VALUTAZIONE IMDb
6,8/10
3496
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaTexan Tom Buchanan is heading back home with enough money to start his own ranch, but when he stops in the crooked town of Agry, he's robbed and framed for murder.Texan Tom Buchanan is heading back home with enough money to start his own ranch, but when he stops in the crooked town of Agry, he's robbed and framed for murder.Texan Tom Buchanan is heading back home with enough money to start his own ranch, but when he stops in the crooked town of Agry, he's robbed and framed for murder.
- Regia
- Sceneggiatura
- Star
Richard Alexander
- Barfly
- (non citato nei titoli originali)
Bill Coontz
- Townsman
- (non citato nei titoli originali)
Tony Epper
- Townsman
- (non citato nei titoli originali)
Duke Fishman
- Townsman
- (non citato nei titoli originali)
Terry Frost
- Jury Foreman
- (non citato nei titoli originali)
Recensioni in evidenza
It is a Plot Heavy Movie with a Goodly Amount of Heavies, Literally. All the lead Bad Guys are Seriously Overweight except Craig Stevens as a well Groomed Gun for Hire.
Randolph Scott is in on the Light Touch of the Film from the Get-Go as He Smiles Broadly, almost Retardedly, but that could be a Ploy. He seems perfectly Able to Figure Things Out and is Ready with a Funny Quip.
After finding a Room is $10, a Steak is $10 and a Bottle of Whisky is $10...Looking straight at an Attractive Floozy in the Saloon says, "Is there anything in this town that doesn't cost $10?" There's more but You need to Watch this Amusing, Above Average Movie to experience the Fun.
L.Q. Jones is a Standout as Scott's West Texas Buddy. There is a Burial Scene that's a Hoot. Newbies seeking out the Boetticher/Scott Cannon might want to Save this one for Last, so They can Wrap it Up with a Wink and a Nod to One of the Best Collaborations Found in Fifties Westerns.
Note...Along with the Anthony Mann/James Stewart Films these were as Good as the Genre had to Offer in the Overdose of Oaters from the Decade.
Randolph Scott is in on the Light Touch of the Film from the Get-Go as He Smiles Broadly, almost Retardedly, but that could be a Ploy. He seems perfectly Able to Figure Things Out and is Ready with a Funny Quip.
After finding a Room is $10, a Steak is $10 and a Bottle of Whisky is $10...Looking straight at an Attractive Floozy in the Saloon says, "Is there anything in this town that doesn't cost $10?" There's more but You need to Watch this Amusing, Above Average Movie to experience the Fun.
L.Q. Jones is a Standout as Scott's West Texas Buddy. There is a Burial Scene that's a Hoot. Newbies seeking out the Boetticher/Scott Cannon might want to Save this one for Last, so They can Wrap it Up with a Wink and a Nod to One of the Best Collaborations Found in Fifties Westerns.
Note...Along with the Anthony Mann/James Stewart Films these were as Good as the Genre had to Offer in the Overdose of Oaters from the Decade.
High quality Boetticher western that succeeds on almost every front.
Scott is first class, less taciturn than usual and displaying a gift for wry humour not always evident in his performances. The supporting cast is well above average and Barry Kelley, Tol Avery and Peter Whitney, in particular, are all excellent, playing their parts to near perfection.
The scenery, both in and out of the town is wonderfully evocative - cacti to die for! - the guitar music is hauntingly beautiful and the colours are bright and pleasing.
If I have a criticism at all, it is that the plot is a little too convoluted - too many twists and counter twists - but, in the face of so much that is good, this is but a minor quibble.
Incidentally, the only women in the production have such tiny roles, they are not even named in the cast list. So no-one "gets the girl" this time round!
Scott is first class, less taciturn than usual and displaying a gift for wry humour not always evident in his performances. The supporting cast is well above average and Barry Kelley, Tol Avery and Peter Whitney, in particular, are all excellent, playing their parts to near perfection.
The scenery, both in and out of the town is wonderfully evocative - cacti to die for! - the guitar music is hauntingly beautiful and the colours are bright and pleasing.
If I have a criticism at all, it is that the plot is a little too convoluted - too many twists and counter twists - but, in the face of so much that is good, this is but a minor quibble.
Incidentally, the only women in the production have such tiny roles, they are not even named in the cast list. So no-one "gets the girl" this time round!
This unusual western is totally without any kind of ambition, because you have here no Indians, no woman character - I mean lead or lead supporting female character - and I would say no real villain, no lead villain. And speaking of villain, Craig Stevens character could have been a tremendous villain, an elegant, exquisite bad guy against whom Randolph Scott could have fought in a good showdown. But here, nothing of the kind, not at all, only a useless complex story which it is hard to follow and summarize after the watching. I prefered DECISION AT SUNDOWN, which is the western from Boetticher- Scott, Burt Kennedy team that is the closest to this one. Nothing to do with SEVEN MEN FROM NOW nor COMANCHE STATION or THE TALL T.
Excellent and funny story of Agry-town, a place where everything costs ten dollars and a man can be hung for being on the right side of a fight -- but the wrong side of the law. Hypocrisy and the essential weakness of human nature are humorously juxtaposed with Scott and his friends' hardboiled masculine ethic. Only the ending is a disappointment -- rushed and somewhat confused. Lang's writing is good and very barbed but somewhat predictable as the famous Ranown cycle winds down with this film.
The Pacific Film Archive here in Berkeley CA has been showing these films for the last few years, and in 2000 I and my mother had the chance to meet the director, the very charming, funny, and intelligent Bud Boetticher, and also the people who are restoring these movies for Columbia. They're doing a wonderful job, and hopefully soon we'll all be able to enjoy restored, less yellowed prints of these classic films (especially the incredible "Seven Men from Now") on DVD. Put any pressure you can on Columbia, folks, let them know you want to see these films on DVD, because the restoration is already well underway -- we just need to let them know there's an audience out there!
The Pacific Film Archive here in Berkeley CA has been showing these films for the last few years, and in 2000 I and my mother had the chance to meet the director, the very charming, funny, and intelligent Bud Boetticher, and also the people who are restoring these movies for Columbia. They're doing a wonderful job, and hopefully soon we'll all be able to enjoy restored, less yellowed prints of these classic films (especially the incredible "Seven Men from Now") on DVD. Put any pressure you can on Columbia, folks, let them know you want to see these films on DVD, because the restoration is already well underway -- we just need to let them know there's an audience out there!
Perhaps the only really unjustified feature of this Western is the title. They should have kept the original, "The name's Buchanan" - a line which crops up sufficiently often in the first five minutes to verge on becoming a catchphrase for the title character. One thing Buchanan *doesn't* do is ride alone. For a cowboy hero - particularly one played by Randolph Scott! - he's an unusually cheerful and sociable type, who picks up friends and allies almost everywhere he goes. I don't believe I've ever seen Randolph Scott smile so much in all the rest of his films put together - and it has much the same shock value as a grin on the face of Leonard Nimoy.
But it's mainly the humour that sets this film apart from a hundred other unpretentious B-Westerns. The plot twists don't hurt, either. This slender piece bears as many stings in the tail as the final chapters of a Hercule Poirot mystery. Tables are turned by one side upon the other so often that it verges upon the ridiculous; a point milked to wry appreciation by the script. The other interesting point is that Buchanan himself has little influence over the course of events. He merely (albeit adroitly) rides the tide, as the bickering Agry brothers provide the main engine for the plot. This film is far less of a one-man star vehicle than many Westerns of its era. To a degree, it might even be suspected of spoofing the genre.
I spotted only one technical blooper: as the sheriff(?) leaves the jail after demanding the keys, the far side of the street, for one brief aberrant moment, appears to consist of red-brick houses with paned-glass windows! Young de la Vega's horse really is a beautiful animal, on the other hand - the beast fully bears out the script's claim that the de la Vega horses are some of the best-bred in the country. Judging by the stunts, it was also presumably a trained performer - I wonder what its 'day job' was? :-)
To summarise: a cheerful, swift-moving Western with a touch of dry humour that helps it to stand out among a host of other B-movies. If you've watched 'Unforgiven' too many times, until your guts feel like treacle - if you can't take one more coarse joke from 'Blazing Saddles' - then try 'Buchanan' for a breath of fresh air, and watch Randolph Scott for once in his life having fun!
But it's mainly the humour that sets this film apart from a hundred other unpretentious B-Westerns. The plot twists don't hurt, either. This slender piece bears as many stings in the tail as the final chapters of a Hercule Poirot mystery. Tables are turned by one side upon the other so often that it verges upon the ridiculous; a point milked to wry appreciation by the script. The other interesting point is that Buchanan himself has little influence over the course of events. He merely (albeit adroitly) rides the tide, as the bickering Agry brothers provide the main engine for the plot. This film is far less of a one-man star vehicle than many Westerns of its era. To a degree, it might even be suspected of spoofing the genre.
I spotted only one technical blooper: as the sheriff(?) leaves the jail after demanding the keys, the far side of the street, for one brief aberrant moment, appears to consist of red-brick houses with paned-glass windows! Young de la Vega's horse really is a beautiful animal, on the other hand - the beast fully bears out the script's claim that the de la Vega horses are some of the best-bred in the country. Judging by the stunts, it was also presumably a trained performer - I wonder what its 'day job' was? :-)
To summarise: a cheerful, swift-moving Western with a touch of dry humour that helps it to stand out among a host of other B-movies. If you've watched 'Unforgiven' too many times, until your guts feel like treacle - if you can't take one more coarse joke from 'Blazing Saddles' - then try 'Buchanan' for a breath of fresh air, and watch Randolph Scott for once in his life having fun!
Lo sapevi?
- QuizJonas Ward wrote the novel this film is based upon. There are more than 20 other novels about the drifter Tom Buchanan. The first one is "My Name is Buchanan."
- BlooperThe story is supposed to be set in the California border town of Agry but the landscape is populated with the Sahauro cactus which only exist north of the Mexican border in the Sonoran Desert where it extends into Southern Arizona and the very distinctive jagged volcanic peaks of the Tucson Mountains are ever present in the background.
- Citazioni
Pecos Hill: Well, what are we going to do now?
Tom Buchanan: First tie him up. Then fix us some food, Then... I'm not sure.
- ConnessioniFeatured in Budd Boetticher: A Man Can Do That (2005)
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Dettagli
- Data di uscita
- Paese di origine
- Lingue
- Celebre anche come
- Buchanan Rides Alone
- Luoghi delle riprese
- Aziende produttrici
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- Tempo di esecuzione1 ora 20 minuti
- Proporzioni
- 1.85 : 1
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