Operazione segreta

For what it is, a B-movie of the first order, I loved this clunker about marijuana and high school students. Acting skills required for the roles are minimal, nor do any of the teenagers even look like they're under 25 years old. Russ Tamblyn, for all his trying .... well, he should have remained a dancer. Jan Sterling gives an OK performance as the teacher, but it's far below her standards. Mamie Van Doren of the bleach-blond hair and prodigious balcony provides some completely unintended comic relief in the role of the somewhat whorish aunt. The ghastly script only adds to the triumph of this cliché riddled classic. The fight scenes are so fake as to be seen from a mile away. All the young women look like they have some kind of cone-shaped things in their brassieres, according to the fashion of the times. A "must see" for all B-movie lovers.

This decent late 50's teen-exploitation flick is one of the better ones, although the hot Mamie Van Doren is in it all too briefly. Jackie Coogan adds a weird twist, and Russ Tamblyn is appropriately youthful (a few years before WEST SIDE STORY). Michael Landon has a small part (around the time he started BONANZA).

A 6 out of 10. Best performance = Mamie Van Doren). This film needed more rock 'n rock songs, beside the GREAT opening number by Jerry Lee Lewis on the back of a truck. Jan Sterling is subdued as the "good" teacher and John Drew Barrymore is rather strange. Great B/W cinematography helps this slide along. Check it out!

"The Blackboard Jungle" had covered somewhat similar territory in a far more respectable way. Not too much about this movie could be called respectable. It does have a fine director in jack Arnold. He gave us, among others, the classic "The Incredible Shrinking Man." It's by no means a bad movie, despite its exploitative nature.

Boyish Russ Tamblyn is an unlikely jive-talking bad guy. John Drew Barrymore, on the other hand, is typecast as the snarling hotshot of this high school before Tamblyn had arrived. Diane Jergens is very good as a troubled student.

Mamie Van Doren is there for the sex appeal. Her character doesn't make much sense, to me anyway, but her name and picture on posters doubtless sold tickets. And Jan Sterling plays a teacher. She is, as always, very good.

The movie is about drugs. I have never been drawn to drugs, though most of my friends were or still are users of pot. To me "High School Confidential" seems at times like a riff on "Reefer Madness": Yes, all drugs can have their downside. However, smoking pot does not automatically, as is suggested here, lead directly to heroin use.

The movie has great Jerry Lee Lewis music. I also like Bill Haley and the Comets' famous contribution ("Rock Around the Clock") to "The Blackboard Jungle.

Had I seen this when I was a teenager, a decade or so after it came out, I wouldn't have understood it. Thankfully, I knew nothing about drugs while in high school. But I'm sure that even in 1958 some schools were overrun with them.

As a force for social change, the movie is questionable. But as an occasionally campybut solid entertainment, it's a gas, man.

Believe or not but in this movie I just love to see over and over again the opening credits. And I am sure that everybody that sees this movie, will agree with me. Another outstanding thing is that if you think that rap music was invented and started in the 90's, you must check out this lady from the 50's. Now, the rest of the movie is a very serious drama. A drama that made me laugh throughout the movie like if it was a comedy. Could this be a funny drama? I don't know but if you give it a chance you'll know what I mean. And about the DVD, I was disappointed to read that it was in "full screen", but when I saw it I couldn't be more happy to see that it was a mistake and it was in widescreen as it should (too bad it was mono). And too bad that in those days the credits at the end were so short. It would've been great to see Jerry do the whole "high school confidential" again, or maybe "great balls of fire". I gave it a 10 for the credits, 8 for the rap song and 0 for the rest, My total is 6.

Mamie Van Doren as somebody's aunt could put a whole new slant on "visiting the relatives". Here her twin gunboats are aimed at no one in particular, and I expect she was added at the last minute to further hype this exploitation exercise. But then this was cutting edge material for 1958 teens-- sassing the teacher, hotrod chickie runs, and maybe a pull on a joint if you could find one. Yeah, this is reefer-madness for the pre-Vietnam Pepsi generation. Never mind that the movie is one-third Blackboard Jungle, one-third Rebel Without a Cause, and the rest sheer Hollywood hokum.

Producer Zugsmith may not have known Leonardo Da Vinci from Leonardo Da Caprio, but he knew how to crowd teens into drive-ins. Then too, lead actor Tamblyn may look more like a cheer-leader than a hoody delinquent, but at least he's not bored with the part. Fast-buck artists like Zugsmith knew how to market these exploitation quickies as timely warnings to parents and teens. But kids weren't fooled. They knew they could see forbidden topics like teens kissing on a bed under the uplifting guise of civic betterment. No, this drive-in special may never have made it into uptown movie houses, but as an artifact of its time, it's more fun than any 10 of that year's dreary A-productions.