The Rifleman

Chuck Connors plays an inspiring hero in The Rifleman, defending himself, his son, and his friends against gunslingers, cheats, and swindlers. His character (Lucas McCain) is brilliant, brave, strong and just, and supported by a great cast. It's a beautiful series that I often find myself staying up way too late to watch.

I first saw this show as a 6-year-old kid and didn't think too much of it at first but once I got a few years older, I really started to appreciate it and now I consider it one of my all-time favorites...not so much as a replication of authentic Western living (I recall Chuck Connors' quote during the show's run: "We offer relaxing entertainment. If you want period realism, go read a book")as it was an interesting show with GREAT background music by Herschel Burke Gilbert, one of my all-time favorite TV composers. I've noticed that people usually have pretty strong opinions about the show....they either really like it or they hate it...usually those who hate the show focus on the violence (they claim Lucas would kill over nothing, which certainly never happened in any episode)...and those who love the show tend to focus on...well, the violence! I've heard comments like, "If there were N number of Rifleman episodes, the body count during the show's run would be >N"...a funny quote, to be sure, but simply not true. In fact, there were episodes where a bad guy would draw on Lucas, he'd sense it, and fire near him to show that "I've got enough firepower to cut you in half"..there'd be other episodes when somebody would draw a gun and Lucas would "sting their hand" to keep from having to shoot them. (hokey, yeah, but that's TV for ya). You have to remember that the TV audience and the ABC network in particular expected action in its Westerns and crime dramas. The ABC network wanted a lot of action in its shows at that time because they were trying hard to get established as a network and compete with NBC and CBS. Some claim "The Rifleman" was something of a gimmick show. It slipped close to becoming one from time to time but the warm interaction between Connors and Johnny Crawford as his son Mark were part of what kept the show from becoming a "Colt .45" or "Hotel de Paree" period parody. Fans of the show often mention the cinematography. Yes, it was good, indeed. In fact, until I started seeing episodes on DVD, I didn't know just how good the film work was. Was it a grim show? No. Those who really don't care for dramatic, near-baroque background music probably get that "grim" idea. Was Micah the sheriff near-useless? Yes, I admit that. Lucas usually ended up being a one-man North Fork SWAT team, to be sure. But man oh man, could a viewer get revved up! They got great character actors like Jack Elam, Martin Landau, James Coburn, and John Anderson to play bad guys...and they'd just work you to this crescendo, just get you where you couldn't wait for Lucas to get out that gun and wail on' em! I'd recommend by-passing most of the last-season (1962-63) episodes of the show. By then, Johnny's Mark was now into puberty, Chuck looks bored and tired of the show (he, in fact, WAS tired of doing it and afraid of being typecast by the Lucas character by then)and although Patricia Blair looks great, the shows are pretty uneventful and stale and they tried too much to play to the Ricky Nelson angle and give Crawford an excuse to sing. "The Rifleman" has really aged well, from the dramatic opening sequence right down to the Four Star Banner logo at the end. It's a TV classic near and dear to my heart, regardless of the body count, heh heh...

I don't agree with that rating above. The Rifleman is very very good. If you haven't ever seen the show, don't think that it's crummy. Sure it's got some pretty traumatic moments, but it's an awesome show. The way that the actors interacted with one another was so good. The characters loved each other, but so did the actors. Chuck Connors was the perfect portrayal of Lucas McCain, and the same goes for Johnny Crawford and Paul Fix. Although most outlaws come to North Fork left in a pine box, that doesn't make the show cheesy, corny, fake, whatever. It was a very sweet, realistic show, and it was one of THE best, period. Signed, Stephanie

I think much of the success of "The Rifleman" TV series was due to the casting of Chuck Connors as the "hero." We quickly grew used to him in this part but at the time the series started, he was probably regarded by many casting directors as a "bad guy" -- such as the part he played in "The Big Country." There was something mean and menacing about him. But by casting him as the boy's father in "The Rifleman," the show used Connors' toughness to counteract the sentimentality that might otherwise have enveloped this series. (Can you imagine how syrupy "The Rifleman" would have been had Doug McClure played the lead?)

As a kid growing up in the 70s, "The Rifleman" was one the only other western besides "Wild, Wild, West" that I really liked--I envied Mark McCain and the great father he had on the show (played by Connors). Yes, each show was a morality play but so were many other shows of the 50s & 60s (including "Star Trek"). They made their point at a time when there was still some innocence in America, and even taught tolerance for people from other countries/cultures (for example, in the episode of "Rifleman" where a Japanese man gets insulted & pushed into a fight with one of the locals & uses Judo to defend himself). Lucas McCain taught his son by example NEVER to use a gun or fight unless it was self-defense. It sounds silly now, but when I was a kid I wished my dad had explained things to me the same way Chuck Connors did to his son in the show--ah well, thank goodness for TV writers! :)