Robin Hood Daffy

This one always cracks me up. Especially when Daffy Mocks Friar (Porky) Tuck with, "Guffaw, Chortle, Nyuk, it is to laugh." The "Yikes and away!" is great too. They don't write 'em like this any more.

Another favorite: "In the classic Warner Bros. cartoon 'The Scarlet Pumpernickel,' Daffy Duck is earnestly pitching his new script to the unseen Jack Warner. As Daffy tells the story, we see it unfold, performed by the great stock company of Daffy, Porky Pig, Sylvester and Elmer Fudd. But it soon becomes clear that Daffy does not have an ending for his movie. Warner presses him, Daffy keeps reaching, and Warner keeps asking for more. Poor Daffy. In his zeal, he forgot that adding any old plot development is not enough to make a gripping story. You've got to have something important on the line, something that matters. Daffy should have been asking himself, Who cares?

That's a question all novelists must repeat. If you can create a character worth following and a problem that must be solved — and then along the way raise the stakes even higher—you're going to have the essential elements of a page-turner."

This is one of the funniest Daffy Duck cartoons. I especially liked that song he sings at the beginning "To trip, to trip, to trip it up and down." I also like the part where Daffy keeps hitting all those trees, so he chops them down. Then when he tries to swing again, he hits a huge rock. This is highly recommended. Daffy is one of my all time favorite toons.

One of my all-time favorites. One hysterical gag after another, especially when Daffy tries to swing on a vine and smashes into one tree after another. Daffy is so funny as the failed Robin Hood Daffy, and Porky Pig is hillarious as Friar Tuck laughing at everything Daffy is doing. I can never stop laughing when I watch this one.

One of the great classics of animation, Chuck Jones's 'Robin Hood Daffy' is a sumptuous and hilarious short from the late era of Warner Bros. cartoons. Based on the glorious Warner production 'The Adventures of Robin Hood', 'Robin Hood Daffy' combines subtle character comedy and broad slapstick with an astonishingly perfect balance. The famous "buck and a quarter quarterstaff" scene that opens the film is the finest example of this. Daffy's wild thrashing around is punctuated by his quiet run through of how the routine should go as he takes time out to establish just where he went wrong. It's a classic scene with some terrific animation as the chortling Porky Pig defeats Daffy Duck at a duel with very little effort. Compare this scene and the laughing fits that the characters break into afterwards with the same scene from 'The Adventures of Robin Hood' and it becomes even funnier as you realise how close to the source material it actually is.

There are plenty of other classic moments in 'Robin Hood Daffy' ("Yoiks and away"), each punctuated by the frolicking image of the weary traveller that Daffy is attempting to rob obliviously passing by the latest scene of Daffy's humiliation. Apart from the gorgeous layouts, the brilliant gags and the wonderful performance by Mel Blanc, 'Robin Hood Daffy' is also notable for how Jones uses the characters, particularly Porky Pig. Porky had long been a straight man whose star billing was contradicted by the way his co-stars upstaged him. Relegating Porky to supporting player breathed new life into him and, as is the case with all Jones's Porky and Daffy genre parodies, Porky excels himself. His laidback, overly-jolly friar is the perfect foil to inspire escalating frustration in Daffy as he tries in vain to prove he's Robin Hood, never thinking to just point out one of the many Wanted posters bearing his image. 'Robin Hood Daffy' is an exceptional piece of work that everyone of a certain age remembers fondly. It's another in an extraordinarily long line of Chuck Jones classics.

This time, Robin Hood (Daffy Duck) tries to convince Friar Tuck (Porky Pig) that he really is Robin Hood, but the circumstances keep working against him. Maybe "Robin Hood Daffy" isn't the greatest cartoon from the Mel Blanc/Chuck Jones crowd, but it's still great. With some of the things that happen to Daffy here, you just have to remember what we learned in "Who Framed Roger Rabbit" about a given cartoon character: you can drop anything you want on his head. And let me tell you, Daffy has a lot more to worry about than that! Anyway, this is another cartoon from the Golden Age. You may just feel like Robin Hood after viewing this.