La gatta sul tetto che scotta

"Cat on a Hot Tin Roof" is truly an actor's movie, and it is one of those rare films where every single actor is perfect.

Paul Newman and Elizabeth Taylor are both brilliant as Brick and Maggie Pollitt, respectively. Not very often is there a screen couple that have the same chemistry together that they do.

Newman, however, steals the show. If you watch "Cat on a Hot Tin Roof" for nothing else, watch it for his performance. One of the greatest actors of all time, Newman showcases how powerful an actor he can be. This is not to say the supporting cast isn't excellent. Burl Ives is superb in a supporting role as Big Daddy, a man who's greatest concern is having his legacy live on after him. The sequence with Ives and Newman in the basement of the house remains one of the most incredible displays of acting I have ever seen.

"Cat on a Hot Tin Roof" is a very appropriate title. It is a searing, wonderfully acted film that I will not soon forget. I recommend those who haven't seen it yet to rent it as soon as they get a chance. A true classic.

I've got to say that Tennessee Williams' 'Cat On A Hot Tin Roof' was one of the best Newman films. It's one of those movies that grabs your attention in the first 10 minutes. The interactions between the gifted actors and actresses were stupendous. I really felt for Maggie (Elizabeth Taylor) "The Cat ", though and how she was able to keep her composure with her husband Brick Pollitt's (Paul Newman) berating of her. We learn that he was a drunk trying to recapture his glory days of high school sports by leaping hurdles on a track field, dreaming about his moments as a youthful athlete, but suddenly he falls and breaks his leg, leaving him dependent on a crutch. During the film, he has some harsh words for Maggie. I felt that her character was treated unfairly by Brick and to make matters worse, his father Big Daddy (Burl Ives), shows nothing, but contempt for his son that he's even violent towards him. I really understood why he was so angry with Brick and as you watch the verbal fight between the two, you really side with Big Daddy. Newman really was a great actor and was the best choice for this part. Taylor, on the other hand, is a big star And she played Maggie to a T! I really think the Hollywood scripts these days are dead weight compared to the 50s and 60s! The exchanges of dialog and the acting were definitely marvelous. Canadian actress Madeleine Sherwood, who played Mae Pollitt in the film, was the last one to pass away in 2016 at 93! they all left their mark in the acting world.

I have never read or seen the play 'Cat on a Hot tin roof', but after watching the quite superb film, I want to. A movie about families, money, love or lack off. The acting is first rate, Paul Newman and Elizabeth Taylor are superb, if you're looking for laughs, look elsewhere. A classic.

There are tensions that have built between a couple, Brick Pollitt shows contempt, it's far from subtle, his wife Maggie's in despair, she's in love and really cares, but it's fair to say this pairing, is in trouble. Big Daddy joins the party for his birthday, but the whiskey being drunk just goes down one way, secrets hidden and withheld, relationships are hewn and felled, wounds reopened, from a friend, lost through betray. At the climax of this film you'll hold your breath, as the family is overwhelmed, distressed, with performances profound, so much lost and so much found, you will not be disappointed, I attest.

Three of the greatest cinematic performances placed on film.

I first encountered "Cat" in a fine National Theatre production in 1988 with Lindsay Duncan as Maggie, Ian Charleson as Brick, Eric Porter as Big Daddy, Paul Jessons as Gooper and Alison Steadman as Mae.

The film is not the play, but you don't often get an opportunity to see a fine cast perform this amazing play, and it needs a fine cast.

The movie has a fine cast. The movie grips you from start to finish. The movie even adds a little; the basement scene works wonderfully in the movie in ways that would be hard or impossible to reproduce on stage.

Yes, the play has been bowdlerised to make it into a movie, but what do you expect in 1958. The reality is, this film is a piece of cinema and drama history. You'd need to be a "Williams Fundamentalist" to hate the movie for its toned-down-ness. To the balanced Williams fan, it is gripping, well acted and nicely-paced.

Once every 10-15 years there is a truly fine production of this play in a world-class theatre. If you get the chance, go see a great production in the theatre. In between times, this movie is a very good second.