VALUTAZIONE IMDb
6,9/10
1242
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaAfter ranch hand Tod Lohman accidentally kills the son of a powerful rancher, he panics and flees, but the rancher and his vengeful crew hunt Tod down.After ranch hand Tod Lohman accidentally kills the son of a powerful rancher, he panics and flees, but the rancher and his vengeful crew hunt Tod down.After ranch hand Tod Lohman accidentally kills the son of a powerful rancher, he panics and flees, but the rancher and his vengeful crew hunt Tod down.
- Regia
- Sceneggiatura
- Star
Malcolm Atterbury
- Hotel Clerk
- (non citato nei titoli originali)
Harry Carey Jr.
- Trueblood
- (non citato nei titoli originali)
Harry Fleer
- Cowpuncher
- (non citato nei titoli originali)
Irene Galindo
- Lupeta Bradley
- (non citato nei titoli originali)
Tom Greenway
- Doctor
- (non citato nei titoli originali)
Jon Lormer
- Grizzled Man
- (non citato nei titoli originali)
Dayton Lummis
- Padre
- (non citato nei titoli originali)
Recensioni in evidenza
Tod Lohman is mistakenly believed to have caused the death of a member of the feared Boyd family. He's an honest cowboy but is fully aware that tough guys shoot first and ask questions later. With this in mind he flees southwards in the hope of saving his skin. On his travels he meets and befriends Amos Bradley and his adopted daughter, Juanita, it's a meeting that holds the key to Tod's future.
Henry Hathaway directs this one, and the first thing that sticks out is just how interesting his characters are, this is not just a throwaway Western, it has depth of feeling and lays out a story that isn't purely relying on action to entertain the viewers. That said, Hathaway doesn't skimp on the action scenes, an excellent beef stampede and an Indian pursuit, resplendent with horse jumping heroics, deliver promptly for the discerning action viewer. Based around the novel from Charles O. Locke called The Hell Bent Kid, this adaptation is adroitly telling the story of an honest and naive young man on the lam, it's the naivety of Lohman that gives the picture its emotional heart, all framed excellently by Hathaway in the Alabama Hills vista.
The cast are across the board solid, Don Murray, Chill Wills, Diane Varsi, R.G. Armstrong and a fresh faced Dennis Hopper all earn their respective pay cheques. It's understandably not up to the high standard of Hathaway's big hitters like True Grit and The Sons Of Katie Elder, it is however a picture that is definitely worth checking out if you are given the opportunity. 7/10
Henry Hathaway directs this one, and the first thing that sticks out is just how interesting his characters are, this is not just a throwaway Western, it has depth of feeling and lays out a story that isn't purely relying on action to entertain the viewers. That said, Hathaway doesn't skimp on the action scenes, an excellent beef stampede and an Indian pursuit, resplendent with horse jumping heroics, deliver promptly for the discerning action viewer. Based around the novel from Charles O. Locke called The Hell Bent Kid, this adaptation is adroitly telling the story of an honest and naive young man on the lam, it's the naivety of Lohman that gives the picture its emotional heart, all framed excellently by Hathaway in the Alabama Hills vista.
The cast are across the board solid, Don Murray, Chill Wills, Diane Varsi, R.G. Armstrong and a fresh faced Dennis Hopper all earn their respective pay cheques. It's understandably not up to the high standard of Hathaway's big hitters like True Grit and The Sons Of Katie Elder, it is however a picture that is definitely worth checking out if you are given the opportunity. 7/10
I found this not bad at all, and was a little surprised that it was made in 1958; somehow it had a late sixties' feel to it. The strong point was R G Armstrong's patriarchal father with a curious sense of justice; having caught up with the fugitive Murray, he gives him a horse to replace the one his son had shot and then gives him a headstart before renewing the chase. The worst part was the cloying, instant romance between Murray and tomboy Varsi.
Incidentally, previous commentator edk313 reckons he spotted "Jack Elam's inimitable face with a look of horror on it because he is a cowboy in the path of the stampede! This is his only role in the film and he is not credited. I'd love to know the story on that scene." In the version I've just seen on British TV I didn't spot Elam, the only casualty of the stampede being one of Armstrong's sons. But it was quite common for film-makers of this period to borrow footage from another film for a battle or similar "big" scene; however, the footage of the pony stampede in FHTT does look as it was shot as part of the film.
Incidentally, previous commentator edk313 reckons he spotted "Jack Elam's inimitable face with a look of horror on it because he is a cowboy in the path of the stampede! This is his only role in the film and he is not credited. I'd love to know the story on that scene." In the version I've just seen on British TV I didn't spot Elam, the only casualty of the stampede being one of Armstrong's sons. But it was quite common for film-makers of this period to borrow footage from another film for a battle or similar "big" scene; however, the footage of the pony stampede in FHTT does look as it was shot as part of the film.
I have to concur with most of the comments made by past reviewers. This film, starring underused actors Don Murray and Diane Varsi backed by outstanding support by fine character actors like R.G. Armstrong, Chill Wills, Adolfo Acosta and a young Dennis Hopper among others, is a tense film with many nuances. One thing I would love to be able to ask Hathaway. There is a one second scene of comic relief in this movie. Hathaway directs a scene of a cattle stampede coming directly at the viewer. Suddenly there is a full screen shot of actor Jack Elam's inimitable face with a look of horror on it because he is a cowboy in the path of the stampede! This is his only role in the film and he is not credited. I'd love to know the story on that scene. See this movie. Edk313@hotmail.com
Perhaps it was because of the title changes, or the lack of availability, or lack of TV time but this fine Western has been all but forgotten. Too bad. It deals with obsession and stubborness and how these decisions lead inexorably to disaster - as administered by Don Murray who really is not the catalyst (that may be disputed by some!). It came out the same time as Bonanza did on TV and yes there is a patriarchical family here too with such as John Larch as the eldest son and Dennis Hopper as the youngest. They both put in their usual fine jobs. This is a disturbing and unpleasant adult movie. I saw it once and never forgot it - and I'm still looking for the VHS.
I saw this for the first time recently n got pleasantly surprised. It is a well made western with sufficient action, drama n romance.
A mild mannered man Tod, good with shooting but refrains from taking life due to his dead mother's upbringing, accidentally kills a man in self defense. Hell bent on revenge, the dead man's family members pursue Tod relentlessly. Tod flees to New Mexico to seek his estranged father across desert canyon country pursued by his enemies but on the way he comes across people who likes Tod for his clear conscience. The film moves at a decent pace, it has some striking picturesque settings n a lil bit tension n suspense towards the end.
A mild mannered man Tod, good with shooting but refrains from taking life due to his dead mother's upbringing, accidentally kills a man in self defense. Hell bent on revenge, the dead man's family members pursue Tod relentlessly. Tod flees to New Mexico to seek his estranged father across desert canyon country pursued by his enemies but on the way he comes across people who likes Tod for his clear conscience. The film moves at a decent pace, it has some striking picturesque settings n a lil bit tension n suspense towards the end.
Lo sapevi?
- QuizAccording to myth, Dennis Hopper required 85 retakes for one scene, causing director Henry Hathaway to yell at him, "You'll never work in this town again!" and that it was ten years before Hopper obtained another major role. Don Murray, however, has stated that this never occurred, and in fact, Hopper worked steadily through the 1960s, including twice more with Hathaway: I quattro figli di Katie Elder (1965) and Il Grinta (1969).
- BlooperAlthough the story takes place in the Old West of the 19th Century, Diane Varsi sports an up-to-the-minute 1958 D.A. hairstyle.
- Citazioni
Tod Lohman: Just let me take care of myself because I don't want anybody mixing into my trouble.
Amos Bradley: Looks like I might be mixed in anyway.
- ConnessioniReferenced in Kedamono no iru machi (1958)
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Dettagli
- Tempo di esecuzione1 ora 40 minuti
- Colore
- Proporzioni
- 2.35 : 1
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By what name was L'uomo che non voleva uccidere (1958) officially released in India in English?
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