efforts, this would have to be one of my favorites.

I never used to like this, I found the slapstick unfunny, but it has grown on me over the years. Although the first 15-30 minutes aren't great, once Lewis is looking after the triplets there is a lot of fun to be had here, and Lewis plays his character with great pathos, in fact some parts of his performance are enough to bring tears, the way he portrays Claytons unrequited love for Carla.

The film also includes some lovely songs, particularly the Italian lullaby he sings with Papa Naples.

Recommended!

This is another typical Jerry Lewis comedy. Overall, it will make you laugh. But more, this is a musical that makes you laugh. Jerry Lewis hits a home run for his typical audience. No surprises here, if you are a fan of his work, this is a treat. Then again, the supporting cast including Marilyn Maxwell, Connie Stevens and Salvatore Baccaloni make it more than just a Jerry Lewis comedy. Baccaloni is perfect. At first you hate him and then love him. Connie Stevens is beyond beautiful. She is as sexy as she can be for the decade. She plays the perfect girl next door who is head over heels for Jerry. The trick is, it is Jerry who is playing hard to get. This adds to the wonderful genre that Lewis created in his comedies. This is a nice story that offends nobody. This is hard to do when making a successful comedy. Somewhere, usually someone is the butt of the joke. Here, Jerry is the butt as well as the rest of the cigarette (wink wink).

Giving a Jerry Lewis movie, any Jerry Lewis movie, a vote of ten is in some people's minds tantamount to movie heresy. That is, however, the vote I gave to Rock-A-Bye-Baby, and I stick by it. Believe it or not, before he became the king of overindulgent egomania in many of his later films, Lewis did manage to put a few good films on celluloid. These films were not only funny, but gave us charming, sympathetic characters, a good script, and good supporting casts. Of his early solo efforts, Rock-A-Bye Baby is the one that has stuck with me the longest, so it is the Lewis film I have chosen to talk about here.

Lewis plays Clayton Poole, a television repairman, who has gone through life carrying a torch for the beautiful Carla Naples (Marilyn Maxwell). Because of advice that Clayton gave Carla, she left town to become an actress, and ends up becoming a big film star. Carla's father, Gigi Naples (Salvatore Baccaloni) blames Clayton for his daughter going away. Then there is Carla's younger sister, Sandra (Connie Stevens), who is carrying the torch for Clayton. It turns out that Carla, had been married for a short time to a bullfighter who was killed in the bull ring. Later, just when she finds out she is to star in a film called (believe it or not) White Virgin of the Nile, she also finds out she is pregnant. Believing that she will not be able to do the movie if people find out she has had a baby (not to mention the way morality was looked at back then, see what happened to Ingrid Berman), Carla contacts Clayton to see if he will temporarily take care of the baby till the film is finished. Feeling that this is the one thing he can do for Carla, he agrees. What Carla doesn't tell Clayton is that there is not one baby, but three as she has had triplets.

What happens after that, well I set it up for you it's up to you to find the movie and watch it. Jerry as Clayton is funny throughout, without resorting too much to mugging while keeping the slapstick toned down to where it fits well into the picture. Marilyn Maxwell plays Carla, and though in todays climate it would hard to understand her motives, in this movie we are reasonably able to understand her motives, and despite the fact that she is using Clayton, we are sure she wouldn't if she had another way out. The rest of the cast is also good. Connie Stevens as Sandra, is sweet and funny, especially when she gets frustrated at Clayton for refusing her advances. Salvatore Baccaloni as Papa Naples, shows a rough mean exterior, yet we know inside he is a loving, carring, father. Reginald Gardner is witty and debonair as Carla's agent. Hans Conried who plays Claytons boss, could have been on note but it is not, as he also cares about Clayton despite Clayton's on the job foul-ups.

There is an early scene in this movie, where Clayton sings a song with himself as a child, played by Lewis's own son Gary. It sets the tone for the rest of the movie and from then on we are hooked. How does it all end? I'll not tell that, as it is one of the funniest endings of not only a Jerry Lewis movie, but of any movie.

This movie is for everyone. It has heart, it has soul, it has comedic genius. I only wish Jerry had made more films like this one. Then, not only in France, but in the USA, we just might be calling him "genius".

Till Next Time, Next Class Please

I have to admit I've never been a rabid Jerry Lewis fan (even with a French last name, I can't join some of my relatives on the Continent in idolizing him), but, in looking back, I've seen more of his movies than I might have preferred. This one, though, was a lot of fun, possibly because it was a delightfully vulgar remake of a Preston Sturges classic.

The VistaVision/Technicolor production values are first-class; the supporting cast is able to withstand Jerry's frantic goofiness (especially Marilyn Maxwell, who gets to perform the wacked-out production number, "White Virgin of the Nile," and Ida Moore as Jerry's elderly landlady, avidly and simultaneously consuming every product being advertised on the TV she is constantly watching); and Frank Tashlin's direction pilots Jerry through the plot's crazy machinations with just the right touch of cartoon-like unreality.

If you're a Lewis fan, it's a must-see; if you aren't you may still find it an enjoyable way to spend a mindless 103 minutes.