VALUTAZIONE IMDb
7,4/10
2056
LA TUA VALUTAZIONE
Una madre e moglie amorevole affronta le situazioni e i problemi di una famiglia della classe media tra la fine degli anni Cinquanta e l'inizio degli anni Sessanta.Una madre e moglie amorevole affronta le situazioni e i problemi di una famiglia della classe media tra la fine degli anni Cinquanta e l'inizio degli anni Sessanta.Una madre e moglie amorevole affronta le situazioni e i problemi di una famiglia della classe media tra la fine degli anni Cinquanta e l'inizio degli anni Sessanta.
- Candidato a 4 Primetime Emmy
- 3 vittorie e 6 candidature totali
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Recensioni in evidenza
While I agree this was a 1950s sitcom, I don't feel it was "typical". Firstly, Donna Reed was a STRONG woman, unlike the regular 50s sitcom moms. She made a stand for women's worth and equality (remember the episode where the TV announcer says "just a housewife") and Donna stands up for all women do and represent, especially those that don't work outside the home? And when the women rebelled against something in the series, it was not something trivial...it was always something to show that women have the right to be treated with the same respect as men. Remember, Donna Reed was married to the show's producer, so she had much more input into making hers a more powerful character.
The children were intelligent, but not precocious. They were normal kids. And they could ACT.
Something else that made Donna Reed Show stand out was not only did the children LOOK like their parents, but you could feel the chemistry between all the actors in the real life situation, which then came out in the characters. Shelly Fabares and Paul Peterson have often written and remarked that they were treated like the children of Donna Reed and Carl Betz, and that the adults were fiercely protective of the child actors, and treated them accordingly. Donna and Alex also had somewhat of a sexual chemistry that wasn't seen on the other family shows. And the characters could be flawed, and in major ways, and yet, accepted for the flaws and mistakes. These were not super parents that did no wrong and had no emotional highs and lows. They were normal people acting as normal people.
Women's rights, drug abuse, child abuse, single fathers, poverty, children who need good health care but can't afford it...it was all shown on this show. Pretty groundbreaking for the era.
Donna Reed show didn't last for eight years without a reason. And it could have possibly endured, had it not been for Tony Owens and Donna Reed divorcing.
This show is highly underrated and should be shown so that other generations can appreciate quality.
In summary, I agree with the original poster, who obviously cares for the show, but I think that the Donna Reed show has SO much more to offer than casual entertainment.
The children were intelligent, but not precocious. They were normal kids. And they could ACT.
Something else that made Donna Reed Show stand out was not only did the children LOOK like their parents, but you could feel the chemistry between all the actors in the real life situation, which then came out in the characters. Shelly Fabares and Paul Peterson have often written and remarked that they were treated like the children of Donna Reed and Carl Betz, and that the adults were fiercely protective of the child actors, and treated them accordingly. Donna and Alex also had somewhat of a sexual chemistry that wasn't seen on the other family shows. And the characters could be flawed, and in major ways, and yet, accepted for the flaws and mistakes. These were not super parents that did no wrong and had no emotional highs and lows. They were normal people acting as normal people.
Women's rights, drug abuse, child abuse, single fathers, poverty, children who need good health care but can't afford it...it was all shown on this show. Pretty groundbreaking for the era.
Donna Reed show didn't last for eight years without a reason. And it could have possibly endured, had it not been for Tony Owens and Donna Reed divorcing.
This show is highly underrated and should be shown so that other generations can appreciate quality.
In summary, I agree with the original poster, who obviously cares for the show, but I think that the Donna Reed show has SO much more to offer than casual entertainment.
I watched It's a Wonderful Life last week and missed watching The Donna Reed Show playing on Nick at Nite in the 80s. I grew up on old shows from the 50s through 70s when television was still admirable and CLEAN.
Many people enjoy poking fun at all the 50s-60s family comedies such as "Ozzie and Harriet", "Leave it to Beaver" and our own "Donna Reed Show" citing how unreal and "perfect" they were.
Well, I suppose they were, however, none were intended to be taken as documentaries. They were there to entertain, and along the way, perhaps sneak in some moral to their stories, a facet sadly lacking from todays TV crop of "family" comedies. I submit that ALL television families lack realism just by virtue of their BEING television families. "Roseanne" and her ilk are no more real than the Donnas and Junes or yesteryear. And, I'd much prefer living next the Stones than I would the Connors.
Also, to those of us who were the only child, or members of a family who yelled instead of discussing, such programs provided surrogate siblings and a look at rational parenting. Being an only child, I sort of bonded with these video families who came to visit once a week, and felt better for it.
For those who've never seen it, "The Donna Reed Show" presented the Stone family: Donna, former nurse, now a typical suburban wife of the era, her husband, Alex, a pediatrician whose office was in their home, at least for the first 7 seasons, their teenage daughter Mary, whose life revolved around school dances, boys, and fashion and who could be a bit self-absorbed and selfish (no perfection there) and their younger son, Jeff, who got into minor trouble at school occasionally (once he was even suspended! - hardly perfection there, either), enjoyed sports, and driving Mary to distraction as younger brothers are wont to do. During the last couple of seasons, Mary had gone off to college, and the Stones adopted pre-teen daughter Tricia, who was the sister of Jeff in real life as well as "reel" life. Alex was played by Carl Betz, Mary by Shelley Fabares, Jeff by Paul Petersen, and Tricia by Patty Petersen.
The program ran for eight seasons 1958-66, on ABC and was enjoyable enough, though hardly as "perfect" as it seemed on the surface. Parents Donna and Alex were involved in their children's lives and usually patient and understanding with them, reasoning through problems, though Alex sometimes raised his voice to a very un50s type bellow. As a child, I watched every week, and had a slight crush on Mary, and would recommend the show to those not completely jaded by our "modern" age.
Well, I suppose they were, however, none were intended to be taken as documentaries. They were there to entertain, and along the way, perhaps sneak in some moral to their stories, a facet sadly lacking from todays TV crop of "family" comedies. I submit that ALL television families lack realism just by virtue of their BEING television families. "Roseanne" and her ilk are no more real than the Donnas and Junes or yesteryear. And, I'd much prefer living next the Stones than I would the Connors.
Also, to those of us who were the only child, or members of a family who yelled instead of discussing, such programs provided surrogate siblings and a look at rational parenting. Being an only child, I sort of bonded with these video families who came to visit once a week, and felt better for it.
For those who've never seen it, "The Donna Reed Show" presented the Stone family: Donna, former nurse, now a typical suburban wife of the era, her husband, Alex, a pediatrician whose office was in their home, at least for the first 7 seasons, their teenage daughter Mary, whose life revolved around school dances, boys, and fashion and who could be a bit self-absorbed and selfish (no perfection there) and their younger son, Jeff, who got into minor trouble at school occasionally (once he was even suspended! - hardly perfection there, either), enjoyed sports, and driving Mary to distraction as younger brothers are wont to do. During the last couple of seasons, Mary had gone off to college, and the Stones adopted pre-teen daughter Tricia, who was the sister of Jeff in real life as well as "reel" life. Alex was played by Carl Betz, Mary by Shelley Fabares, Jeff by Paul Petersen, and Tricia by Patty Petersen.
The program ran for eight seasons 1958-66, on ABC and was enjoyable enough, though hardly as "perfect" as it seemed on the surface. Parents Donna and Alex were involved in their children's lives and usually patient and understanding with them, reasoning through problems, though Alex sometimes raised his voice to a very un50s type bellow. As a child, I watched every week, and had a slight crush on Mary, and would recommend the show to those not completely jaded by our "modern" age.
Although it lasted in the Sixties, this was the typical family Pleasantiville-style sitcom of the Fifties, along with Leave it to Beaver, Ozzie and Harriet, My Three Sons, and Father Knows Best. Reed's career was on a downturn, so this series was designed as a vehicle for her - and hence the uniquely egocentric title! Can you imagine "Beaver" being called "The Barbara Billingsley Show"? Donna was, admittedly, in the center of things more, and solved all manner of family crisis. The son, Paul Peterson, is now an advocate for child actors, and Shelley Fabares, who had a hit song during this series' run ("Johnny Angel"), had a career that went from teen idol to mature beauty in "Coach". The father was a doctor - at least he had a job unlike the goofy Ozzie! A somewhat contrived and formula show even by Fifties standards, but still a pleasant and wholesome series - unlike the smutty, cynical, and mean-spirited sitcoms of more recent times of which I have little use.
I loved this show when it was on nearly two decades ago. It's wholesome, but not nauseatingly so. It's funny, but not frenetically. One of the funnier episodes was when the household is visited by a pollster who embarrasses Donna by predicting her every move, as she is the "average" housewife. This brand of humor is obviously more subtle than Lucy. And because it is, there is little appreciation. Donna Reed was also a great lady in real life.
Lo sapevi?
- QuizThe living room set was later used again as Major Nelson's living room on "I Dream of Jeannie". It was also used as the Mitchells' living room in "Dennis the Menace" and in the show "Hazel" several times.
- BlooperStarting from the season 3 opening , you hear the phone ring and Donna Reed come down the stairs to answer it , it rings again even after she has picked it up .
- ConnessioniFeatured in Let the Good Times Roll (1973)
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- Lingua
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- Mutter ist die Allerbeste
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- Tempo di esecuzione
- 30min
- Colore
- Proporzioni
- 1.33 : 1
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