VALUTAZIONE IMDb
7,0/10
15.648
LA TUA VALUTAZIONE
Quando una principessa viene rimpicciolita da un mago malvagio, Sinbad deve intraprendere una ricerca su un'isola di mostri per curarla e prevenire una guerra.Quando una principessa viene rimpicciolita da un mago malvagio, Sinbad deve intraprendere una ricerca su un'isola di mostri per curarla e prevenire una guerra.Quando una principessa viene rimpicciolita da un mago malvagio, Sinbad deve intraprendere una ricerca su un'isola di mostri per curarla e prevenire una guerra.
- Premi
- 1 vittoria e 2 candidature totali
Robert Barnete
- Jafa
- (non citato nei titoli originali)
Enzo Musumeci Greco
- Sokurah's Skeleton
- (non citato nei titoli originali)
Juan Olaguivel
- Golar
- (non citato nei titoli originali)
Recensioni in evidenza
While sailing with Princess Parisa (Kathryn Grant) to Baghdad to their wedding, Sinbad (Kerwin Mathews) finds the Colossa Island and anchors his vessel to get supplies for the starving crew. Sinbad and his men help the magician Sokurah (Torin Thatcher) to escape from a Cyclops that attacks them, and Sokurah uses a magic lamp with a boy jinni to help them; however, their boat sinks and he loses the lamp. Sokurah offers a small fortune to Sinbad to return to Colossa, but he does not accept and heads to Baghdad. The citizens and the Caliph of Baghdad (Alec Mango) are celebrating the peace with Chandra, and they offer a feast to the Sultan of Chandra (Harold Kasket). Sakurah requests a ship and crew to return to Colossa but the Caliph refuses to jeopardize his countrymen. However, the treacherous magician shrinks the princess and when the desperate Sinbad seeks him out, he tells that he needs to return to Colossa to get the ingredient necessary for the magic potion. But Sinbad has only his friend Harufa (Alfred Brown) to travel with him, and he decides to enlist a doubtful crew in the prison of Baghdad, in the beginning of his dangerous voyage to Colossa to save the princess and avoid the eminent war between Chandra and Baghdad.
This is the first time that I have watched "The 7th Voyage of Sinbad", a delightful adventure with Cyclops, dragon, magician, magic lamp and jinni. The special effects are fantastic for a 1958 film and I have really loved this movie. It is intriguing to see the magician foresee the destruction of Baghdad, with wrecked buildings and women and children murdered. In the end, I have had the sensation that I have lost something in my childhood missing this pleasant and entertaining movie when I was a child. My vote is eight.
Title (Brazil): "Simbad e a Princesa" ("Sinbad and the Princess")
This is the first time that I have watched "The 7th Voyage of Sinbad", a delightful adventure with Cyclops, dragon, magician, magic lamp and jinni. The special effects are fantastic for a 1958 film and I have really loved this movie. It is intriguing to see the magician foresee the destruction of Baghdad, with wrecked buildings and women and children murdered. In the end, I have had the sensation that I have lost something in my childhood missing this pleasant and entertaining movie when I was a child. My vote is eight.
Title (Brazil): "Simbad e a Princesa" ("Sinbad and the Princess")
After rescuing Sokurah the Magician (Torin Thatcher) from an angry cyclops, Sinbad (Kerwin Mathews) and his crew set sail for home. Unfortunately, Sokurah has lost something very valuable to him, and will do anything to retrieve it. Thus, his treachery unfolds, forcing Sinbad to return to the mysterious island where it all began.
THE 7TH VOYAGE OF SINBAD is a great story of adventure, romance, and derring-do, full of magic and monsters. This movie is a showcase for the stop-motion genius of Ray Harryhausen, who provides not only the cyclops, but also a dragon, a two-headed Roc, a four-armed snake woman, and a sword-swinging skeleton man! The dead-on choreography for the ensuing sword fight between Sinbad and the animated skeleton is astonishing!
Loved it as a kid, still love it as an adult!...
THE 7TH VOYAGE OF SINBAD is a great story of adventure, romance, and derring-do, full of magic and monsters. This movie is a showcase for the stop-motion genius of Ray Harryhausen, who provides not only the cyclops, but also a dragon, a two-headed Roc, a four-armed snake woman, and a sword-swinging skeleton man! The dead-on choreography for the ensuing sword fight between Sinbad and the animated skeleton is astonishing!
Loved it as a kid, still love it as an adult!...
After his wife-to-be, Princess Parisa (Kathryn Grant), is shrunk by an evil magician, Sinbad (Kerwin Mathews) undertakes a perilous journey to a mysterious monster inhabited island, in an attempt to restore her to full size (and who can blame him-she's a total babe and wears the kind of outfit most red-blooded men wish they could get their woman into).
Almost fifty years on, The 7th Voyage of Sinbad may seem dated (particularly for those only familiar with CGI monsters) but, in my opinion, it still has the power to captivate and amaze. With Ray Harryhausen's wonderful stop motion effects (which include a cyclops, a dragon, a snake-woman, a giant two-headed bird and an animated skeleton) and a timeless magical tale of swashbuckling heroics, director Nathan Juran delivers a classic slice of fantasy cinema.
A cracking opening gets straight to the action with Sinbad and his men encountering bad-guy Sokurah when their ship is blown off course and ends up at the island of Colossa. The wicked magician is being chased by a cyclops, but is rescued by Sinbad and his men, who help him to safety aboard their vessel. Sokurah wishes to be returned to the island in order to get his hands on a magic lamp (now in the possession of the cyclops), but Sinbad is headed for Bagdad where he is to be married to the gorgeous Parisa, and ain't nothing going to stop him from tying the knot. Nothing, that is, 'cept for his woman being reduced to the size of a small doll.
Not realising that Sokurah is to blame for her diminutive stature, Sinbad is conned into returning to Colossa, where the nasty magician says he can create a potion which will return Parisa to normal.
Great fun from start to finish, The 7th Voyage is packed full of great scenes (my favourite being the Cyclops preparing a tasty snack--spit-roasted sailor) and is perfect fare for fantasy-loving kids and adults alike. And, if you like this, seek out the Golden Voyage of Sinbad, which I think is even better.
Almost fifty years on, The 7th Voyage of Sinbad may seem dated (particularly for those only familiar with CGI monsters) but, in my opinion, it still has the power to captivate and amaze. With Ray Harryhausen's wonderful stop motion effects (which include a cyclops, a dragon, a snake-woman, a giant two-headed bird and an animated skeleton) and a timeless magical tale of swashbuckling heroics, director Nathan Juran delivers a classic slice of fantasy cinema.
A cracking opening gets straight to the action with Sinbad and his men encountering bad-guy Sokurah when their ship is blown off course and ends up at the island of Colossa. The wicked magician is being chased by a cyclops, but is rescued by Sinbad and his men, who help him to safety aboard their vessel. Sokurah wishes to be returned to the island in order to get his hands on a magic lamp (now in the possession of the cyclops), but Sinbad is headed for Bagdad where he is to be married to the gorgeous Parisa, and ain't nothing going to stop him from tying the knot. Nothing, that is, 'cept for his woman being reduced to the size of a small doll.
Not realising that Sokurah is to blame for her diminutive stature, Sinbad is conned into returning to Colossa, where the nasty magician says he can create a potion which will return Parisa to normal.
Great fun from start to finish, The 7th Voyage is packed full of great scenes (my favourite being the Cyclops preparing a tasty snack--spit-roasted sailor) and is perfect fare for fantasy-loving kids and adults alike. And, if you like this, seek out the Golden Voyage of Sinbad, which I think is even better.
This truly action packed fantasy is as fun nearly 50 on from the time of it's making. Out of the films that were produced by Charles H. Schneer and featured special effects by Ray Harryhausen, Jason And The Argonauts is usually named as the best [certainly that was the film where Harryhausen perfected his techniques],but Sinbad is not far behind. It's far simpler but provides just as much entertainment. Of course some of the dialogue is a little hokey, but who watches films like this for their dialogue? Dialogue here exists simply to help propel the plot forward at as fast a pace as possible.
The amount of action scenes crammed into this less-then-90 min. film is astounding, and despite this the film still retains a delightful sense of wonder, as one wonders what fantastic creation will show up next. Yes, some of the matt work looks a bit poor ,and the creatures are a little jerky, but the design and execution of the snake woman, cyclopes, rocs, dragon etc. is still astounding for the time, and some sequences, such as the battle with the the first cyclops and the duel with the skeleton, are still very exciting.
Criticisms of the acting may be partially justified, but Torin Thatcher is as menacing a villain as one can wish for, and of course there's also Bernard Herrmann's extremely inventive score. Schneer and Harryhausen would later make two further Sinbad films, and there was a semi- remake several years later, Jack The Giant Killer. All three are fun, but none have the simple purity of this classic adventure.
The amount of action scenes crammed into this less-then-90 min. film is astounding, and despite this the film still retains a delightful sense of wonder, as one wonders what fantastic creation will show up next. Yes, some of the matt work looks a bit poor ,and the creatures are a little jerky, but the design and execution of the snake woman, cyclopes, rocs, dragon etc. is still astounding for the time, and some sequences, such as the battle with the the first cyclops and the duel with the skeleton, are still very exciting.
Criticisms of the acting may be partially justified, but Torin Thatcher is as menacing a villain as one can wish for, and of course there's also Bernard Herrmann's extremely inventive score. Schneer and Harryhausen would later make two further Sinbad films, and there was a semi- remake several years later, Jack The Giant Killer. All three are fun, but none have the simple purity of this classic adventure.
Most people have movies that they remember watching when they were infants and never forget them. This is one of mine, along with King Kong (1933) and One Million Years BC.
The stars of this movie are of course Ray's stop-motion monsters. We get to see several cyclops, a dragon, a giant roc, a baby roc, a snake woman and, best of all, a skeleton.
The movie's cast includes Kerwin Mathews as Sinbad and Torin Thatcher as the mad magician, Sokurah. These play great parts, as does Richard Eyer as the Genie. The theme music and score by Bernard Herrmann is magnificent. The movie was directed by Nathan Juran (The Deadly Mantis).
This is the best of Harryhausen's Sinbad movies and one of his best movies overall, along with Jason and the Argonauts.
If you haven't seen this, you are missing out. Fantastic.
Rating: 5 stars out of 5.
The stars of this movie are of course Ray's stop-motion monsters. We get to see several cyclops, a dragon, a giant roc, a baby roc, a snake woman and, best of all, a skeleton.
The movie's cast includes Kerwin Mathews as Sinbad and Torin Thatcher as the mad magician, Sokurah. These play great parts, as does Richard Eyer as the Genie. The theme music and score by Bernard Herrmann is magnificent. The movie was directed by Nathan Juran (The Deadly Mantis).
This is the best of Harryhausen's Sinbad movies and one of his best movies overall, along with Jason and the Argonauts.
If you haven't seen this, you are missing out. Fantastic.
Rating: 5 stars out of 5.
Lo sapevi?
- QuizThe cyclops was given satyr-like legs so audiences would know it was not a man in a costume.
- BlooperOn their first encounter with the cyclops, they are rowing out to their boat when the cyclops hurls a boulder at them. The boulder hits the water, makes a splash, but then it starts to float rather than sink like a rock.
- Citazioni
Sokurah the Magician: From the land beyond beyond... from the world past hope and fear... I bid you Genie, now appear.
- Versioni alternativeThere were, in fact, actually four 8mm reels released (which could be purchased in color or black & white, sound or silent), serializing the feature. This digest, when the reels were combined, runs about 36-40 minutes, depending on whether you were using the silent or sound versions. A well-edited condensation of the feature film. (The four reels were 1. "The Cyclops," 2. "The Strange Voyage," 3. "The Evil Magician" and 4. "The Dragon's Lair.")
- ConnessioniEdited into Attack of the 50 Foot Monster Mania (1999)
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Dettagli
- Data di uscita
- Paese di origine
- Sito ufficiale
- Lingua
- Celebre anche come
- Il settimo viaggio di Sinbad
- Luoghi delle riprese
- Caves of Arta, Mallorca, Balearic Islands, Spagna(Temple of the Oracle; interior)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 650.000 USD (previsto)
- Tempo di esecuzione1 ora 28 minuti
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What is the Hindi language plot outline for Il 7° viaggio di Sinbad (1958)?
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