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Susan Hayward was a contract player at Warners and di a fww brief shots in WB films. Beautiful Susie left WB and went to Paramount where she got some plum roles such as Gary Cooper's Beau Geste, Frederic March I Married A Witch and Loretta Young in And Now Tomorrow

This film was set to be aBogey-Bacall film but the great Bogie developed cancer and both Bogie and Mrs Bogart aka Lauren Bacall droped out and Jack Warner asked Susan Hayward to return to WB where Susie was given a star Bungalow on the WB lot and her fave cinematographer Stanley Cortez (Cortez did the great train shot with Jennifer Jones and Robert Walker in Since You went Away), and her fave costume exec Charles LaMaire. Susan looks beautiful in this Carrolton Production her own production company named after her adopted town in Georgia (Susan married Floyd Eaton Chalkley a former FBI agent who was a strong Catholic and Susan converted to Catholicism and both Chalkley and Susan are interred in the Church graveyard.

Kirk Douglas replaced Bogart in this beautifully filmed movie.

In "Top Secret Affair" both Kirk Douglas and Susan Hayward were allowed to do the things that they did best. They were respectively cast as intense, inner directed, talented people in search of soul mates. their initial antagonism (primarily on Hayward's part with Douglas oblivious to it) is based on her misunderstanding of Douglas' true character and personal qualities. In reality both are highly patriotic , driven individuals with only the good of their country at heart. They are perfect partners with matching vitality and values. This is one instance where Hollywood started over from scratch, ignoring the contents of a good book but creating an original piece of light entertainment in the process.

This project was previously designed for Bogie and Bacall, nevertheless the malignat disease is about to win the battle against a hard smoking Bogie, thus the couple decided quit, they were replaced by Susan Hayward & Kirk Douglas, intriguing that Kirk already paved a solid career, but somehow he was casting as second billed, should be Susan enough great than Kirk Douglas??

The plot is engaging and pleasant to watch, with humor oriented through the funny character of the clumsy Col. Gouch (Jim Backus), a tycoon of high profile magazine Dorothy Peale (Susan Hayward) lobbied on backstage to nominee a civil person to Atomic Energy Committee, to her dismay the office went to war hero Major General Melville A. Goodwin (Kirk Douglas) a hard line soldier, over such defeat Dorothy has an insight, inviting Melville for an interview at her house in order to besmirch his reputation vis-à-vis to the public, the outcome is whatsoever foreseeable as Hollywood always did.

Due the poorest votes and reviews this picture seemigly didn't had any impact at its release time, that I recollect never hear a thing over this picture, maybe for a lack of chemistry between them, Hayward seems so prudish, well dressed and behaved, it ain't Kirk's kind of woman, I expected something hot, peppery, sounds a family movie,more suitable to Rock Hudson & Cary Grant (those guys that used to kiss the chins of the actress, sorry sounds a bit offensive) also the storyline is far-fetched, whoever heard an interview which takes ten days to be done, apart these minors flaws it won't bother anyone!!

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First watch: 2021 / How many: 1 / Source: DVD / Rating: 7

With the powerful energy and sex appeal present in both Kirk Douglas and Susan Hayward, isn't it strange that when they finally made a movie together, it was a comedy? It's an oddball comedy, a supposed battle of the sexes that doesn't really hit the mark of any target, but if you want to see both their energies up on the silver screen together, you've got to rent it.

Kirk is a war hero, a general up for a big promotion. Suzy is a journalist, in charge of a great deal of publicity (good or bad) in the country. She doesn't know him and doesn't like him, and she plans to turn a seemingly harmless interview into a damning reputation crusher. Kirk arrives at her house with his faithful sidekicks, Paul Stewart and Jim Backus, and his precise regime of eating, exercise, bedtime, and moral etiquette immediately irritate Suzy. What does she do when she realizes there's no legitimate dirt to find? She forgets she's a journalist and remembers she's a woman; in other words, she fights dirty.

Even though this is far from a romantic comedy, some naughty bits made it through the censors and amused audiences. In order to be alone with him, Suzy says she gets "inhibited with more than one man in the bedroom," effectively sending Jim and Paul away. When she's particularly mad, Kirk reminds her she can't yet make good on her threat to kill him, because "generals die in bed," and in that scene they're nowhere near a bedroom. There were some funny moments, and some more dramatic moments, but all in all it felt like a waste of their talents. Since we all know they're capable of making better movies, have one of your favorites on hand for next weekend.

Dottie Peale (Susan Hayward) is the formidable anti-military head of a media empire. Maj. Gen. Melville A. Goodwin (Kirk Douglas) is a fast-rising popular figure who has been appointed to a political position. Dottie wants that position for a family friend and is looking to take down Goodwin to get it.

I want a better meet-cute at an earlier point. She shouldn't be in a mind set before their first meeting. If he could get her goat sooner, she would be that much more driven to take him down. This has to accept the required precepts of the great meet-cute. The aim should be a love-hate relationship, but this starts with hate-hate. It's not quite right, but they do move in the right direction. Drunken Hayward is fun. It is an interesting pairing with the age-appropriate Hayward. I don't know if they do other movies together. Bogie and Bacall is probably the more standard pairing.