La congiura dei boiardi

It's great art.Eisenstein can be compared to Michelangelo,no less.Needless to say,you've got to see part one -slightly inferior to this one,but what does it mean,when you' re watching the seventh art at the height of its terrible powers?-.This part focuses on the feud between Ivan and his aunt who tries to replace him by an effeminate imposter of her choice.Prokofiev music gives the feeling of watching an opera,the scenes in the cathedral recreate a mystery as it was in the Middle Ages as faithfully as you can wish.The peak of the movie remains the banquet,shot in color,thanks to spoils of war film.So stunning is Eisenstein's mastery of the picture that you can hardly exactly tell when the color returns to black and white (which for the final becomes a color in itself)Ivan's last soliloquy might seem aggressive and chauvinistic.But you've got to remember that the USSR were at war at the time ."Ivan" is timeless ,a monument that's as awesome today as it was for its -deleted,because of Stalin- 1958 release.

Ivan Grosnyy, Part II is the movie of my life; the Part I is also a very good film. It is the masterpiece of Sergei Eisenstein. Unfortunately we can never see the Part III of this meant to be trilogy. The performances (especially Nikolai Cherkasov), the photography, the wardrobe, the scenarios and the shots are the most beautiful I have ever seen in the history of film-making. However, it is necessary to watch the Part I first to understand the history. I suggest to all the people who like this genre of film to see another very good film of Sergey Eisenstein: Alexander Nevsky once again with Nikolai Cherkasov in the main role. I recommend to all the people who want to see these movies to by the Criterion DVD box set, which contains also first part and, Alexander Nevsky. Don't die without seeing these masterpieces.

There is not a single criticism I could make for either Ivan the Terrible Film. They are perfect films, original, effective, and affecting. Perhaps the two best films ever made. If not, they're to be included on my list of totally invaluable films, with not a doubt in my mind.

II begins exactly where I ends. Ivan has consolidated his power in Moscow, at least with the people (though not with the nobles, or "boyars"). In fact, what power he has inspires jealousy and fear in the boyars.

Ivan I builds Ivan up as a noble character. We despise the boyars for their flagrant wealth and greed, and we like Ivan for supporting the people. His closest comrades seem like Homeric heroes.

Ivan II develops Ivan's character even further. He may have power, but he still feels alone on the throne. His two greatest friends have left him, one gone to religion and one to the enemy. His immediate underlings, perceived as heroes in Ivan I, have grown paranoid and powerful. They convince Ivan to execute left and right. The only route for the boyars is to conspire Ivan's death.

Ivan II leads up to one of the single greatest climax I can think of. To heighten the effect, for the first time, Eisenstein opted to shoot in color. And as masterful as he was with black and white, he is also with color. The juxtaposition of color with black and white is absolutely amazing.

The only problem with the film is no one's fault. Part II ends, open for the third installment. Alas, Sergei Eisenstein would die before its completion. We're lucky enough to have Ivan the Terrible Part II, for Stalin demanded that it not be released theatrically, believing Ivan to be a portrait of himself. Eisenstein, in fact, never had the chance to see it released theatrically, was never to hear the lavish praise from critics the world round. Here I praise it, hoping that in the next world possibly Eisenstein can know what masterworks he made.

In 1564, Ivan, The Terrible (Nicolai Cherkasov), is feeling alone: his wife, friend and great companion was poisoned and his best friend, Prince Andreu Kurbsky (Mikhail Nazvanov) has betrayed him and delivered some Russian cities to Poland. Trying to have somebody to believe, he promotes Archbishop Philip (Andrei Abrikosov) to the highest authority of the church in the city of Moscow. Then, the story presents lot of treason in his court and a great revenge. This movie is so remarkable as `Part I' is. The photography, lights and shadows in black and white are again a piece of art. There are at least twenty minutes in color, and in my opinion t would be better off being only in black and white. The sumptuous scenarios are amazing, plenty of details and very luxury, and the story is a sequel of an epic. The direction and the performance of the cast are outstanding, making this movie another unforgettable masterpiece and highly recommended. However, it is necessary to watch the `Part I' first, otherwise the viewer will not understand the story. My vote is ten.

This second part of Eisenstein's history of the reign of "Ivan the Terrible" is an excellent portrayal of the complex machinations between the famous tsar and his determined rivals, the boyars. The story, the settings, the actors, and the characters surpass even the high standards of Part One. Nikolai Cherkasov is again excellent in his portrayal of Ivan, with even his occasional exaggerations fitting nicely into his memorable characterization of the formidable tsar. Serafima Birman is again quite effective as Ivan's aunt and most bitter rival. As Vladimir, Pavel Kadochnikov gets much more to do than he did in Part One, and he makes good use of his scenes. The character of Vladimir - foolish and timid, but with ambition in his heart - is important to the way that events play out.

The story in Part Two picks up at a low point for Ivan, finding him with few friends and many problems. As the boyars begin to plot, there is less outward action than there was in Part One, but the drama is even tauter and the stakes even higher. The picture is also rounded out by the flashbacks to Ivan's youth, which give an even more complete picture of this complex ruler. (The English nickname 'terrible' does not really convey the full sense of his actual nickname in Russian.)

The early scenes lead up to the lengthy sequence of the banquet and its aftermath, which a masterpiece of psychological drama and effective film-making. The cat-and-mouse game between Ivan and his enemies is complemented by the color, imagery, and other details, and it all leads up to a climax filled with tension and possibilities.

Eisenstein's series on Ivan showcases the great Russian director's distinctive technique, and it is certainly one of the finest of all historically-based movies. With memorable characters, interesting stories, and lots of creativity, both movies are well worth multiple viewings - and this second part is even better than the first.