VALUTAZIONE IMDb
7,2/10
1977
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaDuring World War II, a recently widowed young woman is recruited to work as a spy in France.During World War II, a recently widowed young woman is recruited to work as a spy in France.During World War II, a recently widowed young woman is recruited to work as a spy in France.
- Regia
- Sceneggiatura
- Star
- Nominato ai 1 BAFTA Award
- 1 candidatura in totale
Nicole Stéphane
- Denise Bloch
- (as Nicole Stephane)
André Maranne
- Garnier - Garage Man
- (as Andre Maranne)
Chris Adcock
- German Soldier
- (non citato nei titoli originali)
Recensioni in evidenza
The story of Mrs Violette Szabo as portrayed by Virginia McKenna is poignantly brought to the screen. The exploits of an ordinary woman who proved to be - "The most fearless of all women SOE operatives" - as described by none other than another famous SOE operative Mrs Odette Churchill who survived the war undergoing almost similar experiences is a must. The film in almost three compartments re-traces the life of Violette from the time she meets her husband on Bastille Day in 1940 and their whirlwind romance, flashes to 1942 when her child is celebrating her 2nd birthday when she receives news of her husbands death at El-Alamein. It then fast forwards six months when she is recruited by the SOE as she had perfect qualifications for the post which included being a crack shot with the rifle (which however is contradicted by SOE records which state that she spoke French with an English accent...). The next part of the film features her training where she excels but sprains her ankle and has to sit out the first assignment by her team. During her convalescence she has to confront her father who feels she is not doing enough for the war effort,brush aside her guilt in abandoning her daughter etc.( Virginia McKenna handles these emotive scenes with remarkable talent) Her first assignment passes off quite well but the undertones of the danger of such attempts by agents are underplayed by the director. Her second assignment just after D-Day puts her a prisoner with the Gestapo after she has valiantly stood upto to a single-handed encounter with a German patrol - the torture she suffers and her ultimate death facing a firing squad at Ravensbruck Concentration Camp is leaves the viewer with no doubts on the methods used by her captors without depicting violence per se. The third part of the film is largely based on reports given by the French Resistance & Nazi records & reports by fellow prisoners of Ravensbruck all poignantly brought to the screen. The finale where we see her 5 year old daughter being received by King George to honour her mother posthumously with the George Cross brings a lump to the throat. Incidentally the episode of her shopping in Paris for her daughter while on assignment is corroborated by others hence not fictionalised for the film. In all a wonderful film that makes one wonder-struck with the exemplary courage of ordinary people who became legends in their time.
When I first saw Carve Her Name with Pride recently, I have to say I was really moved. This film is truly remarkable, I do agree one of two of the characters are somewhat clichéd, but on the whole there is very little wrong I can say about Carve Her Name with Pride.
The film is beautifully shot, with stunning cinematography effortlessly capturing the scenery. The score is also highly effective, while the script is honest and truthful, with some humorous and romantic spots, and the story, which is based on truth, is a remarkable one. The direction is excellent, the film does move at a reasonable pace and the ending had me deeply moved. And I have to say the acting is really good, Virginia McKenna especially is outstanding in the lead role, while Jack Warner and Paul Scofield are both excellent.
All in all, it is a great film, underrated and somewhat affecting. See especially for McKenna. 9/10 Bethany Cox
The film is beautifully shot, with stunning cinematography effortlessly capturing the scenery. The score is also highly effective, while the script is honest and truthful, with some humorous and romantic spots, and the story, which is based on truth, is a remarkable one. The direction is excellent, the film does move at a reasonable pace and the ending had me deeply moved. And I have to say the acting is really good, Virginia McKenna especially is outstanding in the lead role, while Jack Warner and Paul Scofield are both excellent.
All in all, it is a great film, underrated and somewhat affecting. See especially for McKenna. 9/10 Bethany Cox
10lora64
Pardon me for beginning this way, but is this movie a copied storyline of the earlier film "Odette" (1951)? Both stories seem to run so parallel one can only wonder about it. On second thoughts perhaps not. We ought to realize how many dedicated people with strong convictions made the great sacrifice during the war. Violette Szabo (Virginia McKenna), as an appealing spy, felt duty bound to assist her country and was one of them who left all personal thought behind to do her duty. It's very dramatic and riveting as she faces the many dangers.
Really, Virginia McKenna gave a strong performance, very deserving of an Oscar, I'd say. War isn't glorious by any means. A serious film.
Really, Virginia McKenna gave a strong performance, very deserving of an Oscar, I'd say. War isn't glorious by any means. A serious film.
Carve Her Name with Pride (1958)
A resolutely respectful and consistent movie, powerful in a quiet way, and serious to the core. These aren't really adjectives for an amazing movie--and it's not amazing. The story is amazing, since it's true, a British woman going undercover in WWII and having to suffer badly at the hands of the Nazis. And the movie depends on the story, rather than the movie, to succeed.
It does, in fact, succeed. It's a moving story well told. It lacks drama, and is sometimes quietly sentimental, which is part of the point, giving a human side to the spy and war business. The leading woman is someone not well known to American audiences, a rather straight forward actress, Virginia McKenna. But you might remember her from "Born Free," a very different kind of role but needing the same sharp seriousness. She's still alive, gladly, and was even in a film in 2010.
The movie here needs drama, frankly. It takes half the film to reach the German conflict in France, and it comes to the real drama, the horrors of being caught, in the last half hour. Which is to say, be prepared for lots of preparation, well done, but preliminary, and purposely undramatic. By that last part is good wartime stuff, with a woman as the main figure in the fighting and the aftermath. The prison scenes are cold and harsh in their own way, and yet I don't quite believe it would have been quite so calmly paced and deliberate, even in the hands of the Germans happily in France.
A resolutely respectful and consistent movie, powerful in a quiet way, and serious to the core. These aren't really adjectives for an amazing movie--and it's not amazing. The story is amazing, since it's true, a British woman going undercover in WWII and having to suffer badly at the hands of the Nazis. And the movie depends on the story, rather than the movie, to succeed.
It does, in fact, succeed. It's a moving story well told. It lacks drama, and is sometimes quietly sentimental, which is part of the point, giving a human side to the spy and war business. The leading woman is someone not well known to American audiences, a rather straight forward actress, Virginia McKenna. But you might remember her from "Born Free," a very different kind of role but needing the same sharp seriousness. She's still alive, gladly, and was even in a film in 2010.
The movie here needs drama, frankly. It takes half the film to reach the German conflict in France, and it comes to the real drama, the horrors of being caught, in the last half hour. Which is to say, be prepared for lots of preparation, well done, but preliminary, and purposely undramatic. By that last part is good wartime stuff, with a woman as the main figure in the fighting and the aftermath. The prison scenes are cold and harsh in their own way, and yet I don't quite believe it would have been quite so calmly paced and deliberate, even in the hands of the Germans happily in France.
It must be a sign of getting older but I find myself watching old films more and more now. Sky showed this film recently, and I much preferred it to some of the modern blockbusters they show. Virgina McKenna does an excellent job of portraying Violetta Szabo. Good old Jack Warner (Sergeant Dixon!) is excellent as the long suffering father. Paul Scofield is brilliant playing the part of Tony. It was directed by Lewis Gilbert, who also directed "Alfie" and "Educating Rita". It brings home the suffering normal people went through, as well as heroines like Violetta. I defy anyone not to be moved by the ending. Hopefully it is available on DVD now as it belongs in anyone`s collection.
Lo sapevi?
- QuizOf the 92 days she spent filming, Virginia McKenna only had two days off from the rigorous schedule which included getting up at 5:30 each morning. The two days off were to marry Bill Travers and have a very brief honeymoon.
- BlooperWhen the German soldiers are chasing Szabo and her French Resistance comrade near the end of the film, across the fields a busy 1950s road can be clearly seen in the background.
- Citazioni
Etienne Szabo: The life that I have Is all that I have And the life that I have Is yours. The love that I have Of the life that I have Is yours and yours and yours. A sleep I shall have A rest I shall have Yet death will be but a pause. For the peace of my years In the long green grass Will be yours and yours and yours.
- ConnessioniFeatured in The 100 Greatest War Films (2005)
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