Macabro

In the old days shockers sometimes gave you more than nightmares for your fifty cents. You also got an experience and sometimes and a goody that would later be worth a ton on ebay.I still have my barf bags from Mark Of The Devil,my Ghost Viewer From 13 ghosts and a pair of scratch and sniff 3d glasses from a showing of Gorilla At Large. Castle set a standard for hype when he came up with the ad campaign for Macabre.He had already been cranking out low budget mystery flicks during the forties and tried his hand at the gimmicky 3D craze of the fifties what could be done to reel them in now?It was easy. Castle made the main thread of this so-so film about a kidnapped child buried alive so that kids would fill in the scares with their minds then added the trick of insuring the audience against death by fright to make you think you were gonna get more than what was actually shown.Castle and his ad man were also shrewd about placing many TV ads during weekday dinner time so that the kids would bug mom all week about it and then Castle himself would go on local TV dance shows even kids clown programs and dare us to get the pants scared off ourselves.I remember him making an appearance on The Chucko The Birthday Clown show.When Chucko put on the special glasses they showed a happy ghost bopping around.When I got to the show and saw skeletons and head choppings I just about crapped. Years later when I saw what a Leave It TO Beaver type of affair 13 Ghosts is I realized what a genius Castle was especially since the ghost remover never completely removed them.Macabre is talky and draggy even at 72 minutes but I've seen much worse and the art direction and moody photography is nice and spooky.

Dukey

William Castle's first excursion into the horror genre is not really scary at all. It's a mild murder mystery about several dislikable characters, one of them presumably having committed a grizzly crime. It gets bogged down midway with some flashback sequences which really don't help the narrative THAT much. The performances are well acted and the film manages to keep a decent level of intrigue and curiosity throughout. It's also unusual to see Jim Backus in a rather unlikable role. However, being advertised as a "horror" film, it fails to provide enough ample shocks to please in that department and it lacks some of the chills and humorous touches of Castle's later work. Still, it's worth a look as the first of the William Castle "gimmick" films.

A doctor in a small town has done a good job of making himself hated because of his role in the deaths of two sisters. When his daughter disappears and a caller announces that she has been buried alive, will the unpopular doctor uncover the MACABRE scheme, or will the cute little girl die a horrible, frightening death?

Any movie that dares cast the lovable Jim "Mr. Magoo" Backus as the sort of brutish sheriff that Sterling Hayden could have done in his sleep does have something going for it. Any movie that features a slutty rich blind girl (who makes time with the pool boy AND Jim Backus AND our surly doctor hero) has a definite noir appeal. And the attention paid to clocks and the passing of time shows that the director at least has a concept of how a film might generate suspense.

But, a movie with the amount of bad, bad acting this one does, indicates a director perhaps more concerned with the promotion of his movie than the making of it. The logical flaws of the film are really extraordinary, beginning with small things, such as the distance between the small town and its old creepy graveyard, and advancing to the large, such as our hero's steadfast refusal to call the cops. And the final resolution, alas, is more disappointing than surprising. The best thing that can be said about the "promotional" aspects of the film -- mostly a rather campy opening announcement about how really truly scary all this is going to be, and a Charles Adams - like animated closing credit sequence, is that these campy things really don't get in the way.

Worth seeing, because the Jim Backus performance is the sort a revelation that can happen when a good character actor is totally cast against type. But the world won't come to an end if you miss this.

What set this film apart from all others playing at the time, was an insurance policy, issued by Lloyds Of London, given out at the box office, and insuring the patron against "death by fright" during the viewing. Of course, I doubt that anyone's relatives managed to collect the one million dollar face value, but it certainly managed to lure in a packed house.

One scene ,in particular, caused a few hesitations in my cardiac functions, despite the films generally boring overtones. One of the many false leads in the search for the missing child, led to a graveyard. An interrment was taking place during a dismal rainstorm,and the child supposedly was buried in the open grave. The camera was positioned up in the trees, as the would be rescuers dug frantically at the grave, rapidly filling with rainwater. As the coffin was unearthed and opened, the camera zoomed in for a closeup of the morbid contents, prompting ear splitting screams from the audience,and raising me out of my seat. Although only a partially melted wax doll, it did resemble a decomposing corpse.

This excellent use of the element of surprise and shock, made this ordinary film, memorable.

I finally saw this on TV several years ago and wish I had taped it. It's got strong story elements that could have been developed into something really great.

The idea of a funeral to be held at night because the deceased, the daughter of a very wealthy man, had been blind sets the tone. Add a race against time to save a kidnapping victim who's been buried alive and you've got the elements of a tidy thriller.

My understanding is that the novel this was based on, THE CONCRETE GARDEN if I remember the title correctly, was actually written by several mystery writers. It was a project where writer A came up with the concept and wrote opening, then passed it to writer B who developed it and threw in complications that would make writer C sweat bullets to resolve. The fact that there were so many writers involved seems to have made it very difficult to get the rights to the story, and that's why it's the only one of William Castle's thrillers not available on video.

We've seen remakes of several of Castle's works. Maybe someone will discover this one and get the rights issue resolved.