Carry on Nurse

The Carry On formula was a straightforward one: take any familiar stuffy Brit institution with its blustering authority figures and inflexible bureaucracy and reduce it to chaos with a little strategically applied low class maliciousness. The resulting mayhem and farcical runnings about inevitably turn pompous prigs into quivering jellies, to the roaring amusement of Brit audiences who lived their lives under the heel of such petty authorities and loved to watch them taken down.

Carry on Nurse, with its casual snipes at the Public Health, zany ward carryings on after hours by bored neglected patients fed up with their authoritarian Matron (Hattie Jacques, in her first of more than a dozen appearances as this familiar type) and fighting back in a series of anarchic stunts, shows the Carry On formula in ready-made form and is an excellent starting point for new viewers.

The next time you're in your hospital bed and two nurses walk in with a long-stemmed daffodil, do not under any circumstance roll over on your stomach.

Carry On Nurse was the second in the Carry On stream of British comedies that began with Carry On Sergeant and lasted for nearly 20 years. You'll either love 'em or you'll hate 'em. You'll love Carry On Nurse, or at least feel a warm, gentle glow of nostalgia break out over you like a rash, if naughty humor based on bedpans, buxom nurses, buttock massages and bunions make you smile. We're in a hospital ward where the male patients are ruled by Matron and where almost every nurse is a knock-out. Naturally, they innocently cause acute adjustment problems for the men who are away from wives and girlfriends. The Carry On gang is represented here by Kenneth Connor as an anxious but well-meaning boxer; Kenneth Williams, all intellectual condescension; Terence Longdon, the good-looking observer; Charles Hawtrey, who made mincing about an art form; Hattie Jacques as the iron-willed Matron; and a number of others, including a solo appearance by Wilfred Hyde-White as a demanding patient who winds up in the best joke of the movie. It involves that daffodil. Among the nurses is Shirley Eaton, guaranteed to disturb any man's dreams.

The story, such as it is, is even slighter than Carry On Sergeant. Carry On Nurse is really a series of episodic vignettes and jokes, leading up to Hawtrey swishing about in a nurse's uniform, Williams brandishing knives and preparing to remove a bunion while reading how to do it, Connor administering the anesthetic which turns out to be laughing gas, and poor Lesley Phillips, who just wanted his bunion fixed so he could get on with a bit of snogging he'd arranged for the next day. The whole thing's a funny set up.

By the gross-out standards of today's movie humor, Carry On Nurse is about as raunchy as Pollyanna. It's vulgar, silly and a lot of fun. Just like the use that daffodil is put to.

While not a laugh riot, this film about nurses and patients at a ward at Haven Hospital holds your interest because of the endearing characters. Kenneth Williams is his usual fun self, aided by an interest in a young (and fairly beautiful, of course) Jill Ireland. Joan Sims plays a bumbling student nurse perfectly, while Hattie Jacques is near perfect as the unamused matron. The beautiful Shirley Eaton is also in this, any film I've seen her in she has been naturally good. The jokes are not hilarious or anything like that, but the film puts a smile on your face often enough (Charles Haughtry is funny in this). There have been (much) worse Carry On Films and some better, but this is a watchable one I think you'll enjoy but not love.

"Carry on Nurse" is one of the finer examples in the series. Only the second film to be made this still captures the naive charm of late 50s humour while exploring the more risque ground of the double-entendre.

The usual gang of misfits are present: Kenneth Connor, Kenneth Williams, Charles Hawtrey, Hattie Jacques (playing Matron!) and Joan Sims in her first "Carry On..." appearance.

The hospital setting works especially well in this film and indeed later entries in the series which sees the gang placed within some institution or other are usually worth a look to see how our heroes react and rebel against authority.

"Nurse", actually voted Best British Film of 1958, is a delight to watch and it's hard to equate this with something as bawdy as "Camping" or "Girls".

And the ending is a scream too with a most inventive use for a daffodil in medical history!

Well, it was interesting. I laughed more at "Carry On Sergeant".

Fun seeing Wilfred Hyde White, an early Jill Ireland (but as a love interest for old Nasal Nose?) and June Whitfield, no doubt best known in America as Edina's mother on "Absolutely Fabulous."

The strongest point seemed to be waiting for Matron (what little I have seen of this woman, she is steadily emerging as the fave) to show up for inspection, but nothing really coming of it. I suppose the daffodil scene was bold for its time, must remember that. Certainly more daring than anything on American cinema.

I did enjoy Nurse Nightingale tho, keeping an eye on the patient.

There was just a bit of a hint of what is to come with Kenneth Williams and Hattie Jacques, as the two argued here over why he couldn't wear his robe while lying in bed.

And the laughing gas operation was highly original. I would wager that scene had something to do with why it got noticed in America.

Truthfully, I have never heard of any of these movies until a vacation to the UK back in '97.

It is an utterly fascinating idea to use the same actors over and over again in different settings tho.