Cowboy

Jack Lemmon's second dramatic role and his only western was this bowdlerised version of Frank Harris' unreliable memoirs 'My Life Out West' which represented a further step in the move by Delmer Daves - a director incapable of making a dull film - from rugged outdoor fare to romantic melodramas when he took Lemmon out of his accustomed urban environment and teamed him with Glenn Ford; who later the same year himself made a memorable venture into comedy with 'The Sheepman'.

As might be expected much of the humour derives from Lemmon looking incongruous in a stetson, while in a supporting role Brian Donlevy is permitted rather more depth than usual.

Circumstances force a tough trail boss (Ford) to take on a former hotel bellboy (Lemmon) as his partner in a trail drive, on condition that Lemmon can go along on the drive. Along the way he finds out that a cowboy's life isn't as glamorous or romantic as he thought it would be, and a whole lot more dangerous besides. This is a vastly entertaining film, mainly because Lemmon and Ford work so well together. Lemmon knew exactly how far to go in showing boyish enthusiasm and excitement without making it seem childish or juvenile, and he stays right on that fine line here. Ford's character is a weary cattleman who's seen and done it all, and knows what Lemmon is in for, tries to tell him and gets annoyed when he won't listen, and the two complement each other perfectly. A top-notch supporting cast helps things immensely, and Delmer Daves' directs smoothly, interspersing drama and humor in just the right amounts. A very, very enjoyable film.

A city tenderfoot toughens up on a long cattle drive in "Cowboy," the last of three westerns that Glenn Ford made with director Delmer Daves; the others being "Jubal" and "3:10 to Yuma." Although not a classic like "3:10 to Yuma," the film is well made, and the literate screenplay by Edmund H. North and Dalton Trumbo was based on the memoirs of Frank Harris, a Welsh writer who actually spent time as a cowhand in the 1870's. Jack Lemmon plays the real-life Frank Harris, a hotel clerk with romantic problems and dreams of becoming a cattleman. Harris also has a little money in the bank, and, at a critical moment, he convinces a successful cattle driver named Tom Reese, played by Glenn Ford, to take him on as a cattle hand. Over the course of a long drive to Mexico, Harris learns the rigors and hard facts of the trail. The cattle drive provides the background for a battle of opposing views between Harris, who values human life, and Reese, who puts the value of a steer above all else.

Although Lemmon initially has to overcome his light-comic image, he eventually succeeds in the dramatic scenes, if slightly less so in the romantic; his love interest, Marlon Brando's first wife, Anna Kashfi, seems an odd, unattainable match for Lemmon. However, a veteran of many westerns, Glenn Ford is excellent; like his Ben Wade in "3:10 to Yuma," the easy-going good-guy image masks a steely toughness that makes him dangerous to cross. Both Lemmon and Ford ably develop their characters as they spar and influence each other during the drive. The two stars are supported by a bevy of veteran supporting players that includes Brian Donlevy, Richard Jaeckel, and Vaughn Taylor. The fine cinematography by Charles Lawton, who also lensed the other two Daves-Ford western collaborations, captures the beauty of New Mexico landscapes.

Glenn Ford was an underrated actor, whose career needs re-evaluation. While "Cowboy" may not be a classic like "Gilda," "The Blackboard Jungle," or "3:10 to Yuma," Ford is in fine form. His biography, Glenn Ford: A Life, penned by his son a few years back, is worthy reading and will re-introduce film lovers to an actor whose star has dimmed since his heyday in the 1940's through 1960's. "Cowboy," among other films, should help restore his reputation and his place in Hollywood history.

Formidable Western full of action , ironic touches , fascinating drama , Mexican fiesta , cattle round-up , romantic episodes and fabulous performances . Fine and classic Western by Delmer Daves with a magnificent Jack Lemmon and a restrained Glenn Ford . It's a wonderful adventure film format "western" itinerant, full of amusing events , danger and life lessons . In the 1870s a Chicago hotel clerk named Frank Harris (a notoriously mendacious Jack Lemmon in his usual role ) dreams of life as a cowboy , and the tenderfoot gets his opportunity when , jilted by the dad of the girl (Anna Kashfi) he wishes , he unites forces with Tom Reece (Glenn Ford) and his cattle-driving team (Dick York , Richard Jaeckel and Brian Donlevy) . Soon after, though, the ex-clerk finds out existence on the range is neither what he expected nor what he's been wishing . The brave clerk agrees to covenant with Tom a 2.000 mile cattle drive from Chicago until arrive their destination in the Rio Grande , overcoming several risks , avoiding Indian attacks , cattle stampede and several other things .

This first-rate Western draws its riveting tale and power from the interaction of finely drawn roles as well as adventure and action . Good adult Western with exciting battle of wits between an obstinate clerk and an expert cowboy . Interesting and likable screenplay based on own reminiscences by novelist Frank Harris and well adapted by the notorious Edmund H. North and the black-listed Dalton Trumbo . Delmer Daves does a good work , an energetic and exciting movie , pitting two antagonist characters against the rugged toughness forced a vast natural environment throughout the trail . Highlight the exemplary value of the landscape as essential dramatic figure, and the narrative takes a brisk pace but not fast, a dash dense but not cumbersome. Glenn Ford as stern boss does an excellent interpretation along with a great cast that appears beautiful Anna Kashfi and other nice secondaries as Dick York , Richard Jaeckel and special appearance by veteran Brian Donlevy. Striking cinematography by Charles Lawton Jr who reflects masterfully the spectacular outdoors . Atmospheric and stirring musical score by George Duning , well conducted by habitual Morris Stoloff . The motion picture is well directed by Delmer Daves - including his characteristic use of landscape- , a Western expert as proved in ¨The hanging tree¨ , ¨3:10 to Yuma¨, ¨The last wagon¨, Jubal , ¨Drum beat¨, ¨Return of the Texan¨, and the notorious ¨Broken arrow¨ . And of course ¨Cowboy¨ that turns out to be stylish, fast paced , solid, meticulous and with enjoyable look . This well acted movie is gripping every step of the way . An unjustly forgotten film results to be a good western and remains consistently agreeable . Rating : Above average , worthwhile watching .

Cowboy is directed by Delmer Daves and adapted to screenplay by Edmund H. North and Dalton Trumbo from Frank Harris' book My Reminiscences as a Cowboy. It stars Glenn Ford, Jack Lemmon, Víctor Manuel Mendoza, Anna Kashfi, Dick York, King Donovan, Brian Donlevy and Richard Jaeckel. Music is by George Duning and cinematography by Charles Lawton Junior.

Based on Frank Harris' memoir, the story finds Lemmon as Harris, a Chicago hotel clerk who in an attempt to prove he is a man and impress the girl he loves, wrangles his way onto a cattle drive being led by rough and tough cowpoke Tom Reece (Ford). He soon finds that out there on the range, in amongst the dust, beef and perils of the west, that life is far from glamorous.

Once you buy into Lemmon as a Western character, accepting his transference from utter greenhorn into a man of the drive, it really becomes a very good film. It's a sort of debunking of the cowpoke myths whilst playing out as a character study of two men, who are polar opposites, as they build an understanding and ultimately help each other to grow and learn. Along the way, from Chicago to the Rio Grande, there is fights, death, stampedes and tests of loyalties and manhood. The great Delmer Daves directs it without fuss or filler (how nice that the romantic arc is rightly a side issue and doesn't get in the way) and Lawton's photography brings the sprawling landscapes to life.

Lead cast members are excellent, with Ford once again providing rich characterisation by way of layered acting, and Lemmon rises up to the challenge of genre work outside of what he would be known for. In support Donlevy is his usual excellent self, making what could have been a clichéd character (aging gunfighter wants to leave his past behind) interesting with emotional depth, and Mendoza as the Ramrod is good foil for Ford. There's some quibbles, such as Dick York hard to take seriously, Jaeckel and Strother Martin (uncredited) wasted and some of the humour doesn't come off. But this is a very enjoyable film, one that thrives on having some character depth and actually something worthy to say. 7.5/10