Il barbaro e la geisha

If you were to make a real film about Townsend Harris, the first American diplomat in Japan, the guy you would have cast in the role was Clifton Webb. The real Harris was an aesthete like Webb's persona on screen, never married, might have been gay as Webb was. Now that would have been an interesting film.

But done the way John Huston did it, with Harris as a romantic figure, Tyrone Power would have been perfect casting. I have a gut feeling that since 20th Century Fox produced this, the property might have been at one time meant for Power. Wayne looked so awkward and ridiculous mouthing those romantic lines that Ty Power could have done in his sleep.

John Huston said that in casting John Wayne he was trying to show a clash of cultures, Tokugawa Japan being opened to the west by the young vibrant, expanding America and Huston saw Wayne as the personification of 19th century America. Well it didn't work. Supposedly both men developed a hearty dislike of the other.

I will say this though, it's a spectacularly photographed film and it does show quite accurately the Japan that Townsend Harris was dealing with.

But it was still one of the big duds for the Duke's career.

When you consider that this movie was made only 13 years after the end of the war in the Pacific, with its brutality and carnage, it is quite surprising to see that the "The Barbarian and the Geisha" tries to to present the clash of cultures, 100 years earlier, with such apparent equity and fairness.

While some may see John Wayne as the archetypical posterboy for American jingoism, in fact his character clearly tries to understand the country in which he is trying to establish the consulate, and shows genuine remorse, not arrogance, in noting that in early part of his assignment, all that the Americans had established was a cholera epidemic and the torching of the city to quell it.

While the interracial love story behind the title was somewhat superficial, I thought that the more important aspects of colliding cultures and political shadowboxing was quite interesting and well presented.

The picture develops the true tale of Townsend Harris (John Wayne) who during the nineteenth century is sent -along with his helper (Sam Jaffe)- by President Pierce to Japan to serve as the first American Consul-General to that nation . Towsend gets enormous hostility to foreigners , as well as dangers and risks . There finds romance with a gorgeous geisha (Eiko Ando) . Meanwhile he confronts the governor , Baron Tamura (Shomamura ), but finally he contacts in Edo with the Shogun . Then the geisha beauty is sent to destroy the barbarian from the west .

This costumer picture is based on historic events . Japan was dominated for a dynasty occupied by the Togugawa family from century XVI until 1868 and characterized by ruling ¨ Daimios ¨ , confronting occidental people and shunning the opening imposed by Admiral Perry in 1863 ; he was the first foreigner in Japan who undergoes a culture shock . Being dead emperor Komei , succeeded in 1867 , Mutsu Hito , one time crowned as emperor Meiji , he abolished the Shogun , ( happenings developed in various films as ¨ Shogun ¨ with Richard Chamberlain and ¨The last Samurai¨ with Tom Cruise ). Matsu Hito carried out various changes, as a liberal cabinet , creating a Duma or Parliament and following actual models and modern spirit . Anti-reforms riots to return old values , traditional way of life and code Bushido were realized by the Samurais a type of medieval knight for preventing of occidental life style .

John Wayne becomes the first Ambassador from the Western world is this oriental adventure . The film deals with conflicts between the radical conservatism and modernism ; upon relation of the West and East World . Besides , a sweeping, complex human drama with all the ingredients : betrayal , romance , inter-racial love story, , emotions and is pretty interesting . Stunning images illuminate the full-blown feats of Towsend Harris under impressive sets created by Lyle Wheeler and Walter Scott . Glimmer and colorfully filmed by cameraman Charles G Clarke shot in locations as 20th Century Fox Studios, Los Angeles, California,(studio) ,Eiga Film Studios,Tokyo, and Kawana ,and Kyoto , Japan .Evocative and appropriate score by Hugo Friedhofer . Panned by the critics , the movie was a flop at box office , receiving awful reviews , considering Wayne is horribly miscast and ¨Barbarian and Geisha¨ resulted to be one of the worst of his bad films . However , nowadays is best deemed . Motion picture produced and released by Twenty Century Fox- Darryl F Zanuck- is regularly directed by John Huston . The movie hasn't the thematic unity of 'African's Queen', ' Asphalt jungle' , ' Key Largo' , ' Maltese Falcon' or ' The treasure of Sierra Madre' the John Huston's best and shares his failures to 'Phobia' , ' the Bible' or 'Kremlin letter' . Rating : 5,5 , acceptable and passable .

An interesting look at Japan prior to opening to the West. John Wayne as America's first consul to Japan arrives in accordance with agreements resulting from Perry's gunboat diplomacy. He is not welcome. Wayne eventually wins his meeting with the Shogun after bring a cholera epidemic, introduced by an American ship, under control. There follows a colorful procession to the capital bearing gifts for the Shogun, including a bottle of Old Tanglefoot. The meeting with the Shogun, the debates among the Japanese nobles and an assassination during an archery exhibit present an interesting look at the politics of the period. Altogether a rather enjoyable movie and besides how often do you get to see the Duke lose a fight to a guy half his size.

Star and director are not exactly in their element throughout this period piece (set in mid-19th century Japan and based on real events) – though John Wayne gets to brawl with a dwarf/giant combination!; apparently, Huston became fascinated with the country and its culture after viewing Akira Kurosawa’s RASHOMON (1951) and Teinosuke Kinugasa’s GATE OF HELL (1953) – in fact, he obtained the services of the latter as a “script supervisor” on this one!

Still, the film is interesting in its depiction of the clash of traditions – especially involving two countries which, a little over a decade earlier, had been deadly enemies – and, in any case, Japan was a popular venue with Hollywood during this time: witness the two back-to-back Marlon Brando vehicles THE TEAHOUSE OF THE AUGUST MOON (1956) and SAYONARA (1957). The glossy production values (courtesy of Fox) make the most of the exotic locations, but the plot itself is rather melodramatic – Wayne’s initially hostile reception, an outbreak of cholera, the assassination of a supportive Japanese leader (which threatens to throw the country into Civil War), an attempt on Wayne’s own life and the failed aggressor’s subsequent seppuku (which also terminates Wayne’s subtle romance with the geisha of the title), etc.

Finally, though as I said this is one of Wayne’s most uncharacteristic films (which I had missed out on countless times in the past but was determined to catch now in commemoration of the 20th anniversary of Huston’s passing), it’s certainly not worthy of the same level of disdain as his other Asian flick – Dick Powell’s camp classic THE CONQUEROR (1956).