VALUTAZIONE IMDb
5,1/10
1905
LA TUA VALUTAZIONE
Nel 1868, l'inventore americano Victor Barbicane sviluppa un potente esplosivo militare che usa anche come carburante per un razzo diretto sulla luna guidato da lui stesso e da un equipaggio... Leggi tuttoNel 1868, l'inventore americano Victor Barbicane sviluppa un potente esplosivo militare che usa anche come carburante per un razzo diretto sulla luna guidato da lui stesso e da un equipaggio eterogeneo.Nel 1868, l'inventore americano Victor Barbicane sviluppa un potente esplosivo militare che usa anche come carburante per un razzo diretto sulla luna guidato da lui stesso e da un equipaggio eterogeneo.
- Regia
- Sceneggiatura
- Star
Ludwig Stössel
- Aldo Von Metz
- (as Ludwig Stossel)
Morris Ankrum
- US President
- (non citato nei titoli originali)
Robert Clarke
- Narrator
- (voce)
- (non citato nei titoli originali)
Les Tremayne
- Countdown Announcer
- (non citato nei titoli originali)
Recensioni in evidenza
Byron Haskin was a science fiction specialist, for the big screen and also the TV industry: OUTER LIMITS, the best known and most terrific sci-fi series ever made, the most daring, brilliant, and which Byron Haskin was a lead director, with Gerd Oswald too. So it was not a surprise to enjoy this historical and fiction, Jules Verne's adaptation, movie. Joseph Cotten is wonderful in this enjoyable film, very entertaining, where tension grows all long the movie. You can be a bit bored by long talks, but don't be bothered by this. This is a great film from this director, maybe not his best, I agree, but he was the perfect choice as a director for such a topic. Of course I prefer NAKED JUNGLE or WAR OF THE WORLDS....
I feel tvholic's views are a bit harsh. It mustn't be forgotten that Verne wrote this in 1865 some thirty years before Wells wrote 'War of the Worlds". It must also be remembered that RKO was going broke at the time so special effects were not what they should have been. Stars Joseph Cotten and George Sanders did well with the script they had. Where this will not go down as a great sci fi movie, it is still an interesting one if for no other reason than the interplay between Cotten and Sanders.
Stories like War of the Worlds, 20,000 Leagues Under The Sea and Around the World in 80 Days have lent themselves to the use of special effects and unfortunately for this film, the film production company did not have the wherewithal to have effects in the same class as the aforementioned three.
Stories like War of the Worlds, 20,000 Leagues Under The Sea and Around the World in 80 Days have lent themselves to the use of special effects and unfortunately for this film, the film production company did not have the wherewithal to have effects in the same class as the aforementioned three.
To bad many of the comments here seem to be from jaded action film viewers. They can't seem to appreciate this films many merits including the fact it's a showcase for Cotton's and Sander's enormous talents. Talents to rarely used after their heydays in Hollywood. They both do a marvelous job here, especially Cotton. Yeah, compared to the action packed plot less junk we have today this may seem "slow" in comparison. But there is much more to this film then the gun fights, explosions, and "cool" space battles people seem to require these days. The colorful sets and the acting are a joy to see. And if you look just below the surface you'll find this a refreshing variation on the typical "horrors of atomic energy" films so popular in the 50s.
If you have an open mind and love sci-fi films that dare to be different for their time, you should enjoy this.
If you have an open mind and love sci-fi films that dare to be different for their time, you should enjoy this.
Certainly the effects of this film are no where near what we are used to today, but the inventiveness to even attempt to portray Vernes' rich imagination are secondary to the effort to bring such imagination from the page to the visual arts. There are inventive approaches to pre-real space travel, and the scientific accuracy (or real lack thereof) are secondary to the underlying Drama and dilemma presented about technological advances and the impact they have by affecting Man's commission of War upon his fellow man. So when watching this movie enjoy the players and do not cast aside because of reality fallacies and liberties taken in order to bring a book to visual life.
I got a real kick out of watching the hokey special effects. A space suit with a helmet that uses screws to hold it in place, and snaps up the front? How effective is that? And the odd contraption that spins the three sea-faring astronauts, and conveniently subsides in place for the first to regain consciousness to slide out of it, then rotate his two buddies in turn to exit the mechanism. I wondered who would start the thing back in motion upon re-entry
And the gyro scope! It reminded me of Jodie Foster in Contact, where she journeys through space and time in a similar invention. The extensive use of wood puts Starship Voyager to shame, and the lack of zero gravity (drinking wine to celebrate take off) is downright amusing.
But what really made the movie work for me, was the poetic language as Virginia Nicholl Debra Paget) realizes they are all going to die. We could live to we are really old, and die quietly in our sleep, but how much better to go out as star, a blazing star, for all the world to see! To which Barbicane replies, that if he ever gets back to Earth alive, he will make sure all future voyages will include a woman, for hope. How could they possibly have foreseen the catastrophic re-entry into Earth's atmosphere by Space Shuttle Columbia in February 2003? Where not just one but two women, Commander Laurel Clark and Dr. Kalpana Chawla joined five men in instant death. Sure, the parallels to Power X and atomic warfare were already obvious in 1958, but the simplistic plot tells a whole lot more. To quote a great man, 'The cause in which they died will continue. Mankind is led into the darkness beyond our world by the inspiration of discovery and the longing to understand. Our journey into space will go on.'
But what really made the movie work for me, was the poetic language as Virginia Nicholl Debra Paget) realizes they are all going to die. We could live to we are really old, and die quietly in our sleep, but how much better to go out as star, a blazing star, for all the world to see! To which Barbicane replies, that if he ever gets back to Earth alive, he will make sure all future voyages will include a woman, for hope. How could they possibly have foreseen the catastrophic re-entry into Earth's atmosphere by Space Shuttle Columbia in February 2003? Where not just one but two women, Commander Laurel Clark and Dr. Kalpana Chawla joined five men in instant death. Sure, the parallels to Power X and atomic warfare were already obvious in 1958, but the simplistic plot tells a whole lot more. To quote a great man, 'The cause in which they died will continue. Mankind is led into the darkness beyond our world by the inspiration of discovery and the longing to understand. Our journey into space will go on.'
Lo sapevi?
- QuizSome of the music is actually the "electronic tonalities" created by Louis Barron and Bebe Barron for Il pianeta proibito (1956).
- BlooperDespite dire warnings of death should occupants of the projectile NOT be in the "acceleration tubes" upon launch, no explanation is offered as to why Virginia isn't turned to goo by stowing away in another room.
- Curiosità sui creditiOpening credits are on the pages of a book, with the leads' photos included above the name.
- ConnessioniReferenced in Trumbo (2007)
- Colonne sonoreElectronic Tonalities
(uncredited)
from Il pianeta proibito (1956)
composed by Bebe Barron and Louis Barron
heard during the scenes on board the rocket
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- From the Earth to the Moon
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione
- 1h 41min(101 min)
- Proporzioni
- 1.85 : 1
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