VALUTAZIONE IMDb
6,9/10
1265
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaAfter ranch hand Tod Lohman accidentally kills the son of a powerful rancher, he panics and flees, but the rancher and his vengeful crew hunt Tod down.After ranch hand Tod Lohman accidentally kills the son of a powerful rancher, he panics and flees, but the rancher and his vengeful crew hunt Tod down.After ranch hand Tod Lohman accidentally kills the son of a powerful rancher, he panics and flees, but the rancher and his vengeful crew hunt Tod down.
- Regia
- Sceneggiatura
- Star
Malcolm Atterbury
- Hotel Clerk
- (non citato nei titoli originali)
Harry Carey Jr.
- Trueblood
- (non citato nei titoli originali)
Harry Fleer
- Cowpuncher
- (non citato nei titoli originali)
Irene Galindo
- Lupeta Bradley
- (non citato nei titoli originali)
Tom Greenway
- Doctor
- (non citato nei titoli originali)
Jon Lormer
- Grizzled Man
- (non citato nei titoli originali)
Dayton Lummis
- Padre
- (non citato nei titoli originali)
Recensioni in evidenza
This western has all the elements that make it highly watchable. It is fast paced and full of action, has interesting characters you care about and romance but not too much and good plotting. The casting is excellent especially with Murray in the lead and one has to wonder why it is sitting on a shelf somewhere while lesser films are on video and TV and shown repeatedly. The unavailability of this film and other good films make me wonder what the selection process involves and who makes the decisions that govern what we ultimately view. There are not many votes for "From Hell To Texas" but in my opinion that is because many have never had the chance to view it in the first place. On the other hand many mediocre films have many votes probably because they are available rather than of quality. I can think of at least half a dozen films that fall in the same category. There should be some better method of resurrecting films like "From Hell To Texas" so that generations behind me can at least have the opportunity to know that a film like this even exists.
Tod Lohman is mistakenly believed to have caused the death of a member of the feared Boyd family. He's an honest cowboy but is fully aware that tough guys shoot first and ask questions later. With this in mind he flees southwards in the hope of saving his skin. On his travels he meets and befriends Amos Bradley and his adopted daughter, Juanita, it's a meeting that holds the key to Tod's future.
Henry Hathaway directs this one, and the first thing that sticks out is just how interesting his characters are, this is not just a throwaway Western, it has depth of feeling and lays out a story that isn't purely relying on action to entertain the viewers. That said, Hathaway doesn't skimp on the action scenes, an excellent beef stampede and an Indian pursuit, resplendent with horse jumping heroics, deliver promptly for the discerning action viewer. Based around the novel from Charles O. Locke called The Hell Bent Kid, this adaptation is adroitly telling the story of an honest and naive young man on the lam, it's the naivety of Lohman that gives the picture its emotional heart, all framed excellently by Hathaway in the Alabama Hills vista.
The cast are across the board solid, Don Murray, Chill Wills, Diane Varsi, R.G. Armstrong and a fresh faced Dennis Hopper all earn their respective pay cheques. It's understandably not up to the high standard of Hathaway's big hitters like True Grit and The Sons Of Katie Elder, it is however a picture that is definitely worth checking out if you are given the opportunity. 7/10
Henry Hathaway directs this one, and the first thing that sticks out is just how interesting his characters are, this is not just a throwaway Western, it has depth of feeling and lays out a story that isn't purely relying on action to entertain the viewers. That said, Hathaway doesn't skimp on the action scenes, an excellent beef stampede and an Indian pursuit, resplendent with horse jumping heroics, deliver promptly for the discerning action viewer. Based around the novel from Charles O. Locke called The Hell Bent Kid, this adaptation is adroitly telling the story of an honest and naive young man on the lam, it's the naivety of Lohman that gives the picture its emotional heart, all framed excellently by Hathaway in the Alabama Hills vista.
The cast are across the board solid, Don Murray, Chill Wills, Diane Varsi, R.G. Armstrong and a fresh faced Dennis Hopper all earn their respective pay cheques. It's understandably not up to the high standard of Hathaway's big hitters like True Grit and The Sons Of Katie Elder, it is however a picture that is definitely worth checking out if you are given the opportunity. 7/10
Henry Hathaway's westerns are more ambitious than simple action films,their high moral standards favorably compare to those of John Ford ,Henry King or Delmer Dames.At first sight,"from hell to Texas " seems a plea against violence ,but it's not only that.
Although a sharpshooter ,Don Murray's character is nothing more than a child who is clueless.The scenes by the river are revealing:he's a shy prudish lad ,whose only guide is his bible and his mother's photograph .In fact,he's desperately searching for a father.On his way,he will meet two older,wiser men for whom he's only a kid . It's really amazing how much these characters feel the hero's weakness and how they want to protect him.
Another father is his fiercest enemy because this man thinks he's responsible for his son's death.The screenplay smartly avoids the events that led to the chase.
On one hand,a young man trying to find a place he can call home (you do not like solitude,don't you,he says to a horse ),on another a blind father who destroys his family because of a false revenge.
The rebuilding of a family,with ,in parallel ,the nearly destruction of another one.
Although a sharpshooter ,Don Murray's character is nothing more than a child who is clueless.The scenes by the river are revealing:he's a shy prudish lad ,whose only guide is his bible and his mother's photograph .In fact,he's desperately searching for a father.On his way,he will meet two older,wiser men for whom he's only a kid . It's really amazing how much these characters feel the hero's weakness and how they want to protect him.
Another father is his fiercest enemy because this man thinks he's responsible for his son's death.The screenplay smartly avoids the events that led to the chase.
On one hand,a young man trying to find a place he can call home (you do not like solitude,don't you,he says to a horse ),on another a blind father who destroys his family because of a false revenge.
The rebuilding of a family,with ,in parallel ,the nearly destruction of another one.
If you have an all-region DVD player, which costs less than $100, you may order a very fine anamorphic widescreen copy of this film from Amazon Italy.
Don Murray, on the run after an accidental killing, eludes R.G. Armstrong and a very young Dennis Hopper in this stark western from Henry Hathaway. Along the way he meets a rancher and falls in love with the man's daughter. A fiery confrontation with the dead man's family finally brings closure to this violent chase story. Well developed characters not usually found in this genre.
Hard to find and well worth the effort.
Don Murray, on the run after an accidental killing, eludes R.G. Armstrong and a very young Dennis Hopper in this stark western from Henry Hathaway. Along the way he meets a rancher and falls in love with the man's daughter. A fiery confrontation with the dead man's family finally brings closure to this violent chase story. Well developed characters not usually found in this genre.
Hard to find and well worth the effort.
It was a memorable film that i first saw on 'Saturday Night At the Movies" when I was 12 years old, (six years after it was released in 1958). Being raised on a diet of TV and movie westerns, 'From Hell to Texas' stood out from all of them; I identified with the lead and had a crush on Diane Varsi that lasted for years.
I saw this feature only one more time when I was 21, just before shipping out to Nam. This time I identified with the scope of the film and the depth of the characters. Chill Will gave a memorable performance definitely a cut above his typical side-kick comic relief roll, and I thought it interesting for a father to actually help his daughter's suitor in such a unstinting fashion. Opposite Wills was R.G. Armstrong and his son Dennis Hopper, though the heavies one could not really hate them. It was through these characters that it was easy to understand that it is not the person who is evil it is the deed. This film has always been in the back of my head and deep in my heart, for it stood out as having both action and a message. I hope it will be transferred to DVD soon. On memory alone I give it an '8'out of 10.
I saw this feature only one more time when I was 21, just before shipping out to Nam. This time I identified with the scope of the film and the depth of the characters. Chill Will gave a memorable performance definitely a cut above his typical side-kick comic relief roll, and I thought it interesting for a father to actually help his daughter's suitor in such a unstinting fashion. Opposite Wills was R.G. Armstrong and his son Dennis Hopper, though the heavies one could not really hate them. It was through these characters that it was easy to understand that it is not the person who is evil it is the deed. This film has always been in the back of my head and deep in my heart, for it stood out as having both action and a message. I hope it will be transferred to DVD soon. On memory alone I give it an '8'out of 10.
Lo sapevi?
- QuizAccording to myth, Dennis Hopper required 85 retakes for one scene, causing director Henry Hathaway to yell at him, "You'll never work in this town again!" and that it was ten years before Hopper obtained another major role. Don Murray, however, has stated that this never occurred, and in fact, Hopper worked steadily through the 1960s, including twice more with Hathaway: I quattro figli di Katie Elder (1965) and Il Grinta (1969).
- BlooperAlthough the story takes place in the Old West of the 19th Century, Diane Varsi sports an up-to-the-minute 1958 D.A. hairstyle.
- Citazioni
Tod Lohman: Just let me take care of myself because I don't want anybody mixing into my trouble.
Amos Bradley: Looks like I might be mixed in anyway.
- ConnessioniReferenced in Kedamono no iru machi (1958)
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Dettagli
- Tempo di esecuzione
- 1h 40min(100 min)
- Colore
- Proporzioni
- 2.35 : 1
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