I forti non piangono

You're never sure what's really going on in "The Young Don't Cry", but there is enough symbolism to shake a stick at. Sensitive teenager Sal Mineo (as Leslie "Les" Henderson) walks softly on screen, carrying a big one (a stick, that is), and encounters a snake-in-the-grass. Fortunately, some work-released prisoners are digging a ditch nearby, and hard-nosed convict James Whitmore (as Rudy Krist) saves Mr. Mineo from being bitten by the rattlesnake. Mineo "bonds" with Mr. Whitmore immediately; their locking eyes are perhaps meant to convey, "You saved my life, I'm yours," since it doesn't look like, "I owe you one."

Later in the running time, Mineo gets a chance to "help" Whitmore - but, with decidedly different results...

Meanwhile, back at Georgia's "Brockton Orphanage for Boys", nice guy Mineo plays "big brother" to little Leland Mayforth (as Allan) and mixes it up with bully Paul Carr (as Tom Bradley). As it turns out, the stick Mineo was carrying in the opening was the mast of a boat he's been building. Later, Whitmore contemplates Mineo's ship for an escape attempt…

The orphanage is excited by the arrival of former resident Gene Lyons (as Max Cole).

Mr. Lyons grew up to become a multi-millionaire; and, he also married whistle-inducing blonde Dolores "Roxanne" Rosedale (as Maureen). This makes Mr. Lyons a perfect role model for the "Brockton" orphans, especially manipulative Thomas A. Carlin (as Johnny Clancy). During Mr. Lyons' visit, young Carr's bullying "Bradley" steals the film, with a nicely performed outburst about some vaguely explained fishing trips. There are several other memorable performances, though. Writer Richard Jessup might have really had something, with this fine cast, had it been executed properly.

****** The Young Don't Cry (7/26/57) Alfred L. Werker ~ Sal Mineo, James Whitmore, Paul Carr, Thomas A. Carlin

The films of Alfred Werker are regularly overlooked but frequently reward attention.

Although dismissed by David Quinlan as "weak and woebegone" 'The Young Don't Cry' is actually a very respectable conclusion to his career on the big screen before he disappeared into television, showcasing Sal Mineo - who'd recently shown potential as Plato in 'Rebel without a Cause - with the help of veterans like the earlier film's cameraman Ernest Haller, composer George Anthiel and James Whitmore, J. Carroll Naish and octogenarian black actor Leigh Whipper whose career in films dated all the way back to Oscar Micheaux.

THE YOUNG DON'T CRY is an oddly inert vehicle for Sal Mineo, made to build on his Oscar-winning reputation after his memorable debut turn in REBEL WITHOUT A CAUSE. This black-and-white production sees him as an overaged kid at a home for orphaned children who gradually becomes involved in the lives and schemes of a bunch of chain gang prisoners digging ditches close to their school. Eventually, very eventually that is, there's a jailbreak of sorts and a little bit of action at the climax, but it's one of those films that feels lifeless and isn't even sure who the protagonist is. The best role goes to James Whitmore as a hardened criminal.

At an orphanage for boys and young men down in rural Georgia, a tough-yet-sensitive teen befriends a convict at a nearby work farm; when the prisoner eventually makes a break for it, causing all hell to break loose in the small community, the kid has to decide whether to talk his friend into giving up or aid in his escape. Slow, rather dreary co-feature from Columbia, ostensibly designed as a showcase for young star Sal Mineo, though James Whitmore's haunted con has the film's best moments. Connecting with the audience in a much more immediate way than his young co-star, brawny, masculine Whitmore understands how to make his character's fear and damage work best for him. The other story threads (a visiting former-orphan attempting to buy acceptance with his newfound wealth, a salty sheriff and his deputy, and a lonely woman living in a swampland shack) never quite come together, despite good actors and location shooting. It's a puzzling movie (a cynical viewer might even say a sexually conflicted one), with awkward melodrama and interaction ultimately keeping it from being anything more than second-string fare. ** from ****

Sal Mineo once again proves he was one of the 1950's brightest most talented stars in this very entertaining,touching film. Sal Stars as an orphan who is subjected to many hardships and discovers how important it is to be true to one's self and rise above the negativity. Along the way,a former fellow orphan returns as a rich successful man,and tries to sway Sal to change his ways in order to become a success. He also has many problems with a fellow envious orphan and is taken hostage by an escaped convict during the climax. Throughout the entire film,Sal Mineo keeps the audience interested with his superb,compelling acting. He delivers a typical knock-out performance and Sal easily carries this entire film single handed. In this role,Sal delivers a character with guts and toughness, yet manages to give him a bit of heart and vulnerability as well. Sal Mineo NEVER gave a bad performance. Sal Mineo's talents are very under-rated and it's time people remember this great icon,and this film deserves to be released on home video. Highly entertaining and a treat to any Sal Mineo fan. I am owner of Sal's official website and strongly recommend this film to be released on video.