La morte viene dallo spazio

It is hard to give a rating to old movies like this. This Italian/French film is a predecessor to modern fare like Meteor or Armegeddon.

No Bruce Willis, but Paul Hubschmid, the first Swiss film star. He is on a team of astronauts that included a Frenchman and a Russian and was selected for the first mission in space. Such international cooperation! Absolutely brilliant for the time. It will be even more amazing as the film goes on.

Don't look for great acting or fancy special effects. Stock footage is the norm and the dialog is corny, but there is a bright shining moment when they know they are all doomed and some scientist wigs out.

The solution to the falling meteor is the use of all the nation's atomic warheads. Like that would happen. You know the USA or Russia, probably both, would hold a few in reserve. I am sure the USA did, as I saw no missiles leaving silos.

It's interesting to see the first films of this type before CGI, which is why I am investing the week exploring them.

This little Italian oddity offers the drama of a world-wide disaster and the themes of international cooperation which were better capitalized by the Star Trek franchise and several similar disaster films of more recent vintage.

The film is somewhat unique for its unusually jerky pace, clever low budget effects, odd use of stock footage, and strange cinematography. The Day the Sky Exploded begins as if it is going to be a space-flight adventure, but instead treats the space flight in a realistic, almost mundane manner, before proceeding to reveal the real plot - concerning the meteors. The astronaut (nicely played by Hubschmidt) is forced to eject from the nuclear powered rocket and the rocket flies off to .... where? before you know it, a cluster of meteors, probably blown off of some planet or perhaps the moon, is threatening to destroy the earth.

Some of the 'scientists' allude to unknown religious beliefs and seem to think that some great big meanie out there has it in for us because we've ventured off our planet in a serious way for the first time (like the perspective offered by Star Trek First Contact inverted). The plot begins with the rocket launch and a great feeling of optimism and then proceeds into panic, and then a feeling of inevitable doom, as nobody seems able to come up with an adequate solution.

There are also some amusing but really unnecessary romantic elements and some decent character development which help to round the film out in a general way. The acting is generally good, but there are a few really odd moments where people seem either too calm or absurdly evocative given the circumstances they are dealing with. There are also a couple of bad moments for the script, which may be a result of translation problems from the film's native language.

I have noticed a lot of people making fun of the special effects. Sure, the dozens of stock footage clips of rockets being launched is over-done, and yeah, some of the scenes showing people and cars moving around in the parking lot of an unidentified building are kind of funny, but I actually enjoyed the primitive but creatively filmed scenes of asteroids and explosions. They were, at the very least, more artistically designed than some of what appears in contemporary films with similarly low budgets.

A joint effort by the United States and the Soviet Union to send a nuclear powered manned flight into space results in a disaster which manages to ionize a cluster of meteors and send them on a trajectory toward earth. This causes a crises of the first magnitude as tidal waves are predicted to destroy cities near coasts all over the world. And that's just the beginning of the problem. Now, while this scenario had been done about seven years earlier in "When Worlds Collide", this film offers a different approach and succeeds (more or less) in spite of the limited budget which was spent to produce it. And although the acting certainly wasn't anything to get excited about, the special effects were pretty good considering the era this movie was made. All in all then, it's worth watching as long as people aren't expecting too much. All things considered then I rate it as about average. No more and no less.

I've only two films by Paulo Heusch, and both of them are very early, but gosh darnit if they don't display some of the aspects that make Italian trash cinema so entertaining then I'm a something's something! Bad dubbing, crazy logic, loads of stolen footage, insane plot, terrible acting and all that jazz (although there's no boobs or gore...that happened later), I would say this film has it all if it weren't for the fact that Paulo loves to concentrate on folks talking to each other on microphones rather than give us any action. I seriously had my attention wandering throughout this film, although it did give a few laughs.

The plot involves sending a pilot into orbit and then on to the moon in a process that takes up the first twenty minutes of the film, but eventually our ethnically diverse mix of scientists gets our guy up in space, but then things go wrong and he's force to detach his cockpit for Earth while sending his fuel filled rocket into an asteroid belt, which causes a load of asteroids to head for Earth, Armageddon style! Let's whittle it down a bit. You've got scientists all over Earth reporting what not to each other (including Glasgow!) while the Earth gets hotter and hotter, the animals go nuts, and society collapses. This is all demonstrated by stock footage, most of which has a single loop of dialogue where you can hear a woman scream "My Baby" over and over and over again, so look out for that.

You've also got a few side plots, one of which involves the astronaut and his family and the other involving a scientist trying to get into the pants of a frigid female scientist type person. Cue loads of crappy old school sexism.

I also loved that my copy was full of missing frames and got a laugh out of the bit where the frigid scientist bursts into a room with something important to say, only to have the film jump, the scientist disappear from the shot, and leave two male actors staring at each other for some reason.

No where near as funny as his later Werewolf in a Girl's Dormitory, this is still a nice early example of what makes these film so much fun.

One problem that has long bothered most filmmakers, since the dawn of cinema, is the smoke-and-mirrors magic act itself--namely, getting big, great, creative ideas that movie watchers will be interested in and like, while getting these ideas across in as budget-conscious a manner as possible. Take this film, 'The Day the Sky Exploded', for instance (but make sure you give it back--I liked it LOL). Rome-born director Paolo Heusch (who later made the no-budget enjoyable thriller, 'Werewolf in a Girl's Dormitory') wisely utilized as much stock footage as humanly possible, and a fine cinematographer in future horror-aficionado hero Mario Bava (though his name is bizarrely misspelled in the film's credits), to credibly bring his ambitious ideas of widespread panic and civil unrest to fruition.

Mildly problematic is the dated way that women are portrayed here. Usually in older films, this isn't bothersome to me, simply because it was so widespread, and thus expected to a certain extent, but that doesn't mean it was right. For example, the only two principal women in the film are the wife of the main astronaut, who basically is left to complaining that she doesn't get enough attention from him while the world is in chaos, and a math expert, considered 'cold' because she dares to simply think about her job, who basically falls to pieces when the going gets tough (though, to her credit, she comes to her senses). And, playing the devil's advocate for a moment, it was kind of crappy that it was a Russian who went crazy and made thinks difficult for the scientists who were binding together to try and save the world. But those are minor nit-pickings.

It made me very happy to watch this valiant cinematic attempt. It left me far more satisfied than later, big-budget efforts in the area, such as 'Deep Impact' and 'Armageddon'. Some fanfare for the common man, please! =)