La squadriglia Lafayette

Not one that'll live long in the memory.

'Lafayette Escadrille' is mildly watchable but I can't really recall anything that occurred across the 90 minutes or so. The potential-filled story isn't all that interestingly portrayed and the acting is, while nothing bad, just very plain, pardon the pun, as no-one stands out.

This is one of Clint Eastwood's early credited roles, though he may as well have been uncredited to be honest - very much seen more than he is heard, though apparently could've been lead if director William A. Wellman had his way. Tab Hunter is the lead here, but the only thing I'll take from him here is that he kinda looks like MMA fighter Ian Garry... just me that sees that? Probably.

Could be worth a watch for some of the neat aerial sequences near the end, but otherwise this 1958 flick isn't one I'd recommend.

A project very close to director William Wellman's heart, this semi-autobiographical account of his escapades in the title organization during WWI only partly succeeds. Hunter is a shiftless and troublesome youth who, after stealing a car and causing an accident, decides to enlist in a French air corp which allows American men to wear French uniforms and fight the war against Germany (the U.S. not having entered the war at this point.) On the sea voyage to France, Hunter meets up with older man Janssen and young, eager enlistees Hover and Wellman Jr (playing his own father.) They've scarcely downed their first glass of beer in a cafe when Hunter falls under the spell of misty-eyed French girl Choureau. He disappears with her for ten days, only resurfacing in time for his adventures in the Escadrille. The men are shown training for their flight careers in a comic, credibility-straining way with a bumbling Drillmaster barely able to communicate with them. Eventually, they take to the air and help the cause, though Hunter (due to his obsessive love for Choreau) runs into more trouble than he was in to begin with! Here the film becomes less about the Lafayette Escadrille and more about the troubled and contrived affairs of the young lovers. The films strengths lie in the cheerful, fraternity-like interactions of the men (even if narrator Wellman dwells on each one in the beginning, denoting their ultimate fate before the viewers have even met them), many of whom are played by actors who were just on the verge of greater things. It's interesting to see men like Halsey, Hutchins, Laughlin and especially Eastwood in these roles, though their lack of screen time ultimately becomes a bit of a frustration because their fame lends their smallish roles more weight than they were probably meant to have. Another big plus is gloriously handsome and beaming Hunter, though his looks are altered part way through the film. His charm is utilized throughout to help smooth over his character's selfish and foolish edges. It's also nice to get a glimpse into this little-known aspect of WWI and Wellman clearly wanted to bring various remembrances and details of his experience to the film. What doesn't work is the unevenness in tone of the film. It sways wildly from slapstick comedy to soapy romance to documentary to action. The title suggests a survey of the air corp along with action and aerial sequences (which do occur), yet the film turns into a "Let's Play House" love story complete with unintelligible murmurings from Choreau and a loopy, boozing, one-armed hotelier. This division of focus does more against the film than for it. Though he did manage to carve out a minor Hollywood career for himself, it should be noted that Wellman Jr, though amiable, gives a very stiff, flat performance as his father (though it couldn't have been easy to step into the role and be directed by Wellman Sr!) Hunter is beautiful and gives a committed performance. Janssen doesn't get to do a lot more than smart off and the rest of the men don't appear all that much (but they do show off their attractive physiques occasionally.) There is a (non-PC by today's standards) hilarious little part played by Nakamura as the men's human alarm clock and coffee pourer. In all, an okay film that could have been much better if the focus had remained where it belonged, which is on the fighting men of the Lafayette Escadrille. Studio tampering led to a happier ending for Hunter's character than was intended, much to Wellman's dismay.

This film begins just prior to the American entry into World War I with a young man named "Thad Walker" (Tab Hunter) stealing a car and accidentally hitting a bicyclist while trying to evade the police. Unfortunately, rather than being relieved that no one was seriously hurt, Thad's wealthy father reacts in a violent manner and proceeds to beat him once he is released by the police. That being said, having grown tired of the physical abuse, Thad decides to leave home and subsequently boards a steamer headed for France with the intention of serving as a pilot in their war against the Germans. As it so happens, however, just prior to being sent to an air base for training, Thad meets a beautiful French prostitute named "Renee Beaulieu" (Etchika Choureau) and the two immediately fall in love. And while her letters give him some measure of comfort during his intense training, it soon becomes quite obvious that Thad has inherited his father's violent temper--and this soon causes problems for all concerned. Now, rather than reveal any more, I will just say that this turned out to be an okay film thanks in large part to solid performances by both Tab Hunter and Etchika Choureau. Likewise, it also features a couple of young actors destined for stardom with David Janssen (as "Duke Sinclair") and Clint Eastwood ("George Moseley") being the most obvious. Admittedly, there were a couple of romantic scenes which slowed things down a bit but, even so, I found it to be worth the time spent and I have rated it accordingly. Average.

William Wellman's Lafayette Escadrille is a his swan-song for Jack Warner and WARNER BROS Pictures. It starred Tab Hunter as probably the third movie he made as 'contract-player' for WARNER BROS, who Wellman cast after Hunter had made "Track of the Cat" (1955). It was based on Wellman's own experiences as an American, who volunteered to go to FRANCE, to fight as a 'pilot' in the 'first' World War I.The biplanes used in the training sequences are really remarkable in their simple construction; followed by more sophisticated planes for the fight sequences. They make you feel for the American boys flying those planes at that time. Hunter's fellow cast members are interesting to see as they all emerged as successful actors in the following years. (see if you can recognize them! in the back-grounds.)

Every scene between Thad and what's-her-name dragged the movie down. Sorry, the movie is called "Lafayette Escadrille", not "Thad and, Whomever Get Hitched." Yaaaaaaaaaawwn. David Janssen was terrific. Always a solid performance from him and the rest of the cast was also splendid to watch. Why William Wellman, Jr. didn't get better parts is beyond me. A great actor, nah, but did a nice job. Sure, Tab Hunter was used by the studio as the draw and I enjoyed his performance, and I guess having a love interest isn't a crime, but it took up way too much of the film and frankly ruined the whole experience for me. I'm not against love stories, I've enjoyed my share, but when it becomes a focal point of a movie that's supposed to be about the Lafayette Escadrille, well, let's put it this way; I watched it after recording it and ended up using the fast forward button.

What I found truly sad was, this should have been a superior film about the directors personal experiences and featuring his own son playing him. How rare an opportunity is that? As I read in the 'trivia', I guess the studio is to blame. That sickens me. Movie executives can be block headed, simpleminded twerps just like TV executives. What should have been a brilliant and fascinating film, was a mediocre crapshoot. How very, very sad.