Il ponticello sul fiume dei guai

i last saw this movie years ago and i couldn't remember the name of it. to try explaining it to others i could only recall the "whistling" part. i would be able to watch this movie over and over. the magic bunny, harry makes this movie sweet.jerry lewis makes it funny all the way through. the little boy who tags after him is very adorable. i wonder was has happened to him? this movie is a classic. the steam bath scene when he is being chased by a sumo wrestler was also a great part. then when he was leaving japan and went to check on harry in baggage and he instead sees the little boy. it was sad when he tried to tell the boy to " go away, go home". i would recommend this movie to any one who wants a laugh and a great black and white movie. even a great movie for kids who have never seen a black and white movie before

Cute little comedy that I like. Too bad for Suzanne Pleshette, but Jerry stick to love has no boarder motto.

This and Marlon Brando's "Sayonara" surprises me in the friendly attitude the producers has towards the Japanese just 11 years after WWII. Also, the depiction of the Japanese culture is pretty accurate, although it's clear that the movie is not shot in Japan.

This movie was made 2 years after Jerry broke up with Dean, and he shows that he can well hold it on his own.

Shot beautifully, probably in Los Angeles, and few footage from Japan, this movie wouldn't bore you.

This is one of the Jerry Lewis movie that I like.

"The Geisha Boy" is one of Jerry Lewis' better films. This is because the film is rather sweet without being maudlin or saccharine. It also places more emphasis on the story as opposed to laughs...though it has a decent number of laughs as well--with the sort of hit or miss laughs you expect from such a movie.

When the film begins, Gilbert Wooley (Lewis) is flying along with his rabbit, Harry, on an Air Force plane bound for a USO tour of Japan. However, along the way, Gilbert (not unexpectedly) makes a total nuisance of himself. It ultimately results in him ripping the dress off an obnoxious but famous actress--and he is to be punished by being sent on a tour of the front lines in Korea. But during his bumbling, he impresses a little Japanese boy who apparently has been depressed. The boy instantly bonds with Gilbert and now there is a problem...how can Gilbert leave Japan following his Korean tour? After all, the kid sees him as his new step-father!

The film has a lot of goofy laughs but at heart is appears to actually be a re-working of the famous Chaplin film, "The Kid", and goes for those same sorts of heartwarming scenes between Jerry and the boy...and these work very well. I also think the film works well because it was neither written nor directed by Lewis and so the pacing was a bit better than some of his later films. Overall, a delightful film.

I think this is one Jerry Lewis's best films. Not only is it incredibly funny, but it evokes compassion (Mr.Wooley's relationship with the young boy is touching, and will make you cry) from the audience without being too sentimental. The Japanese setting is beautiful and exotic, and Miss Kimi is lovely and charming. No wonder Mr.Wooley prefers her to the cold American Sergeant Pearson (Suzanne Pleshette)! When Mr.Wooley accidentally knocks a big Hollywood actress down an airplane staircase--that has to be one of the funniest scenes in any Lewis film. This is a great family movie, and I highly recommend it to anyone who wants good comedy with a touch of tenderness in it. It ranks right up there with "The Nutty Professor"(1963).

This movie came to debut when I was ten. It was the rabbit that made me want to go and see it several times. I find this one of Jerry Lewis' better movies, minus Dean Martin. While most of his movies are just stupid, this one had some heart and soul. It is a great movie for children and if it were made to day could only be improved with maybe some special effects. Baseball fans will love it for the scene involving the Los Angeles Dodgers who had just come west from Brooklyn.