Un gruppo di pazienti idiosincratici semina scompiglio nel reparto di chirurgia maschile dell'Ospedale Haven. Decidono di vendicarsi della gelida matrona, e c'è anche un punto di chirurgia f... Leggi tuttoUn gruppo di pazienti idiosincratici semina scompiglio nel reparto di chirurgia maschile dell'Ospedale Haven. Decidono di vendicarsi della gelida matrona, e c'è anche un punto di chirurgia fai da te.Un gruppo di pazienti idiosincratici semina scompiglio nel reparto di chirurgia maschile dell'Ospedale Haven. Decidono di vendicarsi della gelida matrona, e c'è anche un punto di chirurgia fai da te.
- Regia
- Sceneggiatura
- Star
- The Colonel
- (as Wilfrid Hyde White)
Recensioni in evidenza
Fun seeing Wilfred Hyde White, an early Jill Ireland (but as a love interest for old Nasal Nose?) and June Whitfield, no doubt best known in America as Edina's mother on "Absolutely Fabulous."
The strongest point seemed to be waiting for Matron (what little I have seen of this woman, she is steadily emerging as the fave) to show up for inspection, but nothing really coming of it. I suppose the daffodil scene was bold for its time, must remember that. Certainly more daring than anything on American cinema.
I did enjoy Nurse Nightingale tho, keeping an eye on the patient.
There was just a bit of a hint of what is to come with Kenneth Williams and Hattie Jacques, as the two argued here over why he couldn't wear his robe while lying in bed.
And the laughing gas operation was highly original. I would wager that scene had something to do with why it got noticed in America.
Truthfully, I have never heard of any of these movies until a vacation to the UK back in '97.
It is an utterly fascinating idea to use the same actors over and over again in different settings tho.
This is one of the earliest Carry On films in the long running series and it stands out from Constable and Sergeant because it has a much more ensemble feel to it and more of a rambling narrative that works better than the "serious story surrounded by sketches" stuff that the others had tries at doing. In this regard it does seem to keep up a constant tone and is amusing even if it rarely made me actually laugh out loud. This is the problem with a lot of the earlier films in the series they lack the wit and cheeky humour of the films made in the heyday of the series and thus feel quite stiff and perhaps almost dull at times. There are enough amusing moments here to make it worth seeing but two or three good laughs in 90 minutes is not really enough I'm afraid.
The cast are the same from the first film with a few additions and yet still lacking some of the names that are synonymous with the series (Sid James in particular). Connor is OK in a simple role; Eaton is pretty to look at even if she has few laughs to her name; Hawtrey seems to be in his own film but is fun regardless; Phillips does his usual stuff but familiarity has not bred contempt in me and I enjoyed him; Hyde-White is good value and has the famous final scene to himself while Joan Sims runs around a lot in the way she did in the early days. Owen is OK but the film is stolen by a typical but funny turn from Williams and the very famous Matron character as played by Jacques, who suits the larger than life domineering character well.
Overall this is not a great film and it has not dated well at all. It is amusing but yet rarely that funny a problem when it seems to be trying to be wacky and outrageous at each step. Time has not treated it well and it is the structured but cheeky Carry On films that have lasted the best. Fans of the series may like it and the cast certainly make it worth a look but this is nothing that special and were it not part of this famous series I doubt it would be seen that often by many viewers.
The usual gang of misfits are present: Kenneth Connor, Kenneth Williams, Charles Hawtrey, Hattie Jacques (playing Matron!) and Joan Sims in her first "Carry On..." appearance.
The hospital setting works especially well in this film and indeed later entries in the series which sees the gang placed within some institution or other are usually worth a look to see how our heroes react and rebel against authority.
"Nurse", actually voted Best British Film of 1958, is a delight to watch and it's hard to equate this with something as bawdy as "Camping" or "Girls".
And the ending is a scream too with a most inventive use for a daffodil in medical history!
Anyway, coming very early in the series, CARRY ON NURSE – which manages to make the most of its single setting – isn’t as crude or as slapdash as a good many of the later entries regrettably proved to be: in fact, it’s pretty much in the vein of classic British comedy of the time (such as the satirical films by the Boultings). The cast brings together several practiced performers in the field: Kenneth Connor (his “Cor, Blimey” attitude as a boxer with a broken hand is somewhat reminiscent of Norman Wisdom), Kenneth Williams (having a less central role than would be the case later but in quite good form as a bookworm nuclear scientist who’s also something of a misanthrope), Charles Hawtrey (playing a radio fanatic, where his prissy antics are already a bit over-the-top), Joan Sims (as an accident-prone nurse), Hattie Jacques (as the fearsome Matron – which became her trademark role), Wilfrid Hyde-White (as an old man whose military record allows him privileged service at the hospital but hasn’t rescinded his gambling mania!), Leslie Philips (as a fun-loving sort who in a drunken binge with his fellow patients decides to have them perform his delayed operation themselves – the latter scene is the film’s hilarious highlight where, predictably, laughing gas is let loose at the most inopportune moment).
The nominal leads here are actually Terence Longdon as a recovering reporter and gorgeous Shirley Eaton as the idealized nurse, who provide the obligatory romantic interest; Jill Ireland (the future Mrs. Charles Bronson) has one of her earliest roles as the girl who finally ensnares Williams, while both Michael Medwin and Norman Rossington appear briefly – as, respectively, Connor’s manager (a self-proclaimed showman) and a punch-drunk remnant of the boxing profession. Other gags revolve around a snob patient who’s continually embarrassed by his commoner wife, another who’s occasionally compelled to run riot in the corridors, and an impossibly solemn-looking student nurse. Apart from throwing Longdon and Eaton in each other’s arms, the denouement sees the release of several of the ‘star’ patients from the hospital – and culminates with the long-suffering nurses’ revenge on the fastidious Hyde-White, by fitting a daffodil in his rectum instead of a thermometer just as the Matron is making her rounds!
This one is about life in a ward in Haven Hospital. The patients include a boxer, nuclear scientist and a Major. We get to see one of them snogging a nurse, the Major always calling for help and, best of all, the patients trying to do a bunion operation while breathing in laughing gas! There is also an accident prone nurse to add to the chaos.
I find this to be one of the funnier Carry Ons and is shot well in black and white.
Now to the cast, which includes plenty of well known stars joining the regulars: Kenneth Williams, Hattie Jaques, Kenneth Conner, Charles Hawtrey, Leslie Phillips and the Carry On debuts of Joan Sims and June Whitfield. With Bond girl Shirley Eaton (before she was painted gold in Goldfinger), Bill Owen (Compo from Last Of the Sumer Wine), Norman Rossington, Joan Hickson (Miss Marple), Susan Shaw, Jill Ireland (Charles Bronson's wife) and Wilfred Hyde-White as the Major.
Have a good laugh with Carry On Nurse. Great fun.
Rating: 4 stars out of 5.
Lo sapevi?
- BlooperWhen the nurse is discovered hidden in the bed, she runs up the stairs in her underwear, but when she next appears, both her petticoat and hairstyle are different.
- Citazioni
[last lines]
The Colonel: [in he turned onto his stomach supposedly with his trousers down] Come come, Matron. Surely you've seen a temperature taken like this before?
Matron: Yes Colonel. Many times. But never... with a daffodil!
- Versioni alternativeFor the original UK cinema release cuts were made to remove some crude dialogue and footage. Among them a referral to spilt ball-bearings ("You can pick up Mr Hickson's balls"), the nurse's comment to Bernie after his shorts are removed ("What a big fuss about such a little thing") lost a shot of Bernie peering under the bed sheet, and Ted's hospital shaving scene was cut to remove the shots of Mick splashing him (below screen) with shaving cream. The latter was later restored to video releases although other cut footage may be lost forever.
- ConnessioniFeatured in This Is Your Life: Hattie Jacques (1963)
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Dettagli
- Data di uscita
- Paese di origine
- Lingue
- Celebre anche come
- 41 Grad Liebe
- Luoghi delle riprese
- Heatherden Hall, Pinewood Studios, Iver Heath, Buckinghamshire, Inghilterra, Regno Unito(the front of Haven Hospital)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione1 ora 26 minuti
- Colore
- Proporzioni
- 1.66 : 1