Frankenstein 1970

Baron Victor von Frankenstein(Boris Karloff) was scarred by his Nazi captors during World War II, he plans to recreate the legendary Monster originally conceived by his ancestor. In order to raise money to purchase an atomic reactor to complete his experiments, he permits an American TV unit to film a show at his castle. During the late fifties, television exposure of Karloff's old Frankenstein films sparked a new horror cycle in Hollywood. Karloff was made up to look rather like a disfigured German Count and does a careful, convincing job with his role, which is competently written. The supporting cast of Tom Duggan , Irwin Berke, local TV personalities and Jana Lund(one time sweetheart of Elvis Presley) do well enough but cannot be in class with Karloff. No matter what you think of the film, it is still another Boris Karloff classic and should be viewed by all Karloff fans.

When I was a little guy, my dad and I used to watch creature features on Friday nights and I loved the low budget scares on this show. Now as a middle aged guy who occasionally watches one of these "scary movies" I am amused and amazed at how easily I was scared and fooled. When I saw Frankenstein 1970 was going to be broadcast, I was ready to be disappointed. However I was fooled again.

Is this a great movie, NO. Is it a fun movie YES! Any movie who has as the the hero "Red" Berry is low budget. It does however have the great Karloff. He is wonderful. His monologue for the "movie in the movie" is great. Karloff was starting to show his incredibly painful arthritis at this time of his life and it does pain one to think of the agony he is going through. But he is Karloff and actually portrays a Frankenstein for the first time in his career. He does not disappoint.

If you love 1950 horrors and you like Karloff you will enjoy this movie. The acting is mediocre (except Karloff) and the Monster Hokey but give it a try.

I have a little fondness for this movie. It was on TV quite often when I was a little skippy. It was always on The Ghoul who was a horror host in the Detroit area. Most of the time we were watching to see him but the movies weren't always bad. This one was a little above the rest.

To finance his experiments the last of the Frankensteins (Karloff) allows a film crew to shoot a movie/TV show on the grounds of his estate. Of course the Doc is building a creature down in his secret laboratory. Not only does Frankenstein need cash, he needs a few spare parts for his project as well. The film crew and servants provide him with these - unwillingly of course.

The film crew is really annoying. Seeing them getting bumped off by the bandage-swathed monster is quite fun. Many have complained that Karloff was hamming it up. I disagree as he was dealing with a one-dimensional character.

The ending is kind of predictable. But there are worse ways to spend your time than watching this.

The last association that Boris Karloff had with the Frankenstein character came in this low budget Allied Artists film that I remember seeing in the theater in 1958. It was not the best of endings.

This time Boris Karloff is playing the last descendant of the Frankenstein clan who's an old man and who in his youth was tortured by the Nazis in an effort to divulge Frankenstein family secrets. It left him quite understandably twisted.

Karloff is putting up with a movie company who is shooting on his castle grounds, no doubt shooting a film like Frankenstein 1970, a low budget thriller. The money they're paying him however is paying for an atomic reactor, something his ancestor didn't have, maybe that's the missing ingredient.

Of course the bodies start falling, four of them to be precise as Karloff searches for what he needs to revive the Frankenstein monster which he has found and preserved.

Boris Karloff and his contemporary Bela Lugosi did both great horror films and a lot of junk. Frankenstein 1970 sad to say falls in the latter category.

MORD39 RATING: **1/2 (of ****)

As a kid I recall being disappointed when catching FRANKENSTEIN 1970 on TV. I was expecting the 1931 original, and at the age of 8 or 9 I was understandably disappointed. But now as an adult I can appreciate this 1950's monster flick for what it is.

Most fans dismiss this film, but I believe it has much going for it. For one thing, we get Boris Karloff as the Baron. Too many folks have panned his hammy performance, but I think he is deliciously sinister and over-ripe. His character reminds me of the Boris puppet from the MAD MONSTER PARTY film, and I'm surprised that more viewers don't find his performance endearing.

The film boasts a surprise opening and a surprise ending (I won't give them away), and in between that we get to see a gloomy castle filled with an underground secret laboratory and hidden passageways. Boris plays eerie music on his organ, and he's creating a monster that runs around killing people. Is this not what makes a fun horror pic?

True, the monster isn't very convincing...but neither are most fifties creatures, so why all the fuss? Besides, the monster only looks as he does due to the fact that the bandages and head cast have not yet been removed.

With foggy swamps, unexplored corridors, and a mad Karloff, fans could do far worse than FRANKENSTEIN 1970.