Dalla Terra alla Luna

To bad many of the comments here seem to be from jaded action film viewers. They can't seem to appreciate this films many merits including the fact it's a showcase for Cotton's and Sander's enormous talents. Talents to rarely used after their heydays in Hollywood. They both do a marvelous job here, especially Cotton. Yeah, compared to the action packed plot less junk we have today this may seem "slow" in comparison. But there is much more to this film then the gun fights, explosions, and "cool" space battles people seem to require these days. The colorful sets and the acting are a joy to see. And if you look just below the surface you'll find this a refreshing variation on the typical "horrors of atomic energy" films so popular in the 50s.

If you have an open mind and love sci-fi films that dare to be different for their time, you should enjoy this.

I feel tvholic's views are a bit harsh. It mustn't be forgotten that Verne wrote this in 1865 some thirty years before Wells wrote 'War of the Worlds". It must also be remembered that RKO was going broke at the time so special effects were not what they should have been. Stars Joseph Cotten and George Sanders did well with the script they had. Where this will not go down as a great sci fi movie, it is still an interesting one if for no other reason than the interplay between Cotten and Sanders.

Stories like War of the Worlds, 20,000 Leagues Under The Sea and Around the World in 80 Days have lent themselves to the use of special effects and unfortunately for this film, the film production company did not have the wherewithal to have effects in the same class as the aforementioned three.

Byron Haskin was a science fiction specialist, for the big screen and also the TV industry: OUTER LIMITS, the best known and most terrific sci-fi series ever made, the most daring, brilliant, and which Byron Haskin was a lead director, with Gerd Oswald too. So it was not a surprise to enjoy this historical and fiction, Jules Verne's adaptation, movie. Joseph Cotten is wonderful in this enjoyable film, very entertaining, where tension grows all long the movie. You can be a bit bored by long talks, but don't be bothered by this. This is a great film from this director, maybe not his best, I agree, but he was the perfect choice as a director for such a topic. Of course I prefer NAKED JUNGLE or WAR OF THE WORLDS....

After TWENTY THOUSAND LEAGUES UNDER THE SEA and AROUND THE WORLD IN EIGHTY DAYS it is most likely that the most popular of Jules Verne's titles (the ones that most people are familiar with) is his 1865 novel FROM THE EARTH TO THE MOON, together with it's first sequel, the 1870 novel AROUND THE MOON. What fascinates everyone is that for all the errors we now know of Verne's huge cannon idea (it would crush and vaporize the space travelers before they left the cannon's mouth) he was on target on so many points. He felt the Americans would do it first (we did - though barely); It would be sent from Florida (near where Cape Kennedy is located, by the way); Texas would be important in the project (in the novel Texas wants the honor of being the site of the cannon, but in reality Nasa's central space tracking center is in Houston); The capsule would be bullet shaped (not quite correct, but look at the rockets we used); The capsule would return to the earth and land in the Atlantic, to be recovered by an American battleship. Nice guesswork (or homework) Jules! To be fair to Verne, even his cannon idea was not a bad one - it was more plausible than Cyrano de Bergerac's bottles of morning dew (which his poetic fancy said would lift the traveler) or Poe's free flying balloon in HANS PFALL. But what is not noticed by most readers (due to translations) is Verne's social and political satire. He liked Americans, but he recognized our bellicosity, self-image building (we always did it better than anyone else) and our economic and political expansionism. Verne, like many Frenchmen, supported Lincoln and the North in the Civil War, especially after the Emancipation Proclamation. In 1887 he wrote a two volume novel NORTH AND SOUTH, in which the Confederates are the villains. But he saw American enterprise as haphazard and not well planned. He was very critical of it in THE FLOATING ISLAND, where greed by American millionaires destroys a remarkable artificial island. Even in his first published novel, FIVE WEEKS IN A BALLOON, at a philosophical moment one of the characters says that if the world ever is destroyed an American will have a hand in it.

So in the novel, the Baltimore Gun Club members are all leading engineers who helped the Northern cause by building better guns and cannon. Most of them are missing limbs as a result. The President of the club, J.P. Barbicane (in some versions his name is "Impey" Barbicane) has his limbs. His closest associate, the club's secretary, J.T. Maston, has most of his body, but has one hook for a hand. They are the only members with "in tact" bodies. The club is seeking something to do with it's time, after the Confederacy collapses. Barbicane suggests building the "Columbiad" (which, by the way, is the cannon, not the projectile) to travel or communicate with the moon. The plan is barely presented when Maston suggests using the cannon instead to annex Mexico! See - Verne has our bellicosity down quite pat.

Barbicane has a wartime rival, one Captain Nicholl. Nicholl specialized in better and better armor. Barbicane specialized in better and better shells to pierce the armor. Nicholl will soon become the leading critic of the scheme.

Verne (in real life) was a friend of the prominent aeronaut and photographer, Nadar. Nadar became the model for the French adventurer Michel Ardan (note the anagram last name for "Nadar") who proposes traveling in the projectile to the moon. Barbicane and Nicholl end up joining him (while Maston will be in charge of carefully following their travel by powerful telescope). The flight actually had great accuracy in detailing the length of the trip (four days) and in showing the amazing effect of weightlessness (Verne noted that by leaving the gravity field of earth this would result). The capsule never lands on the moon (it couldn't, because if it had it would not have been capable of getting back. Verne explains that there is a miscalculation in the calculations of the trajectory. This enables the moon to help send the capsule back to earth.

Nadar/Ardan is not in the movie. Nicholl does not become so completely involved and willing to work with Barbicane as the novel shows. George Sanders' Stuyvesant Nicholl ("Stuyvesant"?) remains hostile to Joseph Cotton's Victor Barbicane (what happened to "Impey") up to a few minutes before the conclusion. There is no power X in the novel - no new energy source. The movie was made in the 1950s, so the public had to think that Verne was thinking in terms of atomic power. Actually he never did. There is no romance between the children of Sanders and Cotton. These changes in the film help weaken the film in comparison to the novel (which still reads well - try to get the translation by Walter Miller that is the best in English).

This was not the only film version of the novel. The classic early film by George Melies, A TRIP TO THE MOON, has a period charm that makes one forget it's cardboard backgrounds (and it's projectile in the eye of the man in the moon is a classic moment of cinema). And then there was the film ROCKET TO THE MOON which turned the story into an all-star comedy with Burl Ives, Terry-Thomas, Lionel Jeffries, and Dennis Price.

Verne was not finished with his travelers either, after AROUND THE MOON. In 1889 he wrote THE PURCHASE OF THE NORTH POLE, where the Gun Club decides to use the Columbiad to alter the tilt of the globe. Ardan does not reappear, but Barbicane, Nicholl, and Marston do. It is not as good a novel as the first two.

The first half of this movie was surprisingly close to Jules Verne's novel of the same name. However, once the projectile begins heading to the moon, the plot changes significantly--and you can only assume it was because the studio was broke and keeping everyone in the sabotaged ship was a cost-savings measure. Ultimately, this RKO film was released by Warner Brothers because of the bankruptcy.

The story is set about 1870 in the United States. Mr. Barbicane (Joseph Cotten) is a munitions magnet who announces he's developed a super-explosive. His rival, Styvesant Nicholl (George Sanders) isn't impressed and says his metal plate can withstand anything...and soon after Barbicane blows the plate to pieces. So what is Barbicane going to do with the new formula, Power-X? He intends to use it to blast a projectile to the moon and back! Foolishly, Barbicane brings along his rival...not realizing Nicholl is a bit of a maniac!

For a going out of business film, it is surprising that one was made in color and actually looks good. It also has some decent actors in the script. But the film does suffer a bit here and there due to some lulls and the movie sadly just abandoned Verne's script halfway through the film. Decent and watchable but it could have been much more...especially if they'd geared up for a sequel as Verne had a follow-up book that continued the story.